Interview: Nominon (2022)

NOMINON is one of those solid Swedish Death Metal bands that have kept their sound extreme and underground ever since their inception without ever succumbing to trends. This includes a string of mandatory releases under their belt worth checking out. Elements of Thrash and Black Metal can also be heard in their sound. The following interview was done with guitarist Juha Sulasalmi.

Hails! How did the recent compilation release “Yesterdeath” come about? Will NOMINON release any new material in the near future? What have you been up to over the years?

In 2015 we did a couple of mini-tours and a German festival, then the band went on hiatus.  I guess the main reason was different views on the band’s overall commitments. We just didn’t find the energy needed at the time. Then the spark was lit again 2018 and since then we’ve been regrouping with a really strong line-up and started writing some new material.

We don’t want to rush things since we are older now (and wiser hopefully) and we all have various life situations to take into account. We thought it would be cool to release something quite hidden and obscure, just to give people out there a sign of life and to get some buzz going. “Yesterdeath” is a compilation of stuff from the many 7” splits we have done through the years. I think it’s a convenient way to get hold of material from releases that have been sold-out for a long time.

Do you think the fact that you’ve had so many line-up changes has helped to maintain a degree of variety throughout the band’s career? What are the factors behind such a consistent discography?

Variety is important to keep the music interesting, both for the fans as well as for the band. There’s no point in writing songs that sound alike, unless you’re AC/DC. Of course each individual brings his unique influence into the band. Also the different formats such as 7” splits, albums etcetera do contribute to the sense of variety, since they often are recorded in different sessions under different conditions.

We like to put out releases every now and then just to give a sign of life, even when we’re in a period of less activity. Another aspect is that we don’t like to rush things. This is a lifetime commitment and we’re in no hurry. The consistency and unhurried approach could also be regarded as one of the reasons for the many line-up changes. Some are restless and eager to move forward, looking for their true purpose within other genres. NOMINON isn’t about achieving success. This is about satisfying our own musical hunger.

To the reader, how would you best summarize your sound and what NOMINON is all about?

Basically its death metal rooted in the thrash metal heritage, occasionally with some black metal elements. We often integrate ideas we like regardless of genre or subgenre. All of us have personal influences and they all mix together within the framework of our sound. Musical dynamics are important to us. We don’t want to make albums that sound like one long tune. Nor are we interested in following any trends. Honest death metal with no gimmicks, that’s what it’s all about. Lyrically it’s about hatred, death, pain and suffering.

Looking back, what were your main determinants for starting a band, and what have you learned over the years playing with NOMINON? Are you happy with everything the band has achieved?

In my first band we played thrash metal and when I started NOMINON in 1993 my aim was to create and play death metal. My mission has always been to entertain myself. It’s great when people understand and appreciate your music and prove to be on the same wavelength. However, my first priority isn't to be seen or heard, this is just out of plain egoism. Other bands and individuals seem to be on a mission and they try to convey their beliefs or whatever. I’m not into that at all.

Yeah, looking back I’m very proud of what we’ve done. Some of the early recordings were very DIY and could have deserved a better sound production. But at the end of the day - this is death metal. What I regard as the perfect sound, somebody else may think is crap and vice versa.

Your last album “The Cleansing” shreds pretty hard. In retrospect, what were the main elements that determined the style and sound of that album?

Yeah, we’re really proud of that album. We got a lot of new energy in the writing process and I think a big reason for that was Alex Lyrbo, a great lead guitarist and riff maker who was our newest member at the time. He wrote a lot of stuff which had that extra spark in it. Alex left NOMINON shortly after the album and joined the Swedish hard rock institution BULLET (which also he left recently).

Today we have a killer line-up and I sense that the same energy can be found in the songs we’re putting together right now. You learn what’s really good and refine things along the road and that’s just awesome. “The Cleansing” did indeed bring that extra power to our songwriting onward.

What do you personally regard as the ultimate NOMINON album and why?

It’s impossible for me to select just one album. It depends on the mood and what aspect I’m into at the time. It might be the lyrics, riffing or song structures, maybe drum sound, intensity vs heaviness and so on. I really treasure both “The Cleansing” and our debut “Diabolical Bloodshed” but there’s one album I keep coming back to and it’s “Terra Necrosis''. It has got a lot of heaviness but also speed and I’m very fond of the drum sound on that album. It has some of my favorite songs in terms of riffing and also our vocalist Daniel wrote some very cool lyrics on that album.

Could you please tell us a little about your split with Peter Nilsson's black metal project FAFNER back in 2004? In your opinion, should black and death metal do more splits together?

When Peter and I parted ways in 1994 Peter started his one man project FAFNER to which he brought some of the material we’d been writing together in NOMINON. NOMINON had a lot of black metal tunes in the early days. The FAFNER songs sounded much like the songs on the second NOMINON demo “Daemons II”. This was also the last demo we did together before Peter went on with FAFNER.

So the FAFNER/NOMINON split had a natural origin in that both bands had the same songwriters and a common history. I'm not sure black and death metal bands should do more splits in general. I can't see why there should, if it isn’t obvious the bands have something in common.

In terms of your sound, did you ever feel the need to have an original sound? How do you feel when ignorant fools compare you to bands like DISMEMBER and ENTOMBED?

You can easily tell when someone has really listened to a NOMINON album. They will pick up the unique things going on and sense the variety of influences in the music. On the other hand, when someone compares us to bands like DISMEMBER and ENTOMBED, you know they either haven’t listened or it’s just out of plain ignorance.

When you get that response from someone who has really understood, then it’s just like: Yeah, he saw it! He’s one of us!

We knew from the start that we had an original sound, it was nothing we planned for. But sometimes a particular production can make it hard for our sound to fully come through. Maybe that’s why we sometimes are being compared to those Swedish old-school acts.

Who are some of your favorite bands, as well as your biggest influences? Also, what bands influenced NOMINON's sound?

IRON MAIDEN has been my godz since the age of ten. Other important bands are WHIPLASH, CANDLEMASS, early EDGE OF SANITY, IMPALED NAZARENE, DEMIGOD, MYTHOS, ADRAMELECH and SHAARIMOTH to name a few. Since my family has Finnish roots it was natural for me to follow the early Finnish death metal scene and it has influenced me a lot personally.

In NOMINON we all are big fans of American death metal. Bands like MALEVOLENT CREATION, INCANTATION, MORBID ANGEL, IMMOLATION, SOLSTICE, DEMOLITION HAMMER among others. Naturally also the Swedish scene has been an influence to us, and not just death metal but also in a much broader sense. We’re all big fans of the eighties Swedish heavy metal scene with bands like TORCH, EUROPE, UNIVERSE, 220VOLT and PROUD to name a few.

What do you think of the trend of new bands trying to sound old-school to the point where the music sounds dull and utterly devoid of passion?

It seems some bands decide to sound old-school because there might be a trend going on. Judging by what I hear they could just as well have chosen to play melodic death metal or metalcore. I guess its part of the scene as its evolving and as the underground is becoming mainstream to some extent.

To my relief there are a lot of young bands that sound really great. Bands whose stuff sounds like it was recorded thirty years ago and whose members weren't even born in the beginning of the 90s. I like to support bands with the right attitude and sound. After all it’s better with a vital scene with a lot of bands, out of which some are really good, than a small metal scene with just a few uninteresting bands.

How do you stay inspired as a musician? Also, in terms of quality, how critical is it not to stagnate musically?

There’s a lot of bands out there still inspiring me and my fellow band members. When you discover great bands it makes you want to pick up your guitar and outmatch your latest riffs and improve your own songwriting. The creative process is really fascinating in so many ways. One could easily believe that the more you pour out from the well of ideas the less there is left and in the end you run out of creativity and stagnate as a riff maker. It’s quite the opposite. The more you let yourself be inspired by your favorite bands and the more you are in a state of flow when riffing and composing, the clearer it becomes that the ideas will never end. Of course the inspiration also gets a boost every time someone shows appreciation to your music, e.g. on social media or an interview in a webzine like yours.

Stagnation is always a factor to take into consideration, especially as we’re not youngsters anymore. But I don’t think it’s a big issue as long as you’ve got the passion, inspiration and creativity.

You've been with the band since the beginning, although I am quite curious as to why you didn't participate in 2016's live album, "Chaos in The Flesh...Live!"?

We’ve used live musicians from time to time. Actually the band did a couple of tours without me some years ago. Looking back it seems somewhat odd that the only original member did not play on those live shows. The only thing I can say is that back then when I had to choose between going on tour for three weeks or being with my family and kids and keeping the income coming from my job, I chose the latter. We used to have different views on the importance and desire for playing live. Looking at it now it seems a bit strange I admit. Nowadays we have agreed on a more common approach to things.

When it comes to the live recording of “Chaos in the Flesh…Live!” I was going to play that show but got sick the day prior to the gig, that’s why we ended up using a stand-in on that gig.

How important is the compatibility of the artwork and music? Do you think a good metal album can be overlooked due to a shitty artwork?

I think the artwork plays an important part of the whole package, at least when it comes to extreme music. The artwork should tell something about the music. The first albums that got my interest as a ten year old kid was IRON MAIDEN - KILLERS and THE RODS - WILD DOGS. As a kid I used to sit on the floor, knees crossed with the album cover in my hands, being sucked into the artwork. And through the speakers came this fierce and powerful music. Of course it was a lethal combo. The cover art is a world of its own.

On the other hand, if the music is really good, you might be able to overlook crappy artwork. You just don’t pay attention to the cover, and as a result your overall impression of the band’s work won't be as strong as it would otherwise have been.

Are there any Swedish bands you recommend we check out? Do you support the music scene in your country?

I would recommend checking out these bands from Sweden: KVAEN, ENVIG, THE MALICE, REINCARNAGE and ARMAGEDDA. Also the bands DESULTOR and PAGANDOM have put out some cool stuff.

I like a lot of the younger underground death metal bands but we don’t have many of them here in Sweden. I think nowadays there’s a lot more cool death metal coming from Finland, Denmark and also the States. There’s a great underground scene both in Europe and in the U.S. Right now thrash metal is getting bigger here in Sweden.

Whenever there’s a gig in my area I go and support the scene and buy merch and CDs.

What's next for you and the band? Thanks for agreeing to do this interview and all the best to you!

We’ll be focusing on getting our new songs ready for an upcoming release, most likely a full length album. Would be awesome to get it out before the end of this year. We’ll see what happens. Thank you so much Jim for your support and best of luck with all your endeavors!

Interview: Putrid (2022)

 

The following interview was conducted with Peruvian blasphemers PUTRID. The band plays evil and menacing Black/Death/Thrash in the style of ANGELCORPSE, MORBID ANGEL, SARCOFAGO, etc. Both Spanish and English answers were provided.

Bestial greetings, M.B.! How did Putrid form and what are your influences musically? Were you in any bands prior to the band’s formation?

Spanish:

Hola Jim, muchas gracias por darnos el apoyo a a traves de tu zine; Apreciamos mucho eso hermano!

Mis influencias podría decirse que son de dos tipos. Tal vez alguna va sobre cuestiones que me generan mucha ira y otras sobre pensamientos respecto a alguien en particular. Tenemos una canción que se llama “Hatred” (que saldrá en nuestro Split con Morbosidad) y básicamente la hice contra el arquetipo de imbécil que entiende el Metal en general como una via para drogarse y ser una mierda de persona.

Si te refieres a la música, mis influencias son muy básicas, Slayer, Angel Corpse Morbid Angel son las tres básicas y de las cuales puedo decir que si soy un fan de estas tres bandas.

Ahora, yo escucho mucho hardcore, desde antes de escuchar death metal yo estaba muy metido en el hardcore y con bandas como Exploited, Cro-Mags, Misfits, etc. Sabes que, cuando era un adolescente, conseguí un tape que se llamaba PUNK AND DISORDELY, ese tape era genial brother. Gran compilación!

Si, antes de Putrid tocaba en una banda que se llamaba Flagelum Dei, el baterista de esa banda toca en Putrid ahora.

English:

Hi Jim, thank you very much for supporting us through your zine; we really appreciate that brother!

My influences could be said to be of two types. Maybe one is about issues that generate a lot of anger in me and others about thoughts about someone in particular. We have a song called “Hatred” (which will come out in our Split with Morbidity) and basically I did it against the archetype of the asshole who understands Metal in general as a way to get high and be a shitty person.

If you refer to music, my influences are very basic, Slayer, Angel Corpse Morbid Angel are the three basic ones and from which I can say that I am a fan of these three bands.

Now, I listen to a lot of hardcore, since before I listened to death metal I was really into hardcore and with bands like Exploited, Cro-Mags, Misfits, etc. You know when I was a teenager I got a tape called PUNK AND DISORDELY. That tape was great bro. Great compilation!

Yes, before Putrid he played in a band called Flagelum Dei, the drummer of that band plays in Putrid now

In your own words, how would you describe your sound to someone who hasn’t heard it before?

Spanish: 

Es algo complicado de plantear con palabras, porque no es algo que este planeado. Tal vez podría indicar que mediante algunos discos se podrían dar una idea de lo que hacemos con nuestra música. En ese sentido, si tendría que poner algunas características de ella, podría decir que somos: “caóticos y violentos”, música sencilla, caotica y violenta sin pretensiones de nada mas.

Es mas honesto hacerlo desde estos tres  cimientos, al menos para mi lo ha sido siempre asi; y creo que he encontrado un poco el balance entre mensaje y música desde ello. No creo que, mientras Putrid este activo, cambiemos de manera de hacer las cosas.

English: 

It is something difficult to put into words, because it is not something that is planned. Perhaps it could indicate that some records could give an idea of what we do with our music. In that sense, if I had to put some characteristics of it, I could say that we are: "chaotic and violent", simple, chaotic and violent music without pretensions of anything else.

It is more honest to do it from these three foundations, at least for me it has always been that way; and I think I've found a bit of a balance between message and music since that. I don't think that as long as Putrid is active, we will change the way we do things.

“Antichrist Above” from 2020 was a real beast. Could you tell us something about the recording process and the vision you had while creating it?

Spanish: 

Como todos los discos de Putrid, grabar fue un ejercicio de ejercicio de empatía, stress y evidencia de errores al momento de ejecutar los instrumentos. Jajajaja. Cuando nosotros grabamos siempre acabamos muy desgastados al punto de no vernos en dos o tres semanas después; hasta que aparezca un concierto o algo asi.

Si deseas conocer algo de lo que paso?  Bueno lo que más recuerdo es que casi nos quedamos sin sala de ensayo. Yo alquilo una casa que estaba deshabitada y mi padre la administra, por lo que le ofreci un dinero mensual para que me la ceda y ahí tenemos nuestro estudio de grabaciones también. Hate Supremacy Studios se llama. Bueno, casi nos echan de ese lugar, porque nuestra forma de grabar las guitarras es con los volúmenes muy altos. Y así fue, Tuve que rehacer el contrato de alquiler y reforzar las salidas de audio para que no se hagan muy pesadas al grabar. Una mierda, pero el disco que salió fue muy satisfactorio.

English: 

As in all Putrid albums, recording was an exercise in empathy, stress and evidence of errors when playing the instruments. Hahaha. When we record we always end up very worn out to the point of not seeing each other for two or three weeks afterwards; until a concert or something like that appears.

If you want to know something about what happened? Well, what I remember the most is that we almost ran out of a rehearsal room. I rent a house that was uninhabited and my father manages it, for which I offered him a monthly payment to give it to me and we have our recording studio there as well. Hate Supremacy Studios is called. Well, they almost kicked us out of that place, because our way of recording guitars is with very high volumes. And so it was, I had to redo the rental contract and reinforce the audio outputs so that they do not become too heavy when recording. Shit, but the record that came out was very satisfying.

The artwork is purely blasphemous and obscene! What inspired such crude art and who is the artist?

Spanish:

Fue una salida de último momento ya que la persona que nos iba a hacer la portada nos dijo que al final no tenía tiempo y nosotros ya teníamos el disco grabado, pero no habíamos trabajado ni fotos ni portada; simplemente decidimos hacer eso al final y por ese motivo dejamos también la portada para lo último.

La idea, creo que no es muy novedosa en sí, pero si se logró una muy buena foto. En el vinilo se ve excelente. Lo que hemos decidido es ya no hacer dibujos en nuestros albunes. Solo haremos fotos.

English: 

It was a last-minute exit since the person who was going to do the cover for us told us that in the end he didn't have time and we already had the album recorded, but we hadn't worked on photos or cover; we just decided to do that last and for that reason we also left the cover for last.

The idea, I think, is not very new in itself, but a very good photo was achieved. It looks great on vinyl. What we have decided is no longer to make drawings in our albums. We will only take photos.

How did you manage to link a deal with Poland’s Godz of War Productions? I personally think they are a killer label and ideal for an underground band with such a sick sound like Putrid.

Spanish: 

Cuando tenemos ya casi el disco avanzado lo que hacemos es grabar un promo para empezar a mandarlo a distintos labels y ver el interés que se pueda dar con ello. En "Antichrist Above"? tuvimos temas ya totalmente avanzados y con ello grabamos este demo.  Hubo tres labels que se interesaron en nosotros, pero creo que la mejor opción siempre fue Godz Ov War Prod. Ya que vimos que tenían a muchas bandas en nuestro mismo estilo. Estamos muy satisfechos con ellos y de hecho que seguiremos trabajando en este label.

English: 

When we almost have the album advanced, what we do is record a promo to start sending it to different labels and see the interest that can be generated with it. In "Antichrist Above" we had already fully advanced songs and with that we recorded this demo. There were three labels that were interested in us, but I think that the best option was always Godz Ov War Prod. Since we saw that they had many bands in our same style. We are very satisfied with them and in fact we will continue working on this label.

I was wondering if you could comment on the title of your last album, “Antichrist Above” - Is Jehovah the real devil, and the devil below the savour?

Spanish: 

Yo creo que es mas sarcastico de lo que suena. Es como una gran broma en la que tanto cristianos y satanistas han caído por años de años.  Por un lado es el miedo a caer en una oscuridad injustificada y creada básicamente por el miedo al dolor y por el otro lado es la necesidad de alimentar un ego en deficiencias de mayores motivaciones de vida. Es eso, por que si analizas la historia de ambas formas de subyugación (cristianismo/satanismo) todo se revela como un cuento de acusaciones mutuas que no han construido absolutamente nada y la gente, hoy por hoy, o lo ve como una forma de marketing emocional o como una forma de educar en negativo a los supuestos enemigos que estas personas se crean en su cabeza.

"Antichrist Above" para mi, desde que lo compuse, fue una gran forma de decirles a todos que son parte de un gran circo, monos y payasos que buscan una forma de atencion. Mis ideales valen mas que eso.

English: 

I think it's more sarcastic than it sounds. It's like a big joke that both Christians and Satanists have fallen for years and years. On the one hand it is the fear of falling into an unjustified darkness and basically created by the fear of pain and on the other hand it is the need to feed an ego in deficiencies of greater life motivations. It is that, because if you analyse the history of both forms of subjugation (Christianity / Satanism) everything is revealed as a story of mutual accusations that have not built absolutely anything and people, today, or see it as a form of marketing emotional or as a way of negatively educating the supposed enemies that these people create in their heads.

"Antichrist Above" for me, since I wrote it, was a great way to tell everyone that they are part of a big circus, monkeys and clowns looking for a form of attention. My ideals are worth more than that.

What are some killer bands from Peru that every maniac reading this should check out?

The ones you already know everywhere brother: Goat Semen, Mortem, Hadez, etc

What’s the last album you bought?

Spanish: 

Aunque no lo creas el Scream Bloddy Gore de Death; es decir lo tenia en cd hace muchos años, pero recién lo he conseguido en vinilo.

Tambien he comprado el Never mind The Bollocks de Sex Pistols, el mismo caso que Death

English: 

Believe it or not, Death's Scream Bloody Gore; I mean, I had it on CD many years ago, but I just got it on vinyl.

I have also bought never mind The Bollocks by Sex Pistols, the same case as Death

10 albums you can’t live without.

Mmm

Slayer- Reing in Blood, Morbid Angel - Covenant, AngelCorpse -Exterminate, Darkthrone Transilvanian Hunger, cualquier disco de Arditi, Exploitedn - Beat the Bastards, Misfist - Earth ad. Emperor - Athems…, Conqueror – War Cult Supremacy.

Do you have any favorite traditions or historical references from Peru? What do you think about your country's rich, yet interesting history, from the Inca Empire to the conflict between Ecuador and Peru?

Spanish: 

Todo lo que sabemos de la historia de mi país es interesante, pero mas interesante es todo lo que ha pasado en estos años. Desde el terrorismo, la corrupción política. Tu sabes que no tenemos ningún presidente que no haya caído preso desde hace casi 30 años? Es increíble eso.

English: 

Everything we know about the history of my country is interesting, but more interesting is everything that has happened in these years. From terrorism, political corruption. Do you know that we do not have any president who has not been imprisoned for almost 30 years? It's amazing that.

Cheers and thanks for your time! What's next for Putrid?

Spanish: 

Gracias a ti hermano y por el apoyo que nos haz dado siempre. Lo nuevo que se viene es dos splits en 7” vinilo uno con Hexorcist y el otro con Morbosidad. Despues de eso, estamos haciendo los temas para el tercer disco de la banda que esperamos grabarlo a fin de este año. Por ultmo, ya tenemos unas fechas en Chile para el 2023, asi que tenemos aun mucho que hacer.

English: 

Thanks to you brother and for the support you have always given us. What's new is two splits on 7” vinyl, one with Hexorcist and the other with Morbosidad. After that, we are making the songs for the band's third album that we hope to record at the end of this year. Finally, we already have some dates in Chile for 2023, so we still have a lot to do.

Interview: Hunters Moon (2021)

Melbourne-based duo HUNTERS MOON first burst into the scene back in 2006, releasing a self-titled demo the same year, followed by the EP "The Serpents Lust" in 2009. Fast forward to 2021, and the band has put out one of the best albums of the year with “The Great Pandemonium” (reviewed here), re-establishing themselves as a force to be reckoned with. To get a good sense of what they sound like, imagine a crude mix of early Morbid Angel, Dissection, and Destroyer 666. Jim Hexetomb conducted the following interview with J. and D.

Hails! For those readers unfamiliar with Hunters Moon, could you provide a little background and tell us how the band was conceived?

D. and I went to school together and have played in bands since we were young. We began Denouncement Pyre and after a while, I had a few ideas that didn’t really suit what we were going for in DP. As those ideas took shape they ended up manifesting as “The Serpents Lust” mLP. Despite the long hiatus, we’ve never stopped writing songs. The new album is the culmination of those efforts over the last decade. Now with a full-time drummer at the helm, our intention is to be actively releasing albums more frequently.


Where did you get the name "Hunters Moon" and why was it chosen?


The Hunters Moon is the sign of the wild hunt. A name that fits the themes and sound of our music.


How would you describe your music to someone who hasn't heard it before?


Having read so many reviews of the album, it quickly became apparent that people hear and perceive things in such different ways. I’ve read comparisons that couldn’t be further from what we were aiming for, and then others that were more aligned with what we had in mind. One reviewer said we sounded like second wave black metal mixed with elements of Australian death metal, that description kind of resonated with me. We aren’t glued to a particular sound or aesthetic which is why T.S.L and T.G.P sound so different. The thing that unifies the albums is the mixture of sinister but at times melodic sections. I wouldn’t say that our music is necessarily ground breaking but we do try to write memorable songs that invoke a specific atmosphere.


Your latest album "The Great Pandemonium" is one of my favorite albums of the year so far. Can you tell us a little about the recording process and what inspired the title?


Great to hear that you’ve enjoyed the album. It was one of those recording experiences where everything went right, which isn’t always the norm. We had a great drum room at our disposal in the way of an 18th-century church. This environment gave the drums a huge spacious sound that is hard to emulate in a small space. The rest of the album was tracked in my personal studio. We tried to stick to analog processing for the bulk of the album, which adds to the overall atmosphere. There were no time or financial constraints, so the record was done in a relaxed and focused manner. The album was mastered at Orgone Studios by Jaime Gomez Arellano (Mayhem, Paradise Lost, Primordial).

Are there any bands out there with whom you feel you share a musical kinship?


We all have fairly broad musical interests. The list of bands we are interested in would be unending. Based on our sound, you would no doubt hear our worship of 80s and 90s Black Metal. Our tastes cross many genres, metal and otherwise - from subdued to violent and crushing.


Would you consider Hunters Moon to be a Black Metal band? Are there any criteria you believe a band must meet in order to be true Black Metal?


I wouldn’t say that we are exclusively a black metal band, though this is probably the most suitable sub-genre that aligns with our sound, themes, and aesthetic. We have a wide range of influences and our material blurs the lines between multiple genres and sub-genres. For us, black metal is all about the atmosphere. If a band has that aura then it becomes less Important as to whether sonically they cross the boundaries between black/death or otherwise.


Why did it take so long for Hunters Moon to release new material? Also, do you think the band shares a common fan base with your other bands like Denouncement Pyre and Nocturnal Graves?


Whilst the band has been inactive for a long time, we have all been actively involved in music but not HUNTERS MOON specifically. I started an audio company (High Voltage Audio) designing and building pro audio analog gear for recording/mixing/mastering studios. D. has been very active in both Denouncement Pyre and Nocturnal Graves. Our drummer D.M is a professional drummer and drum teacher. In the midst of the hiatus, D and I continued to write songs over this period until which time a suitable drummer was found and the new album could be realized.

Perhaps those who follow DP and/or NG will find something of value in Hunters Moon also, but of course, that is not up to us.

Can you tell us a little about your lyrics and where you get your inspiration?


For this record, in particular, inspiration was found through John Martin’s illustrations of Paradise Lost, as well as using various other biblical references. Both the album title and some of the track titles & lyrics are reflective of this. Visually they capture something that aligned with our idea of how the music should sound. They are the essence of The Great Pandemonium - Foreboding, doom-laden, yet fiery and chaotic.


Do you have any favorite albums of 2021 so far?


Sijjin - Sumerian Promises is a great record. Baxaxaxa - Catacomb Cult is also killer. Perfect atmosphere and sound. I just checked out the new Funeral Mist record, which after a couple of listens is as interesting and killer as anything they have done. Albums by Grave Miasma, Lvcifyre, and Concrete Winds are also worth a mention.


What is your opinion regarding the current situation in Australia regarding the draconian restrictions? I've seen some pretty hectic videos about police brutality there.


Draconian is an apt assessment. You have to make a concerted effort to rise above all the dissent and fear, in order to pave your own way through the unending insanity. If you become adrift in the sea of negativity it’s hard to stay afloat. I made an effort to use the house arrest to hone crafts, write music, and generally try to immerse myself in productive outlets as opposed to becoming downtrodden. You quickly learn how to circumvent and bend the rules in order to stay sane. The restrictions definitely slowed down parts of the recording process. We tracked drums right before the scourge (Nov 2019). The remainder we had to do in stages throughout 2020/2021 as we couldn’t always get together.


Your thoughts on the following:


Elitism - Inevitable, for some are hungrier than others


Post Black Metal - Not black metal


Humanism - Each man should seek his own virtues to uphold, not those that are determined by the greater good


Theocracy - Dreamers, ideal for slaves


Sadistik Exekution - The Magus is one of the best albums to come out of Aus. ever

Thanks, and best wishes to the lads in Hunters Moon! Any last words?

Thanks for the interview.

Album review: Caveman Cult - Blood and Extinction (2021)

 

Caveman Cult - Blood and Extinction

USA

Nuclear War Now!

Chaos reigns supreme on Caveman Cult's latest full-length, entitled "Blood and Extinction", released via Nuclear War Now!

On the band's latest album, we are presented with nine tracks of decidedly violent, bestial black/death informed by bands such as Bestial Warlust, Conqueror and Blasphemy, while also blending hardcore punk elements into their sound.

These cavemen manage to achieve a really abrasive sound, as they belch out a torrent of profoundly savage riffs, eminently harsh vocals, as well as chaotic and cavernous drumming that never lets up – all this combined will leave you with bleeding ears, including their penchant for fast and ripping solos, showing their adoration for this style.

The sound of Caveman Cult can easily be distinguished from other bands in this genre due to their rhythmic percussion and signature tempo changes. They also sound considerably more vitriolic than most bands who attempt this style, including the fact that the songs are rather direct, as they eschew anything remotely filler, which makes this a profoundly savage release reminiscent of a band like Conqueror. Moreover, they even employ Conqueror-esque riffs, which are done so well, and not to mention absolutely crushing and heavy as fuck. The production on this release is quite raw, but not in an unintelligible way. It’s actually perfect for this style and really brings out the best sound possible for the band.

As each track storms in and rages with unholy vengeance, the next track follows with a similar intensity. There's enough variety and depth to the music to warrant repeated listens. Anyone into vicious, bestial black/death, or war metal that's executed with absolute inexorable rage will fucking love this release. Recommended to fans of Abysmal Lord, Invultation, and Deiphago. (HT)

Demo review: Hecatomb - Horrid Invocations (2021)

Hecatomb - Horrid Invocations

Australia/Norway

Invictus Productions

Hecatomb is an international project featuring Rick Warkill from Australia and Mangressor from Norway (Abhorration). Together, they unleash a fierce barrage of raw and bestial death metal that pays homage to the past in the most relentless sense.

"Horrid Invocations" is their debut demo, featuring five tracks of pure unbridled mayhem that give nods to *ahem* yes, Mayhem (Deathcrush era), Sadistik Exekution, and Sarcofago.

Several bands in recent memory have done this style rather well, including Morbid Insulter, Third Eye Rapists, Shitangel, and more recently, Abhorration. They don't try to sound old-school, they just play death metal, and that's what separates them from some retro band made up of members who look as if they formerly played in some shitty sludge or metalcore band (posers in other words). Hecatomb is the real deal. The music is absurdly crude, featuring a foray of harsh screams that sounds like an ancient demon just awoke, along with riffs that radiate nothing but darkness, and drums that plow through the songs with pure unyielding force. In addition, the artwork has that simplistic and underground look, which perfectly reflects what the band conveys with their music.

Overall, if you are looking for some raw, evil, and unapologetic metal of death, then "Horrid Invocations" will satisfy your craving. (HT)

Album review: Autokrator - Persecution (2021)

Autokrator - Persecution

France

Krucyator Productions

"Persecution" is the fourth full-length album by the French black/death act Autokrator, which was released earlier this year through Krucyator Productions.

The music can be described as black/death metal replete with horrific nuances that will deeply penetrate your mind and make you feel as though you've crossed a portal into an abysmal realm. An atmosphere of pitch-black darkness permeates this album along with horror-like aesthetics.

Drums are mercilessly fast and sound almost programmed at times. However, it was confirmed they weren't, which makes the performance even more impressive, considering how dynamic the drummer is.

The vocals are very deep and abrasive, yet also well-balanced in the mix. They add a menacing aspect to the music, which further accentuates the heaviness of the riffs and drums. 

The fast and relentless bludgeoning of "De Gloria Martyrum Et Confessorum" will make the hair on the back of your neck stand up, while "DCLXVI" features savage vocal lines and nailing percussion that makes it equally devastating in its execution.

As a theme, the album examines the persecutions of Christians in ancient Rome, under the reigns of Diocletian, Marcus Aurelius, Domitian, and Trajan.

The songs have a tendency to blend into each other without the listener noticing it, so you'll be forgiven for thinking that you're still listening to the same track, while the music is well into the third track already. It's not a bad thing. The songs have a very cohesive flow, featuring drawn-out riffs and sinister nuances that will drag your soul into the very depths of hell. That, combined with the onslaught of brutal vocals - all makes Autokrator's latest offering worthwhile, although it is not without its shortcomings: while the album is severely punishing during some parts and gets better with repeated listens, it also has a tendency to drag a bit, particular during the last two tracks, which are a bit more instrumental, but still enjoyable.

Autokrator's approach varies from album to album, and that is what makes them interesting. The sound is cleaner and less cavernous than "Hammer Of The Heretics" without losing any of its relentlessness.

Overall, "Persecution" is a solid album that packs a powerful punch. It is certainly one of the more notable releases of this year and should be investigated by fans of dark and relentless black/death/doom. (HT)

Promo review: Abominablood - Agonizing Symphony of Deity (2021)

 

Abominablood - Agonizing Symphony of Deity

Argentina

Independent / Promo 

Abominablood hails from the dark Patagonia of Argentina and has already released a series of demos, splits, and EPs, that amount to quite an impressive discography.

The band is led by L. Warpig Venomous Abominator, who is the morbid composer behind everything, even though there are session musicians who collaborate.

Musically, this is ritualistic blackened death packed with nuances composed of utterly insane, throaty vocals radiating pus that fill your ears with worms, accompanied by overwhelming blast beats, and riffs that rip everything to shreds. It conjures up a filthy atmosphere unleashing vile aberrations at the listener in a pure Lovecraftian frame. The sound of the guitars fascinated me, especially when I heard those spectral guitar solos. Warpig achieves a sound that goes well with the concept it tries to convey through its four songs (an intro, two songs, and outro). His vocal style changes from an acute guttural growl to a serious one from the putrid bowels of death with surgical precision. The melodies that accompany the slower parts of the compositions are profoundly morbid and induce the listener into a deep and terrifying trance. Fans of bands like Cruciamentum, Disma, and Krypts will enjoy this. (Catacombs Walker)