Showing posts with label Satans Carrion. Show all posts
Showing posts with label Satans Carrion. Show all posts

3 Jan 2021

INTERVIEW: SATANS CARRION (2021)


The following interview was done with L. Amodi from USBM band, SATANS CARRION. 

Ave! Amidst all this global turmoil and uncertainty, how do you find yourself at the moment? Do you think things will get worse before they get better, or are we heading straight for the abyss? Furthermore, were there any albums from 2020 that made an impression on you?

Hails! In all of this kaos that's been going on globally, I've actually found myself doing rather well during this whole "pandemic" aside from catching Covid myself. (Which didn't stop me from doing anything.) So much for it being "deadly"... Hard to say, but the US really seems to head straight into that abyss itself. As for albums in 2020: well, I haven't had the time to check out most 2020 releases; unless I was told by a few people like Alexandros from Macabre Omen telling me in person during my travels to the UK in early 2020 about his new release coming out called "Anamneses."

Can you tell me how Satans Carrion came into being and what the band represents musically and lyrically?

Satans Carrion was kaos manifested in the early years of 2011 from within Mortis Circulus. Musically and lyrically represents the filth, the kaos, the hatred and his return in which I spilled my guts out on every recording and still continue to do so. The band started as a solo-project to the point where I wanted to take things further. Funeral Curse from Vatican and ex-Warmoon asked to join as a drummer for Satans Carrion back in late 2013, but things didn't really work out, so I recruited Belhor from ex-Baalzabub on drums for that rehearsal release.


Can you give us a background on your discography and each releases' respected format?

As far as the discography go, everything was all-self released on tape and CDr.
The releases so far including re-releases:

Demo I -2012 & re-release - 2015

Split with Malibuas - In Maleficarum Scriptor Cantus - 2014

Rehearsal MMXVII -2017

How and when did you first get into Black Metal? What is it about the genre that resonates with you enough to inspire you to compose your own music?

You know, I have been asked this many times over the years and considering that Black Metal was almost non-existent in my city at the time when I first got into the genre. Vatican, Warmoon, and Nosvrolok were the only ones I knew at the time growing up here. Anyway, I was actually introduced to Black Metal when I was 15 by an old friend and his wife who used to briefly live around here. He used to show me many old flyers, letters, demos, etc. What resonated with me was that it was real then compared to the pussification of what's been going on in today's scene but then again who am I to say since I never lived in that era, but only learned how it should be. Every now and then I come across people who do carry that spirit. To me, Black Metal was always more than just music.

Which bands influenced the sound of Satans Carrion? Also, if I'm not mistaken, your moniker was inspired by a Mutiilation title? Are you abig fan of their music, including the Les Legions Noires?

Not sure, I usually compose as I go every time I record. I've always heard many people compare Satans Carrion to several bands over the years. Indeed, as in the lyrics reads "I'm a puppet of Satan". Yes, I have listened to music from Les Legions Noire and have briefly spoken with Vordb Na r.iidr of Belketre back in late 2015, but to me especially when writing music in Satans Carrion, it's more then just music which I've already explained in the last question.

Can you tell us a bit about the recording circumstances regarding your debut demo from 2012? What memories do you harbour from that period?

I clearly remember that time during the recording of the first demo and the start of the band, truly fucked up times! The drugs, the crimes, the madness that went on.. I'm more surprised I'm still here because at the time I was truly hellbent on ending it all! In regards to the recording, everything was done by myself in 2011, including the drum machine which was the first devil's mark on this hellish journey. I only had a very limited release at the time due to the problems that was going on for me and even short on money. Hell, I even had to steal some blank tapes in the past haha. Later, I decided to properly self re-release the first demo in early 2015.


Satans Carrion is quite an unknown act. Do you have any aspirations to evolve this project to a more “illustrious” status or are you content with how things are? Furthermore, what's your opinion on musicians from Black Metal bands that inhabit a kind of rockstar temperament?

Indeed, Satans Carrion has been an unknown act for quite some time now and after 5 years of silence, many thoughts and questions arose during that time. I have decided to bring Satans Carrion out from the shadows and into the unholy light to spit at those who betrayed its true essence. At the moment, I'm unsure about "live shows" as finding the right people around here can be a challenge. I truly despise those with a "Rockstar attitude" within Black Metal. Especially the newcomers who secretly seek fame which I've seen a lot over the years but almost always end up in flames. Is there that "black flame" that continues to burn within them anymore? Some still do.

What can you tell us about your latest release, “Rehearsal MMXVII,”and the mood you tried to capture on these recordings?

The rehearsal was recorded in early 2015 with a good friend/drummer, Belhor from Baalazbub, and at the time there where many frustrations and anger when it came down to recording & sound. Initially, this rehearsal was meant to be a mini-album release in 2016, but personal problems occurred at the time which postponed the release for later 2021, thus having Satans Carrion enter a small 5 year break for the time being in which I've decided to release what was captured in that live rehearsal in 2017. Two of the three rehearsal tracks on that release will feature on the new mini-album end of the year.



Can you please elaborate on the theme behind the song “Ego Sum Papa” and what inspired it? There's a sample in this track about a new pope being elected. Where's it taken from? Also, what's your opinion about the Pope and the Vatican? Are they really as “holy” as they portray themselves to be?

There have been many talks in history about the Devil taking seat within the Vatican, so I took a recorded sample of a pope being elected some years ago as a mockery to the holy faith with the Devil being elected. I don't know, I've set foot there earlier in 2020 as a black shadow within the holy see. The mass was canceled during that time due to Covid barely hitting Italy ( mostly up north ) even before hitting the rest of the world. I guess virus fear is stronger than faith.

What's 10 albums you can't live without?

Well, I have way more than 10 albums I can't live without haha but I'll list a few...

1. Hell Militia - Canonisation on the Foul Spirit / Last Station On The Road To Death
2. Uranium 235 - Total Extermination
3. Mysticum - In The Streams Of Inferno
4. Sepultura - Bestial Devastation
5. Zyklon-B - Blood Must be Shed
6. Incursus - Eternal Funeral Trance
7. Darkthrone - Soulside Journey to Panzerfaust
8. Sodom - Witching Metal / In the Sign of Evil
9. Mayhem - De Mysteriis Dom Sathanas
10. Sadistic Intent - Resurrection


Lastly, how do you foresee the future of Satans Carrion? The last blasphemous words are yours.

At the moment, things are slowly returning. Rehearsing tracks again and Darkest Hails to Dirk Verbeuren who agreed to help with session drums for the up-coming mini-album which should be released at the end of 2021. Despite all the struggles, the hospital visits, and even the few times I came close to death over the years...Satans Carrion still returns! This is only the beginning of the end, Halle-fucking-lujah, mother fuckers.