Showing posts with label Thrash Metal. Show all posts
Showing posts with label Thrash Metal. Show all posts

8 Sept 2024

Interview: Blinder (Cuba)

 

The following interview was conducted with Eric Domenech, frontman and vocalist of the Cuban Death Metal band, BLINDER.  

1. Hails! Can you tell us something about the formation of BLINDER and which bands influenced your sound?

BLINDER is a Melodic Death Thrash Metal band originally from the city of Santa Clara, Cuba, it was formed in 1998 after the disintegration of Medium, one of the most prestigious and energetic Cuban metal bands in those years. In reality, we have been influenced by several bands and different genres, not to mention that each of us has our own references that have benefited us when creating, although we always try to be ourselves.

2. How's the scene in your city Santa Clara? Do you feel like it’s hard to get noticed as a band due to being from Cuba?

Santa Clara is known as the metal city of Cuba for its relevant history within national rock, especially within metal. It is also known for organizing the oldest and most important rock festival in the country called Ciudad Metal, of which I was the organizer for 15 years. It has been quite difficult for Cuban bands to make ourselves known both outside and inside the country and more due to the limitations and obstacles of the system we have, however we are persevering and have made discrete progress.

3. How would you describe the sound of Blinder to those who have never heard you before?

We are a band with 25 years of existence with a sound characterized essentially by a Death Metal base and over time we have been incorporating influences from Melodeath, thrash and technicalism as well as elements of Afro-Cuban folk in search of a certain identity.

4. I listened to your album "Syncretic" from 2016 “and I really enjoyed it. I feel like this album has a unique sound and the underproduced sound gives it an organic feel. What can you tell us about the recording of this album and looking back on it now, are you happy with the result?

In reality, the sound achieved was not intentional, our aspirations were to obtain a high-level product but we did not have a decent recording studio or an experienced producer, so we had to make do with the few resources available, but the most important thing was show our music and in my opinion the objective was more than achieved despite everything.

5. Can you tell us about your lyrics and what kind of topics you explore?

I am quite open when it comes to composing lyrics as long as it identifies with the music we make, Cuba is a quite atypical country and it serves as a source of inspiration for me without fall into social or political issues.

6. How is life for the average metalhead in Cuba? Would you consider music as a form of escapism? I have noticed that people in Cuba are really passionate about music and very supportive of local bands, regardless of the restrictions in your country.

The desire to release and perform the music that we feel and that runs strongly through our veins plus the support that we have constantly had from the public that has always been and will be a great source of inspiration, all of this revitalizes you and gives you energy to face the future and it encourages you to continue composing more songs, make recordings and continue playing as long as we can.

7. What are 10 albums you can't live without?

There are many albums that have marked my life, they are:

Led Zeppelin - Led Zeppelin IV

Van Halen - Van Halen I

Mercyful Fate - Don't break the Oath

Slayer - Reign in Blood

Metallica - Master of Puppets

Metallica - Ride the lightning

Death - Spiritual Healing

Entombed- Left hand Path

Morbid Angel - Altar of Madness

Dream Theater - Images and Words

There are many more but remember these have been the most important.

8. I like the cover art for Syncretic! It has an underground aesthetic and appeal. What was the idea behind it and who did the artwork?

I am a graduate of the professional art school so I am in charge of all the design and graphic concept of the band, I had made the cover some time ago as part of a series of drawings that I made and we were given the opportunity to edit the album spontaneously and it seemed like the right one to reflect the idea we were looking for with the album.

9. What albums have you been listening to lately? Do you have any favorite albums from 2023?

I listen to a lot of music and different genres of metal, I liked the latest ones from The Halo Effects, Aborted, In Flames, Orbit Culture, Cannibal Corpse..., and from 2023 one of the albums that impressed me the most was Cattle Decapitation – Terrasite.

10. Does the environment influence your outlook and inspire you to be creative as a musician?

Exactly as I mentioned before, my lyrics reflect the environment that surrounds me and the same thing happens with music in the creation process, Cuba is a very different country and what better reason to make brutal music, haha.

11. Do metal bands in Cuba support each other or is there a lot of competition in the scene?

The Cuban metal scene has always been united and there are no differences, you can see a show with metal, punk or grunge bands at the same time, this unity has allowed us to form a solid movement that is very necessary to confront the prejudices and obstacles we face subjected.

12. Thank you for your time! Before we end this interview, can you tell us something about your future plans and when you will record your next album?

At the moment we are immersed and working very hard on new songs with the idea of recording a new album by the end of the year, in fact we are already handling special guests and we come with a more technical, fresh and aggressive sound. I just have to thank you for the interview and for your great support.

1 May 2024

DEMO REVIEW: Käptör - Thräshättäkk (2024)


Käptör – Thräshättäkk

Estonia

Gatekeeper Records
 

There’s no denying the quality of the Estonian underground scene, with killer bands like Goatsmegma, Lein, Skullfukk SS, Koffin, Thunraz, etc. Käptör is another band worthy of adding to the list, having just released their bone-crushing debut demo, aptly titled “Thräshättäkk”. I haven’t heard any thrash bands from Estonia prior to reviewing this demo, so it’s always cool to hear new and upcoming bands, particularly from Northern Europe.
 
The demo consists of three tracks and has a playing time of about twelve minutes, and in that short time you get to hear a healthy dose of methamphetamine-induced street thrash reminiscent of bands like Slayer, Dark Angel and Overkill. For a first demo, the band shows a lot of promise, though I have a feeling they will explore their arsenal a bit more on future releases in terms of finding their identity. I like the raw approach and fast riffing, along with the totally analog sound of this recording, which almost sounds like a rehearsal.
 
The vocals have a crossover feel to them and are effectively executed, while the drums are energetic and non-stop. The riffs are pretty deadly and one of the band’s strong points. There’s definitely something special about these guys: I mean, just look at the artwork – it’s cool as hell and screams ‘80s thrash worship, while the song titles like “Speed & Pöwer” and “Förce öf the Käptör” are simply badass and say a lot about the band’s attitude. All in all, Käptör’s first demo is a solid entry into the world of thrash and shows a band with a lot of potential, so let’s hope they stick around for a few more releases so we can follow their progress. Solid effort.

4 Feb 2024

Album review: Bombarder - Sa Dna Groba (2024)


Bombarder - Sa Dna Groba

Serbia 

Grom Records

Death & Thrash Metal Promotion
 

Legendary Speed Metal Titans Bombarder are back with their eighth album “Sa Dna Groba” (which translates to “From the bottom of the grave”) and deliver another album chock-full of banger tunes infused with punk sensibilities. This is emphatically old-school Speed/Thrash Metal, so you can expect to be bombarded (no pun intended) with an array of barbed-wire riffs that are both catchy and heavy as a Sunday hangover.

Per "Hellbutcher" Gustavsson (Nifelheim, Necrocurse, etc.) makes an appearance on ‘Bombarder III,’ which is an utterly savage track made even more savage with Hellbutcher’s vocal lines. Vocalist Nenad Kovačević, who has been with the band since its inception in 1986, belches out some verily maddened, hollering vocals in Serbian, giving the whole album a very personal touch. I have always felt that metal bands sound better when they perform in their mother tongue and “Sa Dna Groba” is a testament to that. It’s amazing how the singer, who is sixty-one years old, can still deliver such an energetic and passionate performance.

Each member contributes to the collective excellence of this album, as the whole performance is tighter than a camel's arse in a sandstorm and accentuated by a crystal clear production fitting to their sound. The riffs really hit the spot and are masterfully executed on every track, with tempos ranging from mid-paced to more rapid, neck-breaking sections, including some eminently adept guitar solos as heard on the eponymous title-track and “Bezubi Osmijeh” (Toothless Smile).

Every composition on this album kills, even “Na svoju vagu život stavi”, with its absolutely brilliant interplay of violin and sweltering guitar shreds. Furthermore, the rendition of Kreator’s "Flag of Hate” ends the album on a high note with the lyrics again performed in Serbian rather than English. As far as I know, the band relocated to Serbia sometime in the 90s during the Bosnian war. So I am certainly grateful for their longevity and tenacious metal spirit, because the band has endured a lot since its formation. You simply cannot get these dogs down!

Overall, Bombarder is a band that has stayed true to their old-school roots, as “Sa Dna Groba” is an absolute banger of an album that maniacs of true Speed/Thrash metal should not miss out on.

16 Dec 2021

EP review: Tempter's Sacrament - Temptation Steel Scourge (2021)


Tempter's Sacrament - Temptation Steel Scourge

USA

Invictus Productions


Furious and well-executed Blackened Death/Thrash informed by the likes of Vomitor, Aura Noir, and Gospel of The Horns is what Tempter's Sacrament brings to the table with their debut EP, "Temptation Steel Scourge", which was recently released by Invictus Productions.

Throughout each of these four tracks, you will be subjected to a barrage of face-ripping riffs with wild, turbulent solos, unyielding and energetic drums, and infernal shrieks from the depths.

The EP is inaugurated with "Putrid Triumph" and immediately we are pulled into the abyss as the band belches out some sick as fuck riffs, thrashing ahead with confidence, with occasional bursts of speed and fury.

It's pretty clear that the band is well-rehearsed. Everything flows together really well and the arrangements are tight. In terms of musicianship, the guitars and song structures are verily impressive, paired with how utterly savage it all sounds.

The cover of Morbid Angel's "Unholy Blasphemies" will rip right through you, as it conveys the right amount of intensity, with the band adding their own evil and sick twist to this much acclaimed classic track.

As I understand it, the group is already working on their debut album, so this EP will serve as a taster for what's to come, and from what I can tell, the forthcoming album should be an absolute ripper.

Overall, this 14-minute EP comes as a blessing for those with a penchant for true unholy metal mayhem, as "Temptation Steel Scourge" delivers the goods. (HT)

10 Dec 2021

Album review: Paganfire - Of Deathblades And Bloodsoaked Paths... (2021)

 

Paganfire – Of Deathblades And Bloodsoaked Paths...

The Philippines

Bandcamp


Thrash is definitely not dead, and Paganfire proves this with their latest opus, "Of Deathblades And Bloodsoaked Paths...", which is a total poser holocaust from beginning to end.

Over the years, the band has put out a dozen demos, EPs, and splits, but for some reason, this is only their second full-length. They are definitely an underground band in the true sense of the word.

Paganfire's brand of thrash is unyielding, brutal, and energetic, often defying easy categorization due to sounding rawer and more violent than most bands in the genre. Make no mistake, this is essentially thrash, but with more than a fair share of black/death influences in their sound.

As opener "Bloodsoaked Life" kicks in, guitarists Nonoy and M.A. complement each other with a plethora of cunt-shredding riffs, brutalizing ears with sheer ferocity and precise arrangements. Riffs are aplenty and Paganfire makes good use of them.

Alvaro's screams are fierce, pissed off, and in your face, as he utters every word with intense determination.

Paganfire follows the tradition of having solos in their music, as each track features at least one solo, but also inflicts trauma with Jay's hard-hitting, yet well-played drums and Alvaro's thunderous bass lines. As a whole, each member contributes to the madness, yielding a sickened and furious slab of skull-fucking thrash that will leave you wanting more.

On "Poseurdom Shall Fall" you can hear infernal riffs and screams reminiscent of Sarcofago, while "The Executor is Back" is a fiery track filled with razor-sharp solos and a Slayer-inspired riff towards the end.

The cover art is perfect for this kind of thrash and gives a good indication of the band's sound and ethos.

Paganfire's second album was well worth the wait and features some of the best material they've released so far. In my opinion, "Of Deathblades And Bloodsoaked Paths..." is the best thrash album of the year, and if not, it sure as hell comes close. Check them out if you enjoy Num Skull, Sarcofago, and Demolition Hammer. Apparently, a few labels will release this, although the labels haven't been announced yet. (HT)

31 Oct 2021

Album review: Maze of Terror - Offer To The Fucking Beasts (2021)


Maze of Terror – Offer To The Fucking Beasts

Peru

Xtreem Music


Peruvian death thrash maniacs Maze of Terror release their second album and follow up to 2016's ripper "Ready To Kill". The latest work is a convincing and ferocious display of skull-shredding thrash infused with sheer aggression as well as some new dynamics at work. 

It seems the band have evolved their sound a little and added more atmosphere this time around, although the vocals are still as hostile-sounding as ever. Each track is packed with pounding riffs, hard-hitting drums and heavy bass lines, while hateful vocals are belched over the explosion of noise.

There are also plenty of lethal guitar solos scattered throughout the album, lightning fast and full of morbid emotion. I really like the way the drums are played and sound on this album. It does not sound overproduced or too dry, but has just the right amount of bite for a thrash album. Also, the main tempo of the music is a little faster than mid-paced and pairs well with the ferocity of the music. 

There is an abundance of head-banging riffs, indicating the band's propensity for violent, old-school metal. The band cites bands like Massacra, Sarcofago, and Protector as influences, so that alone can attest to the fact that this is no pussy thrash. 

Overall, “Offer To The Fucking Beasts” is a deadly album on all fronts and comes highly recommended to fans of gritty and uncompromising Death/Thrash. (HT)

29 Sept 2021

Interview: Chainsaw (2021)

 

Hailing from The Netherlands and formed in 1996, the tyrants known as CHAINSAW has since been scything and slicing posers with their very own brand of malodorous Thrash Metal and spreading the message of ‘Blood, Meat, and Metal’! The following interview was answered by founding maniacs Don and Aike.

Alcohol-drenched hails! As far as I know, Chainsaw formed back in 1996. What have been some of the highlights regarding this whole journey and how do you reflect on your achievements as an underground Speed/Thrash Metal band?

Don - Oh dear. I’m way too sober to answer this question. Let’s drink some of those hails. Yes. Yes. Better now. Let’s reflect. 1996. That’s 25 years. That’s a lot of highlights. And lowlights. Well some of the weirder gigs I remember as being highlights, like the musical high tea party where we played our full bloodsoaked show in front of an audience of people with an average age of 75. Some ran, well strolled out of the venue, but then other oldies cheered us and at the end of the gig an 80 year old lady came up to us to share that she enjoyed it thoroughly. Playing at a party in Bonaire where the theme was ‘The independence of Surinam’ and most people were in original Surinam attire was quite the highlight too. First everybody ran again, then they came back and starting dancing to our crazy thrash metal. We like to take metal where it originally shouldn’t go. We feel like we are missionaries in that way. We also played quite a few vegan parties and the more we explained that all of our songs are basically about meat, the more they loved it.

Aike - One time we played in a somewhat religious neighbourhood Where we replaced another band the last minute for an afternoon show. We were surprised there was no backstage beer and no alcohol at the bar in the venue, but luckily we brought some ourselves. So we do our show, and so I was preaching to the audience about fucking your pets, fucking minced meat, killing people and things like that.. and then after the show there were some very angry people and it turned out it was a special heavy metal afternoon for children. Well we did notice there was an above average amount of kids but what the hell, if you BOOK Chainsaw you GET Chainsaw. And later we got a message from the city council that due to our ‘tasteless and amoral act’ had banned Chainsaw for life haha. Many years later someone in that same city wanted to book us for a festival but the city council had not forgotten about us and we were not allowed to play. I think that is our greatest achievement!

According to the metal archives, there are 11 bands bearing the moniker Chainsaw. Did you ever consider opting for a different name or were you never that fazed about a name that’s shared by others?

Don - We are generally not easily fazed. Dazed, crazed, yes, but fazed, no. Our music just fit the style of a Chainsaw and we so aptly named the band as such.

Actually at one time we wanted to organize a festival or a small tour with other Chainsaws, we almost got there with the Polish Chainsaw, but it didn’t work out.

Aike - The Polish Chainsaw even changed their name the ‘THE Chainsaw’ and suddenly stopped communication while we tried to plan a tour for the combined Chainsaw’s


Can you elaborate a bit on the philosophy behind Chainsaw?

Don - Yes indeed, we are great philosophers. The philosophy behind Chainsaw is that thrash should be raw and bloody, like a steak still on the cow.

Aike - Straightforward violence without any moral nonsense. And for the stage part we use all kinds of theatrics to enhance the metal experience and when you wake up the day after you went to a Chainsaw show even though you are hungover you still remember.

Who and what is the meat locker?

Don - YOU are the meat locker, but so am I.

What’s some of your favourite albums in the eternal relics of metal?

Don - Judas Priest – Painkiller, Swampcult – The Festival, Spinal Tap – Smell the Glove

Aike - Necro Schizma – Live in Zwolle, Manowar – Black wind fire and steel, Celtic frost- Morbid tales, Bathory- Blood fire death to name a few

Which bands influenced the sound of Chainsaw and what can you tell us about your themes?

Don - In the early days bands like Venom, Kreator influenced us. Later on we made songs and decided if it sounded like Chainsaw, haha, then it was a Chainsaw song, but that is what happens when you’re in a band for 25 years.

Aike - The songs are mostly about meat but also about necrophilia, traffic jams, bestiality, killing bugs. I just let my mind wander without restraint about some normal day to day stuff and it gets automatically drenched in some crazy sauce.

What can you tell us about your blood-soaked photos and live performances? Is it part of your aesthetic? And can you share with us any crazy anecdotes about shows you’ve played?

Don – Yes, but it just gradually happened. We didn’t use any blood in the beginning. Then 1 time at easter, we thought it was a good idea to slaugher an easter bunny. It was a stuffed toy with some blood inside, but it was fun. Then we expanded the idea to do the same, but to a stuffed pig toy during ‘The Butcher of Bagdad’. One of our fans, an ancient guy in a wheelchair told us afterwards that he really enjoyed that, but the pig was way too small. We decided that he was very right. Aike then created a bigger than life size pig and since that time when we play ‘The Butcher of Bagdad’, the pig comes out and gets slaughtered. It is a great bloody mess. When we first started doing it, people stepped back, but later on, people got real close and wanted to get splattered. If people are not already in a fantastic mood during our shows, they become ecstatic when the pig comes out.

Aike - We usually start the show with me rushing through the venue with a running chainsaw, so there was this time I decided to run out into the crowded street and chase some people shopping. Besides the chainsaw I also had this huge dagger strapped to my leg for later during the show were we drag a plastic wrapped body onstage, hoist it up on a pole and cut it open and blood and entrails come out. There was an elderly lady who came after me who called out to me: ‘excuse me mister, but you have dropped your knife.’ and returned it to me. haha that was awesome.

How would you respond to someone attending one of your shows that complained afterwards about getting blood on them?

Don - It hasn’t happened very often, but sometimes we do hear afterwards that some people ran out. One unfortunate girl started crying when some blood was spilled on her neat white blouse. I don’t think she was paying a lot of attention to us, even though she was close enough.

Aike - Some years ago when we opened for Goddess of desire, they prepared their fireworks for their show before the doors opened so they could start playing without delay when we would have finished our set. Only to discover that our blood had ruined most of it. However they remained calm any said: ‘well, we should have known better than to play after Chainsaw.’

How has the overall response been towards Chainsaw and how is your following in the Netherlands?

Don – Some people got quite fanatic and followed us around, we often saw a lot of familiar faces. Especially in Germany people got absolutely nuts. We’ve got a nice following in the Netherlands, but we haven’t had many gigs lately, so when we do perform again, we will have to wake them up with a bang.

What’s the current status of the members and what do you keep yourself busy with nowadays?

Don - We’re all still alive sort off. I mainly keep myself busy with another thrash band called PPTA.

Aike - I am active in several other bands, amongst them are a doom band: Swampcult that turns the short stories of H.P. Lovecraft into an audio experience, together with Don who does the guitar and bass, I play the drum and do the vocals. We’re working on the 3rd album now but we take our sweet time. And SPITZ vile doom rock where I play bass and vocals.

And our bass player Leon plays guitar in a death metal band Cacatory and also in PPTA

Are there any bands from recent years that you’ve taken a liking to, or are you mostly jamming old classics? What’s on your playlist lately?

Don - I have been listening to a lot of Shining and Gama Bomb lately. But also classics such as Darkthrone – A Blaze in the Northern Sky and random songs of Decapitated.

Aike - I usually play a few albums on over and over for months. at the moment that is ‘A baneful choir’ by Teitanblood and ‘Latexcult’ by Impaled Nazarene, Not a lot of thrash or speed as someone might expect from someone in a band like this.

What are some of your biggest pet peeves with people in the metal scene?

Don - I used to have A LOT of pet peeves, but I think I’m getting too old for that shit, haha.

Aike - Bands promoting themselves as female fronted. Nothing wrong with women in bands, but if you promote your band like that, especially when there is no clean singing, you basically say: ‘Hee, come look at the tits of our front woman!’ And another thing is bands that have names that do not fit the music. Take Annihilator for instance, brutal name, but they don’t sound like they are annihilating anything. very, very annoying.

You haven’t put out a new album since 2013. Will there be any new material in the future, and will you resurrect the chainsaw to slay the posers once more?

Don - Yes there will be! We basically have enough songs for another album and we will definitely resurrect the chainsaw when the time comes to release those upon an unsuspecting world.

Thanks a lot for your time!!! Long live the Chainsaw!!!

Don - Thanks for the interview!! Long live Death by Hammer!

29 Jun 2021

Interview: Sküllfükk SS (2021)


Estonia's Sküllfükk SS are all about bringing the booze and keeping the tradition of speed/black/thrash alive, as their most recent release, "Uncut Speed," can attest to that. So brace yourselves, ladies and gents, as we get down and dirty with the Black Death Speed Metal commando that is SKULLFUKK SS!

To inaugurate this interview, please introduce yourselves and tell us the story behind how Sküllfükk SS was conceived.

Vödkamizer: I am Vödkamizer, guitarist and co-founder of the band. The band came about in late 2017 during a depression-fueled bender I was on. I met Motörbreath online some months before when trying to sell some of my guitar gear since I was dirt poor and needed rent. I got drunk one night during the winter and sent him a message simply asking if he would be interested in making some kinda old school black / thrash metal project (originally thinking in the vein of Deströyer 666 and Gospel of The Horns). He said yes and we met up and started jamming around, though I was more shit on guitar than I am now so it did take a while in the beginning. Some time during 2018 I had been drinking with Beerhämmer and offered him the position as drummer under the false pretense that we would sound like Chrome Division. He and I went way back so I figured lying was the best way to go about getting him involved. We didn't start rehearsing together until the beginning of 2019.

Motörbreath: Motörbreath is the name, pretending to be able to sing and play my instrument is the game. I moved to Estonia in the summer of 2017, some months later I saw Vödkamizer selling his amplifier and I was interested in it. Didn’t end up buying it but as he mentioned before he contacted me to form a black/thrash band and I was quite hungry for creating something new since I wasn’t busy with anything. After a bit of beer and some rockin riffs we wrote our first song Alkopökalypse Now.

It’s my first official role as a bass player so it was quite fun for me moving from my usual guitar duties. I had some experience in playing and singing at the same time but never in this fashion, I’ve mostly done growling in the past in a death metal band called Urðun.


How did you come up with the name Sküllfükk SS, and what is the connotation behind it? Have you received any backlash from snowflakes due to your name?
Furthermore, do you think metal has become too safe and rife with political correctness?

Vödkamizer: I had originally come up with the name around 2013-2014, something in that area. I was playing in two local black metal bands at that time and had an idea to make a thrash metal band as a creative outlet. It never really went anywhere but when Motörbreath and I started jamming I suggested the name and we gave more depth to it. I think he was the one who suggested the umlauts and we also had the idea that the SS should stand for "Satänik Slüts" as our lyrics largely revolve around drinking and fükking. (more so fükking)

We haven't actually had too much trouble with it. Mostly from random people online who don't know what we are all about. I think the most trouble we have had was with a compilation we were supposed to be on, a drummer from another band (I don't even remember the name) had said that we have to use our full spelled out name "Sküllfükk Satänik Slüts" because he doesn't like the SS part since he is an antifa or something. Usually I would be fine with compromising and using the full name if it was an issue of simply being worried about the label getting flak since the world we live in these days is hard to be edgy künts in but this seemed more personal so we said fükk it and backed out of the compilation.

I would definitely agree with the idea that metal has "become too safe and rife with political correctness". When you look at the bands in the 80s/90s and the underground scene from all over the world, they all sing about some pretty over the top stuff that is definitely offensive to someone who is not really into that music and scene. It is supposed to be offensive. Metal has always been about pushing the limit, musically and lyrically. We live in a pretty desensitized society these days and political correctness seems to have this "all inclusive" agenda, where everyone from everywhere with every belief has to be accounted for, regardless if they are your target audience. You have to cater to their wants and needs and to deviate is the cardinal sin. Metal's broad genre has become all inclusive and safe and that is fine because there will always be some underground bands of ässhöles who are going to push the limits and tell everyone to fükk öff and kill themselves.

Motörbreath: As Vödkamizer said, it was mostly his idea with a lot of riffing around and mucking about. I feel the SS part has more connections to the Italian heavy demons of Death SS if anything. The reason for a double K as opposed to correct spelling comes from the love of pure 80s-90s kvlt cheese like Sadistik Exekution for example. I don’t really think we need to explain ourselves too much, it’s just for fun. Like Frank Zappa’s music, either you get it or you don’t. Not that we’re anywhere as musically talented, but I digress.

Your band plays a mix of thrash, speed, and old-school black metal, but in your own words, how would you describe your sound and what are your biggest influences?

Vödkamizer: While we haven't existed for very long, I would personally say our style is constantly evolving with every song we write. The genre name that we have called BDSM (black/death/speed metal) is more just a funny gimmick name than a literal descriptor of our sound. I would say we are some kind of bad street metal punk mixed with glammy skümmy speed metal. The biggest influences on my songwriting, especially lately, have been Abigail/Barbatos, Tank, Angel Witch, Shitfuckers, GG Allin and The Jabbers, and Billy Idol.

Motörbreath: It’s like an amoeba, always changing. The musical fundamentals always stay with street/speed metal and first wave black metal is best black metal. Rest is gay and boring. Personally I take great inspiration from most of which Vödkamizer mentioned including Midnight, Venom, Bootsy Collins(Fünk is also cool fükk you), early-Helloween, Manilla Road, Thor, Tygers of Pan Tang, Tiger Junkies, Manowar, Exciter and a myriad of other bands. I could go all day name dropping good shit but best keep it simple for the time being. ÏA ÏA - All hail the Time Being!


What can you tell us about the Estonian metal scene? There seems to be a myriad of killer, yet underrated bands from your country. Which bands/’zines/labels can you recommend us?

Vödkamizer: The Estonian metal scene is extremely diverse. I have been living here around ten years and have seen a lot happen in those few years. The scene is always getting bigger as far as the bands go and right now there seems to be a population boom with the younger audience, a lot of teenager skümbägs getting into the Devil's music. The scene is relatively small in Estonia and very interconnected as opposed to other places where metal scenes are separated by genre. We are too small to do that and won't really survive if we all become elitists in that way so you will find concerts that have very different bands performing together and it is great because everyone gets hammered and parties hard, regardless of what shitty music they play.

I would recommend the bands Koffin, Ziegenhorn, Süngehel, Goatsmegma, Langenu, Form, Deceitome, Paean, Tankist, Urt, Herald, and Tharaphita. Just off of the top of my head. As for labels, Trash Can Dance and Hexenreich Records are the main two I would recommend. They both are one-man operations and focus on MC releases. The only zine I have read that comes out of here is done by Motörbreath, called Morbid Writes and it is heilarious and great.

Motörbreath: I feel the Estonian metal scene is often very disjointed because I feel as if there is a lot of misguided rivalry that comes across as some sort of jealousy and unwillingness to cooperate. I’m not speaking in absolutes of course, I feel that here in Tartu there is some sort of cum-radery. It can be a bit different between the capital area and the rest but that also felt that way in my home country as well.

Some good things mentioned by Vödkamizer but you should definitely check out the bands Aggressor, Igor Mortis, Forgotten Sunrise, Discrucior, Nekropol, Hymenotomy, Loits, Thrashless, Tankist, Nihilistikrypt, Rattler, Degeneratör, Winny Puhh, Catafalc, Mortified, Skydancer, Intrepid, Necro Strike and I recommend the labels Warhorn Records and Lyndanise Coven. As for zines, go read Taud and Offense Zine. I’m sort of fed up with doing Morbid Writes for now.


How has the response been towards your latest demo, “Uncut Speed”?

Vödkamizer: I have seen a few reviews online. One seemed pretty mild, others have seemed pretty enthusiastic about it. But I would say that the brunt of our listeners have really loved it. The demo is just most of our old songs recorded and got out of the way so we can focus on newer material. I hear people blasting it at the local drinking park once in a while so that's neat. Our tapes sell pretty fast and have been getting more and more international fans since the release, big thanks to Corrupted Flesh Records and Karl Korts for being great at doing promo since we are cavemen and can barely ooga chaka. It's been cool to see people tagging us on Instagram and Facebook, blasting our shit while getting hämmered.

Motörbreath: I haven’t been paying much attention to it to be honest, with my previous bands I used to check if any reviews were made all the time but I’ve become very passive about it. Not that I don’t care, I’m just not thinking about it since it’s mostly about my own musical expression anyway. However, contrary to that, I do love some constructive criticism. If you say some shit like “it’s okay but I prefer Iron Maiden” you can miss me with that noise.

Who is the woman on the cover of your demo, and why did you opt for a pink cover?

Vödkamizer: Her name is Faye Reagan and she is a pornstar. I could lie and say we commissioned her for a photoshoot to get that perfect picture but no, I found it on Google and sent it to Motörbreath to do his magic on. We were originally planning to do a drawn or painted album cover and that photo was going to be used as reference but it was already just so perfect and how can you emulate those tits? 

As for the pink cover, I can't really remember how we came to it. I think I originally was talking with Motörbreath about doing black and white with a pink casing for the tape but we eventually decided to just go for the pussy pink look. It stands out. We have naked ladies in our art and we sing about sex so we can get away with it. Corrupted Flesh Records even released pink versions of the shirts which just look so sexy. All the -2 women reading this, go buy one.

Motörbreath: I think we decided to do pink covers because the idea of a “püssy pink release” sounded funny. Pussies are cool. But please, the more chicks digging our shit, the better. Would be a great change from playing in front of aging desperate sweaty male alcoholics. So ladies, without further adieu, bang your head up from the dead, intense metal is all that you need!


The production on your demo has a very raw, yet killer sound. Can you tell us a bit more about the type of sound you were going for, including some details about the recording process? Are you satisfied with the result?

Vödkamizer: We wanted to have an old demo sound like the bands we listen to had so we were going for that "we're 17, poor and have no idea what we're doing" sound which is pretty close to our reality, but ten years late. We recorded everything in the rehearsal room we used with whatever gear we had available to us. I used my cheap little practice amp for the guitar.

Motörbreath: Yeah same, but instead we’re 27, poor and have no idea what we’re doing. We are more or less happy with it, restricting ourselves to what we have at hand is an exciting task. There were some minor fuck-ups while recording some of the instruments causing inconsistencies but whatever, we didn’t bother re-recording. It’s just a demo. Technically long enough to be an EP though!

Some of your photos show the band with alcohol. Do you consider yourselves to be hardcore drinkers? One might get the impression that Skullfukk SS is a “fun” band, although that’s probably a ludicrous assumption.

Vödkamizer: While I am less of an alcoholic these days due to responsibility and health issues, I still drink fairly regularly and sometimes to extremes, though not like I used to. When we started the band I would say I was at the peak of my alcoholism. I would say we are fun. We put the "fun" in "funeral". I think the main thing that drives us even doing this band is the fun that we have when doing it. I really love playing alongside Motörbreath. Beerhämmer and I go waaaaaaaay back to when I first started playing in bands in Tartu in 2013. If we aren't enjoying ourselves in rehearsal, recording, on stage, what the fükk are we even doing? And I think this attitude has a way of transfering to the fans. We have developed our own weird language with using umlauts in like... everything possible to where the fans will start using them when sending messages or doing posts about us which is pretty fünny. During our first public concert, we had a promotion that would give a discount to anyone who showed up wearing BDSM gear and a surprising amount of people did. Our music is high energy, fast, and aggressive and lends itself more to the types of people who wanna get fükked up, headbang, moshpit, and then fükk someone after the show. I would say that all three of us are fairly humorous and it is impossible for that to not leak into our music.

Motörbreath: It’s just an image for the band. I don’t drink a whole lot at all, in fact I’m not even into partying! I do like some beer and good whiskey on occasions. Big fan of Nikka whiskeys, single malts and craft beers. So fucking expensive though. Music-wise it’s all about putting the fun in the bun if you know what I mean. So not a Luda-Chris assumption at all. What you gonna do? Act a fool!


What can you tell you about your live output and what people can expect from it? Do you guys drink before you go on stage, or are you one of those bands with a ‘sober before we play’ policy?

Vödkamizer: We play fast. We play loud. And we will -definitely- fükk songs up on stage. I drink a bit before playing, mostly for the nerves and to get into the zone, but I have made the mistake in the past too many times to get too fükked up before getting on stage and not being able to properly play the songs, mostly in previous bands. These days if I drink for at least 2 days straight then I should be fine but my health does suffer from it quite a bit. I think that recognizing your own limitations physically and mentally is very important if you are gonna be drünk or sober on stage. I can't play entirely sober, I just can't get in the mood.

Motörbreath: In real life I’m quite reserved but live I can put on a persona to let off some steam and break a good sweat. I like having a couple of bevvies with the boys before playing to loosen up because if I’m all relaxed, the performance goes much smoother in my opinion. I once played a bit drunk but realized that I sounded like shit so I kept it at reasonable levels after that. If you want to be sober while playing, you do you. Unless I have to drive after, then I don’t drink. Obviously, drunk driving is for losers.

What’s some of your favourite records of all time?

Vödkamizer: Where do I even begin... Iced Earth's self titled album and Blind Guardian's "Battalions of Fear" were the two albums that really got me into metal as a kid. "Unchain The Wolves" and "Cold Steel For An Iron Age" by Deströyer 666, "Forever Street Metal Bitch" by Abigail, "Abigail" by King Diamond, "Don't Break The Oath" by Mercyful Fate, "Angel Witch" and "Frontal Assault" by Angel Witch, "Painkiller" by Judas Priest, everything with the "Speed Metal" label released by Banzai Records, "Hall of The Mountain King" by Savatage, "The Underground Resistance" by Darkthrone, "Heavy Metal Maniac" and "Violence & Force" by Exciter, "Court In The Act" by Satan, "Shellshock" EP and "This Means War" by Tank. Shellshock specifically has to be the EP version. Not going to bother listing non-metal because it would go on and on... Those are just a few off of the top of my head but I could go on for hours...

Motörbreath: Now this list will be a bit diverse. Thin Lizzy’s “Bad Reputation”, Büdi Siebert’s “Hmm…”, Thomas Dolby’s “Aliens Ate My Ferrari”, Frank Zappa’s “Sheik Yerbouti”, Morbid Angel’s “Thy Kingdom Come” and “Altars of Madness”, 1986 Omega Tribe’s “Another Summer”, Judas Priest’s “Sad Wings of Destiny”, Masayoshi Takanaka’s “Alone”, King Diamond’s “Abigail”, Death’s “Individual Thought Patterns” and Jeff Wayne’s Musical Version of the War of the Worlds. I could go on and on, this list changes from time to time of course. Funny enough I don’t even like Motörhead all that much despite people saying we’re kinda like a diet version of that.

What’s your preferred format in regards to physical releases? Are you one of those people that seek out every possible format and edition of your favourite albums?

Vödkamizer: Cassette tape > Vinyl > CD. I am too broke so I usually buy tapes because they are cheap and small. If I had a ton of disposable income I would probably buy... more tapes. Maybe some more vinyl. I only get CDs really if it is the only option, not that I have anything against them, I just like the process involved with tapes and vinyl. There is a certain added element of appreciation I get when I go through the effort to care for these products and their players. 

Motörbreath: I’m not that type of die-hard fan collector. I know a few mad collectors, like a friend of mine who has almost every single piece of merchandise, music releases and re-releases by Necromantia. I haven’t bought a CD in years now. For some reason I’m mostly drawn to cassette tapes. My fascination for them started a couple of years after I started buying a bunch of vinyl records, around that time I stopped buying CDs. I mostly just buy shit I like, don’t fancy having it in multiple formats though. I think it’s just so much more of a fun “ritual” listening to music in a physical analog format like that. Call me a hipster and retarded but I don’t give a damn, I enjoy going whizzing up some black wax metal madness or getting a juicy tape to listen on my Walkman EX-39. However, if I am to be compelled to buy a CD, it has to be something special, like the CD surface would have the shiny parts glare through. Doesn’t hurt to have a good looking layout. When it’s said, don’t judge a book by its cover, I think that’s irrelevant when it comes to albums. It’s the first thing you notice! Check out releases from Awakening Records, they’ve got some beautiful eye-catching CDs.


When will we see a full-length materialize, and what’s your future plans with the band? Do you have any merchandise available?

Vödkamizer: We are currently finishing the conceptualizing and writing for our full length. Sadly, it could be the last big release we do for the foreseeable future as Motörbreath will be moving away in about a year from now. So we are just putting as much effort as we can into that release to make it something special for us. We are constantly pumping out limited t-shirts, tank tops, patches, tapes, etc. You just have to follow us online or know us to be able to get some. Corrupted Flesh Records also carries some limited designs for shirts and patches, though the tapes have sold out already. You can contact us directly through Instagram or join our private Sküllfükk Satänik Slüts group on Facebook if you want something.

Motörbreath: The full-length album might be out sometime early to middle of next year. Can’t tell for sure though. It’ll be good regardless of when it’s released, that’s a Sküllfükk prömise. Before that we’re releasing a split EP, total sleaze bangers from us called “Kamikaze Slüt” and “Tokyö Püssy XXXtreme”. The other band will be the mighty Barbatos from Japan. Very excited about this.

Thanks for answering my questions! And for a last question: tell us about some of your interests outside of playing music – are any of you guys into sports, artwork, hiking, or anything like that, or do you prefer drinking yourselves into a pulp until you barf your lungs out?

Vödkamizer: I love doing long cycling and camping trips as well as nature hikes but haven't had much opportunity for it lately. Hopefully in the near future. I dabble in writing stories and am working on a couple of table-top roleplaying games for myself and my friends. If they come out cool then I might release them to the public but that is a long way off for now. I drink a lot and enjoy organizing events when possible, sometimes concerts or festivals or simple group camping type things.

Motörbreath: I wish I could say I’m into sports, been meaning to get fitter for years but lethargy and laziness is killing me haha. I fucking love cooking interesting tasty meals. I also watch a shitload of films, quite enjoy watching some horror b-movies with my wife, TROMA reigns supreme. Kino stuff is always appreciated as well, The Lighthouse was amazing for example. I also do a bunch of artwork as my dayjob, which is also my hobby. 

Check it out @skadvaldur on Instagram and Facebook! I make b&w illustrations and paintings for extreme metal bands. If you have a cool band and you need a logo/motif/painting/drawing hit me up on social media or email me at skadvaldur.art@gmail.com

Drinking in bars often is too expensive, just get fucked at home!