Interview: Nuclearhammer

 

Toronto-based NUCLEARHAMMER have recently released a new demo called “Xaos Tenawas - Demo MMXXIII”, which contains two new invocations of destructive Black/Death that emanate the infernal black void. I had the opportunity to interview founding member Axaazaroth (drummer, vocalist) to get some updates from the band, including some insight regarding the upcoming opus. Having said that, grab a beer, take a seat and set your eyes on the screen for a moment as we unravel the prophecies of apocalypse.

 

 

1. Hails! How’s everything going in the Nuclearhammer camp lately?

 

Axaazaroth: Hailz!! Good, we just released the new demo on vinyl and got Impugnor back in the fold so things are going well as far as prepping for the new album and we even played a show recently for the first time in 6 years or whatever the hell it was, that also went over rather well for the most part. Shows are a very rare thing for us nowadays and will remain so in the future.

2. Recently you released a new demo called “Xaos Tenawas - Demo MMXXIII” – can you tell us something about the recording process/inspiration behind this release? Are the reviews meeting your expectations?

 

Axaazaroth: It's a rehearsal demo of new material we have been working on the last 7 years, two tracks that we recorded off the floor in our reh space/recording studio as instrumental versions, added vocals after, mixed and got mastered professionally. The recording process was a bit messy and frustrating from beginning to end but we finally got it done, in fact, the first track Majesty of Pestilential Imperium is missing the entire ending because I felt it sounded too sloppy and off time in one specific part and couldn't be re-recorded so I just decided to give the listeners a slightly shorter version which works better as a preview anyway. The album will have the full version of the song the way I originally wrote it from beginning to end.

3. Have there been any obstacles over the years that have contributed to the band’s recording hiatus, considering you haven’t put out a full-length since 2014? I know you guys recorded music with several other projects, though I’m almost certain Nuclearhammer is your main priority?

 

Axaazaroth: Yeah other band member’s schedules, work and family life really gets in the way, we had two members depart from the band recently around the time of the Xaos Tenawas recording for that reason alone but we gained Impugnor back as a member thankfully since he is not bombarded by typical normie life bullshit. We don't do this as full time careers, although sometimes I wish that was the case, minus all the touring since I am not a fan of constantly travelling and having to play shows. It also takes us years to write new music we are satisfied with and have to practice a long time to get tight and exactly how we want it. Being involved with other projects is never an issue and hasn't held us back, in fact it’s been very beneficial when Nuclearhammer was on a hiatus after the Serpentine album and all the shows we played. As far as not having anything new out since 2014, we would have had a 3-way split out a few years ago if things had worked out with one of the other bands involved but instead we had to sit on our material for 5 or 6 years, but I am aiming to get that recording released very soon and before the new album is out. The only positive thing that came out of that ordeal was it gave me time to figure out the best mix and get help with mastering.

 

4. “Serpentine Hermetic Lucifer” left a mark in the underground and people are still talking about it. How would you describe the differences between your latest release and your old material? Will there be a new album in the near future and what can we expect? Is the vision and your influences still the same?

 

Axaazaroth: I'm glad people like SHL as much as they do, we gained a lot of new fans with that album but the new material in my opinion will blow it out of the water. Some people might not like it though. I couldn't care less what people like or accept in metal these days since everything is so inverted and subverted it needs a massive reset. But if they like Xaos Tenawas, they will love the new album Xaos Void. The songs are MUCH longer and drawn out, it will be a total of 4 tracks clocking in at 50 minutes or so, very hypnotic and full of fury, chaos and immense atmosphere. I would say the vision is still the same but even more intense and vicious than before.

5. You’ve been with NWN since “Serpentine Hermetic Lucifer” – what makes working with them an ideal label for Nuclearhammer?

 

Axaazaroth: I wouldn't say working with any record label is "ideal", there are always internal issues and disagreements and things that are not ideal for the band or label but as long as NWN is interested in releasing our new material I can't complain since he gives us the best deal. He is also expanding his operations now into a vinyl pressing plant so I'd say it's probably the best label to be on.

 

6. What albums have you been spinning lately? Also what are some of your favourite releases/highlights of 2023?

 

Axaazaroth: Too many things to list honestly but as far as black death goes, lately LUCIFER'S HAMMER - Hymns to the Moon and The Burning Church demos since I got the vinyl reissues of those recently and been checking out their other material I slept on for many years it seems. COFFIN TEXTS - Gods of Creation, Death & Afterlife, INVERTED - There Can Only Be One, both albums from 1997 that went under my radar for many years. GRAVE - Into the Grave, EXTERMINATE - Pact, GRAVE UPHEAVAL - Demo LP, METHGOAT/SUBSERVIENT PERVERSITY - Hot Rails, War & Murder split, AUTOPSY - Acts of the Unspeakable, VLAD TEPES/BELKETRE split and everything from diSEMBOWELMENT as always!! Highlights of 2023 would be ARCHAIC MALIGN/FLAGGELIK KOMMANDO 666 - Poisoned Minds Towards the Oneiric Fields of Morbid Hallucinations split, GOTTHAMMER - Godslaying Sonic Barbarism, PROFANE ORDER - Tightened Noose of Sanctimony, CURSED PAST - The Return Into Night, PRISON HELL - Sex Penitentiary and the split with ABRAXAS BLACK, TSALAL - Encapsulating..., PROFANATICA - Crux Simplex, DEMONCY - Black Star Gnosis & Diabolica Blasphemiae, also TETRAGRAMMACIDE's new album just to name a few.

7. Musically, how would you describe Nuclearhammer's sound? I’ve seen your music get tagged as everything from Black Metal, Black/Death, to War Metal and NSBM.

 

Axaazaroth: I just describe it as hypnotic black death. Our primary focus is the overall atmosphere of whatever we are pushing and propagating, so our sound ends up being very atypical and can't fit into one specific category at all times.

 

8. Do you ever feel like you are competing with anyone in the genre, given the growing number of quality death/black metal bands?

 

Axaazaroth: No, once you start thinking competitively like that you fall into wanting to sound like whatever the latest "thing" happens to be. We've never been about fitting in to the latest trend or what sells the most currently before the next useless thing comes along for all the people with short attention spans.

9. How do you see the future of black metal? It seems like the genre has been infiltrated by all the wrong people as of late.

 

Axaazaroth: Has it ever!!! the future is very bleak on all fronts, black metal included until people wake the fuck up, stop being afraid of getting called certain words and take it all back from the parasitic rats, but instead of doing that, I'm sure they'll be lining up for their 50th booster shot while their wives and daughters are raped by hostile invaders hell bent on colonizing Western countries.

 

10. Thank you for your time man. Would you like to add anything else before we formally close this interview? Perhaps a message to your enemies?

 

Axaazaroth: Thanks for the interview, been a while since I've done one. Fuck all enemies and infiltrators, none of you will escape the VOID!!!

Demo review: Tartarean Vengeance - Genosida (2024)

Tartarean Vengeance - Genosida

Singapore

Self-released/Independent

Tartarean Vengeance from Singapore is the sole project of Hades (Battlestorm, Nocturnized, Devourer, etc.) and “Genosida” is the debut demo/EP of this project. Expect nothing less than a vile onslaught of bestial black/death metal informed by bands like Impiety, Black Witchery and Incantation. A haunting ambient piece opens this EP, followed by a rivetingly crushing assault of black/death metal infused with waves of skull-exploding distortion that is characteristic of the superlative heaviness of "Genosida". Since this is a demo recording, the sound is quite raw, albeit executed with a degree of proficiency. Despite being only 12 minutes long, this EP gets its point across confidently and provides a taste of what is to come. Furthermore, the cover of ‘Blasphemous Onslaught’ by Black Witchery is an excellent rendition and homage to one of the genre’s greats. Prepare yourself for war, as Tartarean Vengeance pummels you right into the heart of it.  

Album review: Evil Damn - Necronomicon (2021)

Evil Damn - Necronomicon

Peru

Hells Headbangers Records

 
Peruvian maniacs Evil Damn (comprised of members of Goat Semen and Disinter) released this beast of an album back in 2021, entitled “Necronomicon”. Musically, the band plays hellish and blasphemous black/death metal infused with thrash. From beginning to end, this album subjects you to a plethora of sweltering riffs and ripping guitar solos that are masterfully executed, paired with caustic screams and pounding, bestial drums, all back by an excellent production that provides clarity to the performance. Erick Neyra's vocals are top-notch. I loved his vocals in Goat Semen and I love his vocals here. The man sounds possessed, and those falsettos are insane. Every instrument is meticulously played and contributes to the performance. Hands down one of the best black/death albums from 2021. Recommended to fans of Sacrificio, Goat Semen and Sarcofago.

Album review: Blood Chalice - The Blasphemous Psalms of Cannibalism (2022)

 

Blood Chalice - The Blasphemous Psalms of Cannibalism

Finland

Werewolf Records  

 

“The Blasphemous Psalms of Cannibalism” is the second opus by Finnish maniacs Blood Chalice. It is essentially a continuation of their vicious black/death, although on this recording they seem to have honed their craft to a considerable degree, with the music sounding fiercer and sicker than before. The production is less polished this time around. There’s some good numbers on here, including a good deal of grind influence. In its essence, the album is utterly extreme, feral, and downright murderous. They also mix it up in terms of speed, ranging from blisteringly fast to robust mid-tempos, which adds a great deal of depth to their attack. In summary, “The Blasphemous Psalms of Cannibalism” is one of my favourite black/death albums from the last few years and radiates pure unhinged violence from beginning to end. Recommended to fans of bands like Black Witchery, Conqueror, and Anima Damnata. Stand-out tracks: “The Last Supper of Insects” “Celestial Destroyer” “Blood Worship”

Album review: Morkera - Aggravations (2023)

 

Morkera – Aggravations

Croatia

Unsigned/independent

Morkera is unequivocally the best band from Croatia I’ve heard (not that I know many bands from there), and their second album “Aggravations” is a truly outstanding work. The music sounds raw and unpolished, and while this is probably intentional, it gives the compositions a gritty and unique feel. The band has a knack for crafting remarkably punishing (and sometimes weird) riffs, with nuances of death and apocalypse emanating from their music. The riffs can be quite intricate at times and feature some excellent harmonies, while the vocals are categorically vicious and have a war metal feel to them. I definitely recommend them to fans of (early) Necrodeath, Rites of Thy Degringolade, Axis of Advance as well as Deathspell Omega for the eerie atmosphere. The fact that they don't have a label is one of the most puzzling mysteries of the 21st century, although they seem to be a DIY band. Stop whatever you’re doing and check this band out.

Album review: Vølus - Thrown to the Abyss (2022)

 

Vølus – Thrown to the Abyss

USA

Vargheist Records

Vølus’ second album “Thrown to the Abyss” is a respectable take on blackened death metal that fans of this style will enjoy. The atmosphere is so dreadfully dense, it's like some noxious aura covering you, as if some otherworldly force is feeding you subliminal messages through the music. Deep and vicious growls are belched atop a mountain of face-melting riffs, coupled with dynamic drumming and a production that can only be described as murky – and although the music often descends into chaos, the songs manage to maintain a sense of cohesion. The music eludes descriptors like ‘cavernous’ given the album’s fairly clear production, which is complementary to their style. There's some cool ideas here, especially those discordant riffs, which can sometimes rival the best of them in terms of intensity. Those into bands like Portal, Eskhaton and Morbid Angel should definitely give this band a listen. Stand-out tracks: “Traverse the Arkhanspire” “Black Flame Purification” “Temporal Pathways”

Interview: Cut

 

For those unfamiliar with CUT, they are essentially China’s gift to war metal, and with the release of their excellent debut album “Vanquish the Weak” in 2022, the band has certainly carved a name for themselves as a notorious force to be reckoned with in the underground. If bands like Archgoat, Nuclearhammer and Blasphemy fit into your crude musical palate, then certainly give this band a go.

Special thanks to Jianqi (JQ) for the submission. All questions were answered by founding members Ironthorn and Zon.  
 

JQ: It's a pleasure to have the opportunity to interview CUT, a relatively new but already prominent black death metal band in China, on the occasion of the River Metempsychosis Festival! Can you greet our readers first?
 

Ironthorn: Hello.
Zon: Hello.
 

JQ: Your album 'Vanquish the Weak' released in August last year, gained significant attention both domestically and internationally. Dyingflames considers this album to be one of the top three in the history of Chinese black death metal, while Axekutioner even regards it as the foremost official black death metal album in his mind. How were you all influenced by Satan, and how did you come to know each other and decide to start this band? What led you to decide to base your sinister creative work on Satan as its source?
 

Ironthorn: In 2018, Zon and I met at the Apocalypse Extreme Metal Music Festival in Taiyuan. I think that's when we started discussing the concept of evil art, and we even came up with the band's name at that time. However, due to some damn obstacles, we didn't start creating music until last year (2022). After composing the instrumental parts, Shika and I called back Zon. We all agreed that black metal must be rooted in Satanism. For both me and Zon, I believe it's in our nature.
 
Zon: Before joining the band, I told Ironthorn that I just wanted to express my thoughts through Satan's mouth instead of using my brain to think. In other words, we were ready to surrender our minds to him as well. Due to the alignment in themes and ideologies, we could all act on our instincts.
 

JQ: In Axekutioner's interview with you both mentioned being influenced by Blasphemy. Besides them, who else has had such a significant impact on you? Have your feelings towards this type of music changed before and after forming the band?
 

Ironthorn: CUT's songs haven't been too influenced by the Ross Bay war metal scene, although Blasphemy's first demo holds a special place in our hearts. However, many early Scandinavian black metal and death metal bands did leave a profound mark on us.
 
Zon: Blasphemy's first demo accompanied me through my tumultuous adolescence, but personally, I haven't delved too deeply into listening to this style of music. In reality, for me, the functionality of this music is far greater than its musicality, much like a church choir – we just praise a different god. Before and after the band, we were all blind believers in what this music was saying.

JQ: Why are you referred to as "Bestial Black Metal" in your introduction rather than something else? Does it hold any special significance?
 

Ironthorn: We play black death metal. I don't agree with equating black death metal to bestial metal or war metal. Black death metal is a broad category within black metal.
After the emergence of the Brazilian monsters, Blasphemy and Beherit created chaotic sounds almost simultaneously, Archgoat had a completely different temperament, Bestial Warlust stirred a frenzy in Australia. Demoncy from the United States expressed another obscure, arrogant, and evil musical texture. Fans categorize them as "black death metal," but their listening experiences are different. You can observe that after 2000, many bands created extremely profound black death music, such as Mefitic. For CUT, I can't determine which atmosphere influences us. But we always exist within the darkness, and I am forever a sincere listener of this dark atmosphere. All warriors are praising it in their own way, and it's an addictive thing.
 
Zon: Between Ironthorn and me, we don't discuss things imposed on us by others because it's a waste of time.

JQ: Can you reveal your upcoming plans for composition and release?
 

Ironthorn: CUT will be completing a demo and a second full-length album this year.

JQ: I noticed your album covers are quite unique. Who designed them, and what was the thought process behind choosing the artist and the cover artwork?
 

Ironthorn: We have strict requirements for artists and their imagination. Sickness666, the artist for the full-length album cover, is someone I highly respect. He is very patient and handles details well. The visual sense we wanted aligned perfectly with him. He and Chris Moyen are benchmark artists in this style. But I have never been able to appreciate those stereotypical sheep.

JQ: I believe many readers are curious about this: Do you experience different feelings during your creative process or performances compared to usual? For example, intense anger or a strong desire to attack.
 

Ironthorn: During the creative process, yes. But for me the state of being on stage is solemn. It's a solemn altar to showcase the band's complete essence.
 
Zon: Anger and aggressiveness are instinctual in animals; learning to coexist with such emotions is a human prerequisite.

JQ: I know that many black metal/metal fans sometimes engage in aggressive behaviour during band performances, including but not limited to attacking the band. Have you encountered such situations during your performances? What kind of fan behavior do you dislike the most?
 

Ironthorn: We've come across some special idiots, but Zon and I don't feel the need to understand individual perspectives.
 

JQ: I remember you were initially a duo; when did drummer Shika join the band? Is he currently involved in the creative process?
 

Ironthorn: Shika is an old friend of mine and has been a founding member. During the creative process, I express the desired drum patterns verbally, and our understanding allows us to smoothly complete compositions even when communicating online. I think his interest in intense drumming surpasses the content of black metal itself, but he is always my partner.
 

JQ: Besides black metal, what other types of music do you usually listen to?

Ironthorn: Zon enjoys listening to jazz and engages in some noise engineering. Shika likes hardcore and thrash metal; I've heard he's currently learning drum techniques in jazz. Besides extreme metal, I like listening to classical guitar solos and concertos. However, I can't stand jazz.
 
Zon: Primarily contemporary classical, avant-garde jazz (the kind with proper notation, like Anthony Braxton), experimental music, some serialism, and Japanese Gagaku. I don't reject any music that helps with compositional needs and requires mental engagement.

JQ: Have you encountered any difficulties during performances or rehearsals?
 
Ironthorn: We don't rehearse much. The uncertainty of the live guitarist is a significant challenge for us.
 

JQ: What expectations do you have for the Guangzhou and Shenzhen performances? If given the chance, where would you like to perform?
 
Ironthorn: Personally, I'm looking forward to having a drink with Bloodfire after these two gigs. Most importantly: coercing him to organize Hellward again. Saint Vitus Bar is on our radar; we're working on it.
 

JQ: Finally, one more word to our readers, Hail Satan!
Zon: "I am viewed primarily as the Satan of modern music." --Schoenberg

Demo review: Nuclearhammer - Xaos Tenawas - Demo MMXXIII (2023)

Nuclearhammer - Xaos Tenawas - Demo MMXXIII

Canada

Nuclear War Now! Productions

 
 
Ten years have passed since the release of Nuclearhammer’s last album, with the members more or less contributing to a variety of other projects (namely Necropolissebeht, Nirriti, Azothyst, etc.). Fast forward to 2023, and Nuclearhammer unleash a surprise attack with this twenty-six minute beast called “Xaos Tenawas - Demo MMXXIII”, which features two lengthy compositions of hateful, bestial death/black metal that is characteristic of their sound. The guitars form an extremely grim backdrop, backed by vengeful vocals and hard-hitting drums that viciously pound the listener into submission as the suffocating darkness grips you tighter and tighter. It is the band's ability to create an oppressive atmosphere full of nightmarish soundscapes that leaves a feeling of disorientation and dread within the listener. If you liked “Serpentine Hermetic Lucifer”, then you will undoubtedly love this demo as well, as it more or less follows the same sadistic formula. The overlords of Canadian black/death filth are back to give us a taste of the future. For fans of Antediluvian, Impetuous Ritual, and Teitanblood. 

EP review: Irillion – Mélamar (2023)

Irillion – Mélamar

 

Mexico

 

Nocta Producciones

 

"Mélamar" is the third EP from Mexico’s Irillion, featuring five tracks of harrowing black/death metal. A totally raw and blasphemous sound permeates this release, which reminds me of ancient cults like Treblinka, Beherit, and Belial. Apparently, “Irillion” means conjuring up pungent atmospheres of brimstone and venomous flames, which is exactly how I would describe the overall mood of this release. Pure mystical black/death that radiates darkness and emphasizes atmosphere with its use of gloomy riffs, varied tempos and robust drumming. The vocals are a highlight and extremely raw, reminiscent of Necrovore. This EP starts with a sombre guitar interlude, and just when you think you’re about to indulge in some immersive atmospheric black metal, your world is suddenly set ablaze with vivid images of blood, fire and death, as the music pummels you straight into the burning abyss. The guitars have a buzzlike quality characteristic of raw black metal, yet the death metal influence resonates strongly in their veins, especially when they unleash those sharp, stabbing riffs. Overall, this well-crafted EP brims with promise and demonstrates depth. A full-length release would be highly anticipated. Stand-out tracks: “Oukranos” “Velo De Lo Profundo”

Album review: Exaltation - Under Blind Reasoning (2022)

Exaltation - Under Blind Reasoning

New Zealand

Sentient Ruin

Exaltation's debut album, "Under Blind Reasoning," is certainly a vicious slab of feral death metal. The hostility of the music has a certain apocalyptic quality, reminiscent of bands like Krisiun, Rebaelliun and Morbid Angel, while it also has some war metal tendencies. It also helps that the production isn't overly polished, giving the music a kind of organic appeal and raw urgency that many new death metal bands lack. Exaltation's strength lies in their ability to compose well-written songs while displaying a high level of aggression that is immediately noticeable. Listening to it, I was reminded of albums like "Black Force Domain," simply due to how ridiculously ferocious and unhinged the music is. It's also refreshing to hear a band that opts for a go-for-the-throat approach instead of conforming to trendy "old-school" gimmicks. Fans of gritty and violent death metal are in for a treat!

EP review: Shizoparanoic Platoon – Warfare: Mass Annihilation (2019)

 

Shizoparanoic Platoon – Warfare: Mass Annihilation

Greece

Askio Productions

The latest EP from these Greek tyrants, entitled “Warfare: Mass Annihilation,” mercilessly bludgeons the listener’s brain into submission from the get-go. The album contains six tracks and clocks in at thirteen minutes, launching a barrage of straight-ahead aural violence characterized by ugly riffs, sickened growls, and cavernous drums. The hellish cacophony is supported by a raw production that fits their style perfectly.

Fans of bestial black/death metal will absolutely love this release. The EP is short, but makes up for it with pure visceral brutality. On top of that, there is no filler, so to speak. There’s a lot of replay value, thanks to the punishing riffs and well-arranged songs.

Prior to this release, the band released a compilation album, which I haven't heard, but after being blown away by this EP, I definitely plan on checking it out. Every track on this EP is great, especially the cover of Blasphemy's Demoniac, which I highly recommend hearing. Schizoparanoic Platoon's name pretty much tells you what to expect, so be prepared to have your brains reduced to a pulp with this disc. A highly recommended War Metal act from Greece! (HT)

Interview: Wolflust (2022)

 

The following interview was done with War Metal titans WOLFLUST.

Hails! Thanks for agreeing to do this interview, man. Can you tell us a little bit about how Wolflust emerged and your influences?

R: Greetings! WOLFLUST was formed by Cernunnos Legion - War proclamations, distortions blastbass and sulfuric vomits, Trojillo - Artillery, ammunition and warhammer of doom, with the aim of producing a chaotic WAR DEATHBLACK METAL, rescuing the old spirit of the 80s/90s, inspired by the gods: SARCOPHAGE(old), BLASPHEMY, HELLHAMMER, SODOM(old), ANGELCORPSE, CONQUEROR, MUTILATOR(old), and others.
 

Tell us about your Satanic Megatons EP and the overall reaction from underground maniacs.

R: When we recorded our ep we had no pretensions, our intention was just to record all our hate and anger in the form of music, we were really impressed with the acceptance of the material in the Underground environment, in all this ep has so far had 7 different versions, 2 on tape(Davao Hellsbangers/Philippines and Southwindland recs/Brazil), 2 on cd(hammer of damnation recs/Brazil and Anti-human prods./Canada), Box cd(Anti-human prods./Canada) on LP(9 Brazilian labels and Raise the dead Recs/England). Until today we receive many messages from maniacs from all over the world commenting on this material.
 

The sound on that EP is absolutely merciless. Can we expect more of the same with the next attack?

R: Our intention is for each upcoming material to sound as brutal and wild as possible, in WOLFLUST you will never find new trends or fads, only the most profane and brutal WARDEATHBLACKMETAL like the old days! Stand by because the worst is yet to come!

Your band’s name derives from an Angelcorpse song, so it would be reasonable to assume they had a big influence on you? What do you think about an Angelcorpse reunion?

Yes, Cernunnos and I are fans of ANGELCORPSE, for us it is a direct inspiration and influence. Unfortunately the shows of this tour that would take place in Brazil were cancelled due to the pathetic Brazilian producer who screwed everything up.

 
Who did the artwork for the Satanic Megatons EP? It's pretty sick!

The cover was made by a renowned Brazilian artist called Marcos Miller, he has done several covers for other bands like Exterminate, Mental Horror, Cauterization, and many others. And we will continue to work with him to make the arts for the next materials.
 

You covered Bathory’s classic “Sacrifice”. How much of an influence is Quorthorn on your band and what do you think of their later Viking era?

Yes it was an immense honor for us to be able to record our version of the song “sacrifice”, as Bathory is a huge influence not only for us but also for thousands of other bands around the world. Personally, I prefer Bathory's early stage more, but all of his works are magnificent!
 

What can you tell us about the scene there in your city, and which active bands do you think are worth checking out from Brazil?

I live in a city in the interior of the state of São Paulo, there is no scene in my city and no bands. Brazil has always been a barn of great bands that served as inspiration for the rest of the world, currently there are several bands doing excellent works such as: Necrosound, Açoite, Necrogosto, Luvart, Havok666, Kanvass, Ceremony, Antichrist Hooligans, Sade, Negro Bode Terrorist, Barbatos, Spiritual Hate, Diabolism, and many others.

Tell us a bit about your lyrics and what inspires them.

Our lyrics deal with themes of wars, death, desecration, and against all religions that manipulate and imprison human beings. We follow as inspiration the themes addressed in albums from the early 80s/90s such as show no mercy, endless pain, seven churches, morbid visions, INRI, infernal overkill, in the sign of evil, fallen angel of doom, among others..

For some people, metal is just a phase, but for others it's a lifetime pursuit. What does it mean to be a diehard metal heathen? Also, how do you feel about people formerly into black/death converting to Christianity?

Well, I've been in this for over 30 years, so I don't think it's a phase hahaha, really I have Metal for me as a lifestyle, there isn't a day that I don't listen to Metal in my life. Unfortunately our country is an extremely Christian country, and many get into this shit looking for something illusory or that will bring them salvation or a better life in some fantasy place. Metal has never had anything to do with religion, Metal has always been anti-Christian and always will be, so we will always execrate the pathetic people and bands that call themselves White Metal.

 
What’s currently on your playlist?

I listen to a lot, I'm a real maniac who looks for new bands all the time, I can tell you the bands I'm listening to this week: KANVASS, ARCHGOAT, GBK, IMPURITY, GOATSMEGMA, BLASPHEMY, ANTICHRIST SIEGE MACHINE, CHRIST DENIED, MALIGNANCY, THORYBOS , between others.

 
It goes without saying that Brazil has an endless supply of great bands. What do you think makes people from there want to play such violent and intense music?

Certainly the reason Brazilian bands create songs with so much hate, anger and violence, is the portrait of our lives and realities, we are a third world country, with a totally fucked up economy, where the vast majority work themselves to death, we pay the highest taxes on the planet and we have no return, the vast majority do not have access to good education, medical care or security, violence in large centers is gigantic, that is, the brutal and violent sound is just a reflection of our lives.

 
What can you tell us about your other band Industrial Noise? It seems the band has been around for a time!

Yes, I created INDUSTRIAL NOISE in 1993 as a totally noise project, then in 1998 it became a band with rehearsals and shows, we released dozens of materials such as demo-tapes, cds, 7eps, etc.. We are currently stopped since the beginning of the pandemic. But a year ago I formed another band with another member of INDUSTRIAL NOISE, it's called ACUSTIC NEUROMA, the sound is a mix of death metal and grind, in the old style like bands like BLOOD, REPULSION, F.O.G., DEPRESSION.
 

Thanks for your time, Mauro! The Satanic Megatons EP rips. I hope to hear more of the same with the next assault. The last words are yours.

Thank you very much for the interview and space given to WOLFLUST! Very soon we will have several releases coming out like a new EP and other split's 7'EPs, and also other news, keep in touch! Keep up the war against white-shit shit and fake metal! Fuck Peace! Praise war!!!