Album review: Thecondontion – Supercontinent (2020)

 

Thecondontion – Supercontinent (2020)

Italy

I, Voidhanger Records 

Thecondontion is death metal quartet based in Rome, Italy, and “Supercontinent” is their debut full-length from 2020, released by I, Voidhanger. Having reviewed their excellent split with Vessel of Iniquity recently, I decided to review their debut album as well.

The band refers to their style as “prehistoric death metal,” and I absolutely cannot think of a better way to describe their music. Thecondontion can be distinguished from other bands in the sense that they don't have any guitars, instead relying on two bassists to act as guitars. The bass playing is done exceptionally well and features lots of delay and reverb, giving the music a somewhat psychedelic effect. Aside from that, they have a pretty unique sound with plenty of variation in the songwriting.

The overall production is decidedly raw and lean, emphasizing groove by way of lethal bass riffs, which works like a charm. Imagine if bands like Impetigo, Pungent Stench, and The Jesus Lizard were thrown in a blender. That's basically what we have here, even though their music isn't that easy to categorize. The sound and spirit embodied by the band is death metal through and through, and yet they have managed to create something distinctive in a genre in which it’s difficult to invent something new.

The vocals are emphatically harsh and raspy, reminding me of Mark of the Devil from Cultes Des Ghoules. In terms of musicianship, the band proves its worth by displaying a strong sense of craftsmanship and a knack for artistry. Overall, this isn't your typical death metal band, but if you're looking for something creative and different, then look no further. This is a very enjoyable album. Also, those who enjoy bands like Antediluvian, Karnarium and Demilich should check them out. (HT)

Album review: Homicide - Minotaur Unleashed (2020)

Homicide – Minotaur Unleashed (2020)

Bangladesh

Vrykoblast Productions

Homicide is a Death Metal band from Dhaka, Bangladesh, and “Minotaur Unleashed” is their debut full-length released by Vrykoblast Productions on pro CD format. 

The sound of Homicide is very much in the traditional vein, striking a balance between melody and more technical arrangements. It definitely borders on Tech-death, but not in an overwhelming way. All songs are memorable and can easily be distinguished, as well as the fact that the music is exceptionally well-played. One can hear trace elements from bands such as Suffocation, Krisiun, and Monstrosity, so that basically tells me that the band is strongly influenced by classic Death Metal, but with a slightly modern production. There are some really killer songs on this album like ‘Whipped, Chained, Burned’ and ‘Repatriate’ but overall it’s hard to pinpoint favourites since the entire album is super solid. 

It’s important to note that the band is from Bangladesh, which isn’t exactly a country that is particularly famous for its metal scene; however, make no mistake, there’s certainly more than a handful of worthy acts hailing from that part of the world and Homicide is definitely one of them. “Minotaur Unleashed” is all around a solid album and I can definitely recommend it to fans of good Death Metal. (HT)

Split review: Nameless Tomb / Sadomortuary - Nameless Mortuary (2020)

 

Nameless Tomb / Sadomortuary – Nameless Mortuary

Germany / Italy

Goatmarch Distro

The aptly titled “Nameless Mortuary” is a split release between Nameless Tomb (Ger) and Sadomortuary (Ita) released under Goatmarch Distro from Greece. Both of these bands embody the true essence of the underground and transmit a veritably evil atmosphere that many bands lack nowadays.

Inaugurating the madness is Nameless Tomb from Berlin, Germany, offering five tracks of vicious and vociferous Black/Death Metal that could potentially drive your neighbours insane. Their side of the split starts with an audio sample of Armin Meiwes, which is quite fitting considering the band is from Germany. The music is characterized by sinister and buzzy guitars, unintelligible growls, primitive, yet well-executed drums, and an unabashedly raw production. Their style conforms to the formula of old-school, raw and bestial Black/Death Metal that gives nods to bands like Corpse Molestation, Havohej and Abhorer. In other words, this is some killer fucking shit. 

The next attack comes from Sadomortuary from Mantua, Italy – and just like Nameless Tomb – they offer more or less the same palette of aural sickness, albeit even more primitive, with a sound sonically on par with bands like Beherit, Weregoat, and Sadomator. The music is – as mentioned above – utterly primitive, ugly and raucous. Their songs aren’t particularly short either and succeed in inducing a profoundly devilish atmosphere, pulling you into the darkest corridors of the bottomless pit with their brand of ritualistic Black/Death. 

All in all, both bands deliver. In fact, this is one of my favourite split releases of late. I definitely recommend it to those into the more bestial and crude sounding stuff. (HT)

EP review: Devouring Void - Septic Fluid Dripping From the Open Wounds of Gaia (2020)

 

Devouring Void - Septic Fluid Dripping From the Open Wounds of Gaia (2020)

Canada

Independent

Canadians, Devouring Void, bring the evil with their debut EP titled, “Septic Fluid Dripping From the Open Wounds of Gaia, ” which offers five tracks of fierce Black Metal that’s a paean to all things cruel and malicious. 

Opener, "Infinite Abyss" inaugurates this disc with spoken samples from cult leader, Jim Jones, which sets the tone for the rest of the record. The music isn’t particularly raw, although the production isn’t overly clean either. Comparisons might be subjective, but they remind me a bit of Katechon from Norway. They also exude a verily cold and desolate atmosphere idiomatic to Canadian Black Metal a la Frozen Shadows and Godless North. 

The output in question is quite impressive considering that it’s the band’s first release and they seem to have a good grasp of the genre, as one is able to pinpoint several references while listening to this release. The music is thoroughly well-executed, with the band delivering a solid arsenal of riffs combined with hard-hitting drums and a vocalist that sounds like the personification of hatred. Black Metal fans rejoice. (HT)

EP REVIEW: Wargrinder - Ironclad Destroyer (2020)

Wargrinder – Ironclad Destoyer (2020)

Greece

Helter Skelter Productions

Wargrinder is a band I've been following ever since their debut album, “The Seal of Genocide.” Basically, they're one of those bands you either like or don't. I personally enjoy the kind of fast and merciless Black/Death style played by bands like Arkhon Infaustus, Angelcorpse, Perdition Temple, etc. Wargrinder falls in that category. The latest EP, “Ironclad Destroyer,” is a continuation of their style from “Tank Tread Doctrine.” The songs on this EP are crushing and blisteringly fast for the most part, but do occasionally plunge into more mid-pace territory that go well with the chugging guitar parts. There are no solos, although the music sounds good enough without them. The EP is also supported by a solid production job, which makes sense, since a good production is mandatory for this style. Brutality-wise – on a scale from 1 to 10 – Wargrinder gets a 11. Every song hits you harder than a Mike Tyson knockout. Everything on this release is exceptionally well-arranged with immaculately timed performances all around. If this is the first you read about Wargrinder, then I guess it's obligatory to point out that everything is played by one person named Terry Eleftheriou. Once again, he did an amazing job. I just republished an interview I did with Terry back in 2017, so maybe give it a read to understand what the band is all about. “Ironclad Destoyer” was released by Helter Skelter Productions on CD format. Buy or die. (HT)

https://regainrecords.bandcamp.com/album/ironclad-destroyer

EP REVIEW: Grimcult - Revelation of Sinister Flame (2020)

Grimcult - Revelation of Sinister Flame (2020) 

Poland 

Putrid Cult

Grimcult is a Polish one-man Black Metal project situated in Ireland and “Revelation of Sinister Flame” is their debut mini-album released by Putrid Cult. “Nobody” – the warrior behind the music – understands perfectly well how to conjure an epic and cold atmosphere that transports you back to the glorious '90s, reminding us of bands like Graveland, Mutiilation, (old) Behemoth, etc. Simply put, this is Black Metal made by someone with a proper understanding of what the genre is all about and it can be heard in the music as each song conveys that cold, dark mood redolent of all the classics from the second wave. I especially like the fusion of synths in the songs as I feel that it adds another dimension to the music. The songs would've lacked depth without the synths. Obviously, this isn't a masterpiece or anything ground-breaking, but the overall result is auspicious enough to garner some appreciation from Black Metal diehards. If you like well-executed Black Metal in the traditional vein, then you will undoubtedly enjoy “Revelation of Sinister Flame.”  (HT)

https://grimcult.bandcamp.com/album/revelations-of-sinister-flame

EP REVIEW: Nocturnal Damnation - Nuclear Massacre of Goatkommando (2020)

 

Nocturnal Damnation - Nuclear Massacre of Goatkommando (2020)

South Korea / Thailand 

Inhuman Assault Productions (Tape) / Deathrash Armageddon (CD) 

If it's blasphemous, militant, and brutal War Metal you seek, then you need to check out Nocturnal Damnation's latest EP, “Nuclear Massacre of Goatkommando,” as soon as possible. The EP is inaugurated with an intro featuring samples of war that sets the tone before all hell breaks loose. The songs vary in pace from mid to fast, but occasionally breaks down to more mid-paced territory to add heavier dynamics. The music is supported by a beefy production and underlined by a strong rhythm section laced with occasional leads. The guitars plot along nicely with everything else while the drums are always battering you into oblivion and offering various tempos. The barbarous growls are perfectly layered over the array of sonic violence and gives the whole thing a verily menacing atmosphere. Nocturnal Damnation stands out in the sense that they put emphasis on structure and making the songs sound cohesive as a whole. The lyrics are your typical lines about war and armageddon, so if you're looking for something poetic, then look elsewhere. All in all, definitely check them out if you're a fan of bands like Wargoat, Witchrist, Zygoatsis, etc. This EP will pulverize you from start to finish. (HT)

ALBUM REVIEW: Shrine ov Absurd - Monotony (2020)

 

Shrine ov Absurd - Monotony - (2020)

Cuba

Independent

Shrine ov Absurd is the sole manifestation by Conspirator (Skjult) and the second feature from a Cuban band on this blog. The musical endeavor in question sounds quite different compared to Skjult and seems more inclined towards melancholia. Atmospheric and well-executed Black Metal is what Shrine ov Absurd is all about. Each song is fierce and murderously intense, featuring some excellent harmonies and dynamics that should keep the listener interested throughout. Conspirator handles each instrument exceptionally well, as nothing really sounds out of place. There are some truly captivating moments, especially the slower, more brooding passages paired with Conspirator's penchant for textures that radiates pure somberness. The song writing is par excellent and contains much depth. It's quite interesting for me to hear bands of such immense quality from countries like Cuba who are not that well known to the world in terms of its contribution to metal. However, as my review can attest, they definitely contribute. All in all, those looking for some bona fide, atmospheric black metal, will thoroughly enjoy this. “Monotony” is all around a very solid effort. (HT)

DEMO REVIEW: Chestcrush – Demo June 2020

 

Chestcrush – Demo June 2020

Scotland

FHED

Chestcrush is a band situated in Edinburgh, Scotland, with roots in Greece. The release under review is their debut demo and was released by the Welsh label, FHED. Musically speaking, their style is a devastating amalgamation of Black, Death, and Sludge Metal. The band fuses these styles together cohesively and by adding their own unique flavour. Consequently, the music is well crafted and can easily be digested due to the excellent quality of the compositions. The production is massive and brings out the best in each performance, giving the whole thing a very crushing atmosphere. The dynamic range and aggressive approach of the vocals gives this demo a veritably menacing edge paired with the monstrously heavy dissonance conjured by the guitars. Chestcrush is definitely a band that lives up to their name: the weight of their music will crush your mind and soul. This demo must be a sign of good things to come. Check them out if you're looking for something heavy, sludgy, and dark. (HT)

EP review: The Incursion - SturmSiege (2020)

The Incursion – SturmSiege – EP – 2020

USA

Nihilistic Noise Propaganda

The Incursion delivers yet another ass-whopping release of utterly barbaric Black/Death entitled, “Sturmsiege”. This new EP beats the listener into submission from the get-go, featuring 5 tracks made up of hard-hitting double-bass, frenetic riffs, and heavily gutteral vocals. The atmosphere created by the band is truly oppressive and sets the tone, including their penchant for sick, dissonant riffs that makes the whole experience sound heavy as fuck. The members are all fairly adept at playing their instruments, particularly the drummer who seems to play at inhuman speeds, showing a great deal of virtuosity. (Reminder to the reader: it's not a drum machine.) The Incursion is spawned from the same abyss that gave birth to bands like Goatpenis, Amputator, and Baphomets Horns – so if you like that kind of intense Black/Death Metal sound, then by all means, check these guys out. Definitely a band to keep an eye out for. (HT)

https://nihilisticnoisepropaganda.com/album/sturmsiege

Album review: Those Who Bring The Torture - Dark Chapters (2020)

 

Those Who Bring The Torture - Dark Chapters - Full Length (2020)

Sweden

Iron Blood and Death Corp.

Rogga Johnsson is one of the more prolific musicians in Death Metal, and Those Who Bring The Torture is one of the numerous projects to involve his input. “Dark Chapters” is their 7^th studio album and the first release I've heard from them. The music reveals a band with a natural capacity for skull-thumping, dark, and catchy Death Metal. The production is quite strong and was mixed and mastered by Jonny Pettersson at Studio Unbound, UK. The band employs melody in a clever way, which isn't all that overbearing, and blends it well with heavier segments. The riffs are fairly catchy and go together well with the bass and drums. They also throw in a few incendiary solos, including some doom-tinged passages that add an extra layer of depth to the music. “Dark Chapters” isn't particularly ground-breaking per se, but those looking for something familiar, yet also enjoyable, should check this out, including fans of some of Rogga's other projects, such as Fondlecorpse, Paganizer, Revolting, et alia. The latest album was released by Mexican-based label Iron Blood And Death Corporation. (HT)

https://ironbloodanddeath.bandcamp.com/album/dark-chapters

INTERVIEW: TRENCH WARFARE - 2020

The following interview was done with Tony (guitar) and Jay (vocals) from US Black/Death commando, TRENCH WARFARE. 

Hails! To inaugurate this interview, tell us how the band formed, including some details about the line-up. Did any of you play in other bands priorly?

Tony: I had a jam session with some guys from my hometown. They are cool guys, but we differed in our approaches to music. I wanted to play fast shit, they wanted groovier chugga chugga shit. The guy who played bass on our demo, Kelly Bogus, was one of the dudes I jammed with. He mentioned Jay and told me Jay was into weight lifting and bands more in my preferred style. He made a call and Jay showed up at my house moments later, and we hit it off. I think that day or possibly some days after I was showing Jay the Goatchrist/Embrace of Thorns split (repeated listening of “Concubine of Antichrist”). We discussed playing a similar style in the vein of Conqueror, Blasphemy, Deiphago, Nuclearhammer, Proclamation, and classic Florida Death Metal. "Decimate Legions" was the first song written specifically for Trench Warfare but I decided to also use "Blood Cleansing," which I initially wrote for Plague Swarm (old solo project), to be used on our 2015 demo. "Evil Shall Triumph" was the final addition for the unholy trinity of songs to appear on that demo. About a decade and a half prior to Trench Warfare, I played drums in a local punk rock band. I think it was called Federal Silence. I was also a fill-in drummer for another band, Uncle Spooge, when their drummer got arrested. I played two shows with each band. After my short lived drumming career, there was a long period of musical masturbation (solo jamming) until the release of the 2015 demo.

Jay: When Bogus invited me that day, I could see Tony's expression of disgust with their direction. I was curious about what he was into. As soon as he mentioned Blasphemy and Beherit, I asked him if he wanted to start a band in that vein. The seed was planted. It's been black magical ever since. While I agree with Tony about Bogus being a great guy, the other guy from that day is a complete degenerate. But with that said, he was involved in a self-defense situation with a psychotic girl that led him to shoot a part of her hand off. haha That amused me, anyway. I’m sure she felt differently. But I digress… I played in several bands in the past, most notably in the West Texas region was the metal/hardcore band Kanye East.

How would you describe your music to those who haven't heard it before and which bands would you cite as influences? Personally, I like to think of your music as “Militant Death Metal.”

Tony: Militant Death Metal! I like the sound of that. I generally describe Trench Warfare as a Bestial War Metal band with Florida Death Metal influence or vice versa. I have a plethora of influences, some of which aren’t event metal. I once wrote a song to the ghastly whirling noise of a pumpjack ("Astral Projection"). As for direct influence: Conqueror! Ryan Forster and James Read created something I don’t think can ever be replicated. The most violent monstrosity to exist! I'd have to say they are the biggest influence for me. Other direct influences are Deiphago, Nuclearhammer, Proclamation, Blasphemy, Beherit, Angelcorpse, Morbid Angel, Diabolic, Deicide. There are many more influences, both legendary bands and some newer bands.

Jay: I describe us as a black/death metal band with war metal roots and inspiration. We started as a war metal band, if a label is necessary. And there ain't nothing wrong with psychotic war metal.

Some say that in order to play extreme metal, you have to be an extreme person yourself. Having said that, do you think of yourselves as "extreme" people or is playing this kind of music more of an outlet?

Tony: To a degree, yes. Those extremes can vary from person to person. The average person isn’t drawn to this shit. Personally, I don’t know what it was, but this instantly clicked for me. Most other things bored me, but this drew my undivided attention. I don’t consider myself extreme. I'm quite boring, truth be told. haha Then again, to the average person (normie), I could be considered “extreme.” “I CANT UNDERSTAND THE WORDS!” This is definitely an outlet for me and has been ever since I picked up guitar back around '94.

Jay: I don't think it's mandatory for one to be "extreme" as a prerequisite to play extreme music. But with that said, I would describe Tony and myself as being fairly extreme and intense, relatively speaking. I think we are driven and ambitious, and kind of nuts. I don't think we are always the easiest people to deal with. I think all of that is evident within our music. This music is the ultimate outlet as well. I channel certain kinds of negativity and rage through Trench Warfare. It is ritualistic in that sense, whether it's writing, practicing or performing.

Do you feel that Trench Warfare has its own sound? Is having your own musical identity important for you or not?

Tony: I think our mesh of influences give us a unique sound but I'm not sure we can say that we have developed our own sound as of yet. We are striving to better ourselves and develop the Trench Warfare sound.

Jay: I think we sound distinct, and I’m proud to say that we are definitely improving with each step that we take.

What albums have you been listening to lately? Any highlights from this year so far? In your opinion, has this been a good year for metal or not? Here lately I have been listening to a lot of Black Feast/Witchcraft.

Tony: I really don’t keep up with releases year to year. I loved the Abysmal Lord EP, "Cathedral," that came out a few months ago! "Warcult Supremacy" is always on constant rotation. I recently came across an EP, Thanks to Tino from Satanik Goat Ritual. The band is called Whore and they released a 3 song cassette called “Whore Tape.” The name comes off generic and I was a bit off-put by it, but man, was I blown away by it once I gave it a listen. It was like a mix of Necrovore and Repulsion.

Jay: It’s almost always a good year for metal. You just have to keep digging for it. The Abysmal Lord release that Tony mentioned is killer, and I’ve enjoyed new releases from Exaugurate, Nexul, Omegavortex, Sacrocurse, and Boris with Merzbow in recent times.

Do you feel like some people might wrongfully pigeonhole you as “war metal,” or are you okay with that? What is your association with War Metal? In your opinion, is it an actual genre?

Tony: I would be fine with “war metal” as a description but most who have heard us say we are a mix of war metal and death metal, which I believe is the better description. Yes, I believe war metal is an actual genre. Lots of people refer to it as black/death metal, but bands like Myrkskog, and later Cadaver, come to mind for me. Unlike black/death metal, War Metal/Bestial War metal has a distinct sound that sets it apart from other death metal or black metal bands.

Jay: War metal is amazing! I'm more than fine with people describing us as such. There is a raw, vile spirit at its core, and there's a blend of black, death and grindcore. That's a winning formula. Themes of war are touched upon on our album, evident from the cover itself, and that will continue as we progress.

Can you give us some details about your lyrics and the theme behind your album title, “Hatred Prayer”? Also, can you explain to us what songs like "Axioms," "Behead Muhammed" and "Blood Cleansing" are about?

Tony: Jay writes the majority of lyrics. I wrote "Blood Cleansing." "Blood Cleansing" is about eating and/or fucking bloody pussy because I'm a nasty bastard like that and like that nasty sort of thing.

Jay: Lyrics for future music have been coming to me sporadically over time, but the bulk of the album came together with a notepad one evening when I was drunk, angry, hateful and listening to music in my car. I had to isolate myself from everyone under the sun. The album title was derived from the song of the same name. 

"Hatred Prayer" is about unleashing flames of rage, justice, revenge and self preservation. It's not a game. It's a legitimate prayer and curse all in one.

"Axioms" is about the snakelike nature of mankind and expressing contempt for it. But it's more than that. It's also about the idea that there's a fine line between persuasion and manipulation, and that meaning can be managed and defined with an arbitrary approach. I suppose there's some pondering and pontificating about rhetorical notions at hand.

"Behead Muhammed" is, not surprisingly, an attack upon Islam. All organized religion is ridiculous, and Islam is no different. It's for the weak. Freedom and truth await once people are ready to break the shackles. The first steps involves the awareness and acknowledgment that the shackles are even there.

Why did you guys decide to use your real names for the band instead of opting for something 'trve' like Necro Beast of 7 String Holocaust Invoker?

Tony: Hahaha Great question. I just present myself as I am. That is pretty much it, short and simple. I am just a perverted guitar player, and I speak through my riffs. SANGUINE CHASM DEVOURER!!!!!!!!!!!!!

Jay: Our names are what they actually are. We aren’t overly obsessed with surface level aesthetics, either. The spirit of Trench Warfare flows through our veins. We aren’t here to play dress up.

What's your opinion on the current climate of censorship that has become such a widespread phenomenon? A lot of the “kvlt” black metallers on social media appear to be in favour of it (making redundant assertions like, 'Black metal was never meant for everyone.') whereas some people are against it. I mean, it must suck pretty hard for someone getting their label shut down just because they sold a few Burzum albums, right?

Tony: I am against the PC censorship. With regard to kvlt black metal, “Black metal is not for everyone,” that is more discernment than it is censorship. We were subjected to the censorship when the SJW types, in their infinite wisdom, attempted to shut down a show we played in Denver, Colorado, about this time last year as a matter of fact. LMAO

Jay: Like Tony said, Antifa degenerates targeted us and tried to shut down a fest at which we played. We have tremendous respect for Derek in Denver for sticking to his guns and ensuring that the show went on! But yes, people should be free to express their ideas and art. We won't always see eye to eye on things, but all of these notions and philosophies need to play out in the marketplace of ideas. The best ideas will rise in time, and that which is deemed inferior will be washed away into the sea. And heavy metal, of all things, needs to remain a wild beast.

What are 10 albums you can't live without?

Tony: These are hard for me to list, because my top ten changes from time to time. "Hell Awaits," and "Warcult Supremacy" always make the list. The remaining eight, this time around would be "Mentally Murdered," "Legion," "The Return," "Messiah of Darkness" and "Impurity," "Exaltation of the Infernal," "Black Thrash Attack," "Obsessed by Cruelty" (European Version), and "The Inexorable." There are a plethora of great releases!

Jay: They fluctuate for me as well, and I find these kinds of questions impossible, so the best I can do is offer selections that are truly meaningful to me. In no particular order:

 1. Black Sabbath - “Black Sabbath”

2. Blasphemy - “Fallen Angel of Doom….”

3. Emperor - “In The Nightside Eclipse”

4. Brutal Truth - “Sounds of the Animal Kingdom”

5. Mayhem - “De Mysteriis Dom. Sathanas”

6. Sepultura - “Morbid Visions / Bestial Devastation”

7. Pantera - “Vulgar Display of Power”

8. Napalm Death - “Throes of Joy in the Jaws of Defeatism”

9. Impaled Nazarene - “Ugra-Karma”

10. Morbid Angel - “Formulas Fatal to the Flesh”

I may be wrong, but I could swear I heard a hardcore punk influence in the track "Young Lord." Are any of you guys fans of hardcore punk? If so, what are some of your favourites? Which do you prefer – American or UK hardcore punk?

Tony: That song, "Young Lord," is actually a Poison Idea song that came from their demo days/early days album. I am a big fan of hardcore punk. As far as my favorites, obviously Poison Idea. lol Add Broken Bones, Discharge, Legion of Parasites, early DRI, Confuse. I'd have to say I prefer the UK hardcore punk. There was a certain roughness to it that really appeals to me.

Jay: Hardcore punk has definitely had an impact upon us. I like it from various decades, but I suppose Tony and I have common ground regarding eighties material. With respect to the American and English bands, hardcore, like metal, has flourished well beyond the aforementioned geographical parameters. Lärm was a fantastic band from the Netherlands, for example. And I’m partial to Japanese bands like GISM and Gauze.

What can you tell us about your cooperation with Transcending Obscurity Records? Wouldn't a label from your own country normally be a first choice when looking for a deal?

Jay: Transcending Obscurity Records had a webzine component up until a few years ago. They interviewed us, and we kept in touch with them. Another label asked us to write a full-length for them since they were excited by our demo, but that was prior to their unintended downsizing of sorts. At that point, the album was ready and we were speaking with a few labels. Transcending Obscurity made the best offer, so we signed a contract with them. They have been fantastic to us on multiple fronts. We will be recording our next full-length album with them as well.

What is your preference in regard to music formats, and what do you think of sentiments like, "Only vinyl is real"? Does one have to collect vinyl in order to be "true"?

Tony: It depends on the band. Usually for established legendary bands I'll purchase either CD or vinyl. If it’s a newer band, I'll usually purchase the digital version, and if I really like them, I'll buy CD or vinyl. I prefer physical copies. It’s a toss up between CD or vinyl. I have only a handful of cassettes, most notably the "Antichrist Superiority" demo!!!!!

Jay, tell me about your vocal approach and style? When did you first start growling? Do you have any particular influences? Personally, I think you sound a bit like John Tardy, but with a more hardcore edge. Your vocals are powerful and fierce though.

Jay: I appreciate the kind words, sir. I started singing melodically. I was even in choir as a kid for a while, but I started growling along to music as I was discovering bands. It began with singing along to heavy artists: Ozzy, Peter Steele, Glenn Danzig, Layne Staley, Mike Patton, etc. The singing led to screaming along to Phil Anselmo of Pantera. The screaming led to growling, starting with Max Cavalera from Sepultura, then Barney Greenway of Napalm Death and Kevin Sharp of Brutal Truth. And yes, sir! You’ve done well to spot out the John Tardy influence. I think it’s obvious. It’s not that I try to mimic any one singer. I have just sung along to their music for so long that the emulation is inevitable. Pestilence’s Martin van Drunen (also of Asphyx) and Patrick Mameli share qualities with Tardy as well, and I’ve definitely enjoyed singing along to them. You’re also correct in spotting out the hardcore aspect. It’s definitely prominent. As far as pin-pointing specific singers, Jon Gula from Turmoil and Lou Koller from Sick of It All come to mind. Nocturnal Grave Desecrator and Black Winds from the mighty Blasphemy has made his mark as well, and strikes me in the same way that many hardcore vocalists do with a very punchy and aggressive delivery.

A lot of bands sing about war, whereas your guitarist has actually been to war. Do you think that sets you guys apart from other bands, or is it irrelevant?

 Tony: A war can culminate in a lot of things, such as military operations, someone's personal resolve, lifestyle of violence, etc. I wasn’t exactly a frontline troop, although warfare has changed. Anyone that was deployed to the Iraq operations during the early part of the 2000s were subject to getting hit by an IED while on the road, or a mortar when you are going to take a shit, headed to eat, or even the gun range on base. I was a supply sergeant. That notable photo of me holding a Mach 19, I was overlooking an arms room inventory and had my soldier snap a photo of me in the Conqueror shirt. I joked that the photo would be legendary someday. hahahahahahah

 Jay: Tony is definitely modest about that aspect of his past.

Your opinion on the following:

* Greek Metal

Tony: I haven’t heard a lot.

Jay: Rotting Christ, Varathron, Necromantia, Inveracity.

* Teutonic Thrash

Tony: "Obsessed by Cruelty" and "Satan’s Gift/Riders of Doom."

Jay: Sodom, Destruction, Kreator. And I’ll throw Tankard into the trashcan.

* Dictatorship:

Tony: Bad business.

Jay: I’m an outspoken proponent of liberty, but I can see the appeal for some people who want or need to be led and controlled. On the flip-side, I can see the appeal for those in power once they understand how simple it can be to manage the psyche of the masses.

* Organized Religion:

Tony: I don’t care for it.

Jay: Spirituality is valuable, but organized religion is just nauseating.

 * Hipsters

Tony: hahahahaha Definitely not the loving "inclusive" bunch they say to be. That’s a story for a different day, or Jay might key you in on that.

Jay: haha Tony and I went to a beer garden and eatery that was right across a rehearsal studio we were using in Austin for a while. As we were sipping our drinks and awaiting our pizza, I could overhear a group of nondescript twentysomething Austinites criticizing Trump and racism. Once our food was ready, Tony and I sat down fairly close to them because they were near the only available seats. The pompous elitists stood up and walked away instantly. I think we were too dark for their liking. haha The situation just underscores the lack of self-awareness and hypocrisy of “woke” people. We had a good laugh at them for their absurdity and existence.

What's the last album you bought?

Tony: Goat Vulva discography 12”

Jay: Roy Orbison - “Mystery Girl”

Lastly, what does the future hold in store for Trench Warfare, and where can maniacs get hold of your merchandise? Thanks for your time. The last words are yours.

Tony: I am in the process of writing the next Trench Warfare album. You can grab "Hatred Prayer" from the Transcending Obscurity Website or our Bandcamp page. We have a handful of the demos left, so you can purchase that through the Trench Warfare Facebook page. I appreciate you taking interest in Trench Warfare and we are honored to do this interview. Cheers!!!!!

Jay: Our demo is also available via Nuclear War Now Productions! (https://shop.nwnprod.com/products/22286?_pos=1&_sid=ce0d4df67&_ss=r), and it’s available digitally (https://trenchwarfaretx.bandcamp.com/album/perversion-warfare).

People can contact us on Facebook (https://www.facebook.com/trenchwarfaretexas) regarding our “Demonic Christ” shirt, and “Hatred Prayer” is available via our Bandcamp (https://trenchwarfaremetal.bandcamp.com/album/hatred-prayer-black-death-metal).

More music and more madness awaits. We aren’t going anywhere. Hide your daughters. Hide your wives.

Album review: Warkvlt – Deathymn (2020)

 

Warkvlt – Deathymn – Full Length (2020)

Indonesia

Sadist Records

Previously known as Impish, Warkvlt from West Java, Indonesia, presents their new album, “Deathymn,” released by their home label, Sadist Records. The band brings the war with a no-holds-barred assault of begrimed black metal terror that goes straight for the throat. Interestingly, there's a theme behind the album which consists of three parts: Blood, Fire, and Death. The music does a good job at conjuring an apocalyptic atmosphere, with songs comprised of militant drums, throat-slitting riffs, and a belligerent vocal attack. The band is all about being heavy and fast, but also makes use of some radical melodies to stomp the weak. The vocal effects on “Plague” is pretty cool, and I think the band should do more songs like that, as well as adding a few solos here and there: that would add more texture to the music. There's nothing particularly “fresh” about Warkvlt's brand of war black metal, so if you're looking for something innovative, then look elsewhere. “Deathymn” is a collection of straight-forward, stubborn black metal tunes, that will appeal to those with a penchant for the more hard-edged underground stuff. Check it out if you enjoy Southeast Asian bands like Infernal Execrator, Diabolical, Zygoatsis, etc. (HT)

https://warkvlt.bandcamp.com/

Album review: Skjult - Lucifer Hominum Salvator (2020)

Skjult - Lucifer Hominum Salvator - Full Length (2020)

Cuba

Satanath Records 

Cuba is not a country I know much about in regards to its metal history, although I have managed to hear a few killer bands from there, such as Narbeleth (now situated in Spain), From The Graves, Infector, Sectarium, Combat Noise, and now, Skjult from Havana. (Most of the good ones hail from the country's capital, Havana) “Lucifer Hominum Salvator” is the band's third album and was released by Satanath Records from Russia. Skjult plays a rather pristine and straight-forward style of black metal that puts a lot of emphasis on atmosphere. It's by no means original, but it's a formula that works. The fact that it's a one-man project is quite impressive; the music is very well-crafted and is able to draw the listener in easily. Conspirator, the sole individual behind all the music, shows a knack for excellent craftsmanship. The songs are quite lengthy, yet cohesive, as each instrument is expertly arranged and implemented into the mix. It seems like the band is quite productive too, as “Lucifer Hominum Salvator” is Skjult's third album in just four years. The guitars are definitely the main focal point here, as each song is replete with somber, immaculate riffs, and an atmosphere that emanates pure antikosmic darkness. “Lucifer Hominum Salvator” is a very enjoyable album to listen to and full of great songs. I can't see how any true fan of black metal cannot enjoy this. Fans of bands like Dissection, Watain, and Urgehal will be pleased. Highly recommended. (HT)

https://satanath.bandcamp.com/album/sat276-skjult-lucifer-hominum-salvator-2020

Split review: Blood Omen / Slege – Bathing In The Blood Of The Meek (2020)

Blood Omen / Slege – Bathing In The Blood Of The Meek

USA

Nihilistic Noise Propaganda

"Bathing In The Blood Of The Meek” is a black metal split between Blood Omen and Slege, both of whom hail from California. These bands are amply uncompromising in their craft and represent the heart and soul of the genre.

Blood Omen starts the split, offering 2 tracks of fierce and majestic Black Metal. This is the band's third release, so they already had some time to work on their music, hence the quality of the material. “Bloodsworn Legacy” is an epic 8-minute hymn featuring one of the best solos in a black metal song I've heard in a while. The blood-curdling vocals, along with their ability to write sick riffs, definitely makes them a noteworthy prospect. Blood Omen is the real deal and after hearing their side of the split, I've decided to check out the rest of their discography.

Slege's take on the genre is slightly different, although they embody the same murderous spirit. The atmosphere they evoke is powerful and reminds me of old Gorgoroth. The effects on the vocals are very well done and gives the music a very distinctive feel. “Their Heads On The Spikes Of Our Victory” is an absolute killer tune backed by some truly epic riffs and an amazing vocal performance full of emotion.

All in all, both bands are on the same page in terms of song-writing quality and show a natural capacity for depth; therefore, I cannot recommend this release enough. This is a great split.(HT)