INTERVIEW: A.M.S.G.

 

The following is a completely unfiltered and uncensored interview with Angelfukk Witchhammer, the creative force behind Canadian black metal outlaws A.M.S.G. and formerly of Ouroboros. 

1. Infernal hails! What does A.M.S.G. stand for? (Both musically and ideologically.)

A.M.S.G. stands for “Ad Majorem Satanae Gloriam,” which translates to "For the Greater Glory of Satan." Musically, it represents a dedication to crafting art that embodies the ethos of the band's beliefs. Ideologically, it is a commitment to the tenets of spiritual rebellion or anti-cosmism, associated with Left-Hand Path beliefs.

2. Black metal is now seen as this “cool” social club, which consequently attracts all kinds of degenerate scum. However, I’m pretty sure your views are on the contrary?

These days it is filled with posers, backstabbers, police rats and squid goof tranny loving faggots and the whole thing needs to be nuked.

Black metal has always been the anti-mainstream, so of course the mainstream leeches onto it like a parasite trying to kill the purity if its essence, hence the nature of the beast. Mainstream society has the fundamentals to destroy the person and ideal and make it a slave, and everything it touches in that matter as well, such as Black Fucking Metal! Where black metal is an ideal of purity and higher consciousness self-devout to the darkness, embracing the conquering flame.

3. I once read in an interview that you were imprisoned for a while. For how long, if I may ask, and what was the offense? Do you regret anything?

In total I was sentenced to 6 years...I did 5.

The charges I did time for was:

- Trafficking narcotics

- Trafficking guns

- Possession of explosives

- Possession of proceeds of crime

- Possession of human remains

- Assault of a deadly weapon

I regret nothing!!!! And never will.

To be an outlaw in this society is freedom.

To be a slave to the weak Abrahamic society is a slow death of dishonour of the true self

Imprisonment was an outcome of the individual self-rising above the weak and feeble society set in Abrahamic ways.

Yes, it sucks that it had to happen but such are the way of things and unfortunate. Yes, the experience made me grow a lot and taught me many things in order to become sheer iron will.

Am I sorry for what I did? Ha! Not in endless lifetimes! We are at war with this poisonous Abrahamic world order and I will fight until no air fills these lungs. I call on all true maniacs and conquerors to rise up and fight!

4. What inspired the idea to incorporate a saxophone on your debut album “Anti-cosmic Tyranny” and who plays it? It’s not particularly common in black metal, although I feel like it added an extra layer depth.

Ahh the saxophone...such a depraved instrument! I love it....and growing up it was the mighty NECROMANTIA that broadened my horizons there musically mixing other instruments into the usual guitar bass drum format of black metal, and also being a fan of jazz music.

Hey, this is fucking black metal! Why write in a box? Sure, some are ok like that...but it can get repetitive. For a person with an actual brain you need some stimulants and growth...adding extra layers of music would add more depth and a better outcome.

We've used saxophone now in anti-cosmic tyranny and Hostis Universi Generis and for the track that was in that 4 way split.

That saxophone player is a guy I used to go to high school with and he's a total maniac.

He was going thru some insane shit during anticosmic recordings as his girlfriend just killed herself and he came home and found her....crazy shitI We are a band surrounded by death and chaos.

We brought him into the studio and showed him what we had and he just played his parts

And every time he's done it we are blown away by what it adds to the recording. It is a great fit for what we are trying to achieve musically which brings you to more of a higher consciousness realm.

5. The drummer Kaos Abhorrer that played on Anti-Cosmic Tyranny sadly passed away in 2014, although I was never informed about the cause of death. Can you please tell us what had actually happened?

Kaos Abhorrer brought the right mindset and what black metal is really about to the band for the drummer position. What a tragic loss there. A loss of a bandmate and brother, but I respect his decision.

He was a true warrior chaos bringer and friend, unlike the past drummer who was a jealous rat cop calling no good dog that needs to die, he has no honor and never will.

Kaos Abhorrer is a king and he will forever be praised as a true fucking black metal maniac and true honorable brother! I hail to you brother, I hope you are riding the crests of chaos in that next transcendence!

He hanged himself because he worshiped DEATH

6. What are some of the themes you explore with A.M.S.G., and can you cite any literature or movies that have left a lasting impression on you?

Ahh well there are many influences!

And as you already mentioned Nietzsche and H.P Lovercraft are definitely in there.

For films I love:  Lars von Trier, Stanley Kubrick, David Lynch,

David Cronenberg and his son Brandon are great, Zack snyder, Christopher Nolan are all great directors of films I enjoy, Amongst so many others, classic horrors Fulchi etc.

As for books well...many occult and philosophy literature I have in my collection

Such as Alistar Crowley, Current 218, Thomas Karlson and the mighty Dragon Rouge teachings, Toby Chappell's Infernal Geometry and the left hand path, The keys of solomon, The Temple of the Golden Dawn, Eliphas Levi, Diabolic Gnosticism by Christophe Kafyrfos, Marcus Aureluous, Might is Right, Promethous Rising by Robert Anton Wilson, Aldous Huxley, Carl Jung, Hunter S. Thompson, Ravenscroft Spear of Destiny, Thule Society, H.P Blavatsky the secret Docturine to name a few, if you know what I'm talking about then you know what's up.

7. Black metal means different things to different people, but what does it mean to you specifically? Does it define your personality?

Black metal is a way and code of living life. As you can see it does define my personality I think as I live a true black metal lifestyle, unlike alot of poser false fukks that claim to be harsh or preach bm lifestyle but live nothing of the sort

Black metal is devoted to satan, death, chaos, no tolerance and supremacy of the higher consciousness self.

All these weak bands trying to copy the sound of black metal...call themselves black metal is a total disgrace and ripp off! (Of course there are genres of black metal, i guess how would you describe let’s say the early Enslaved albums etc.? But these aren't black metal if you get what I'm saying?) If all these new hipster goofs or tranny loving every one is welcome or commies (you all know who I'm talking about) can fuck right off, they actually need to be wood chippered from the feet first cause these fukks need to be cleansed, along with all the other scumfukk douchbags out there!

Less parasitical people out there the better, so please...do us all a favour and take all the vaccines and listen to what the government tells you hahahahahaha

What a pathetic and unreal reality we live in.

Split the atoms!

8. Do you think an internet warrior preaching the gospel of black metal from the basement of his grandmother’s house is doing any good?

Well that all depends on the guy...did he live a black metal life? Contribute in anyway? Taking care of his grandmother? Or some chump squid goof that does nothing but go online in his grandmother's house about black metal weak scene shit? Woodchipper!

True black metal magic people are few from the exploits of the mass Infiltration of all these scene point fukks that take up space and breathe my air.

9. What are 10 albums you can’t live without?

Tough one, 10 albums no idea!

Albums:

- Destruction - Sentence of death

- Dissection - All

- Metallica first 4

- Slayer show no mercy

- Mercyful Fate - Melissa

-Spear of Longinus - Nazi Occult Metal

- King Diamond - Abigail

- Slaughter lord -

- Morbid Angel - Altars of madness

- Infernal majesty - None Shall Defy

Bands:

Beherit, Voivod, Disciples of power, Necromantia, Bestial warlust, Bathory, Thergothon, etc.

10. Can you elaborate a little on the themes pertaining to your last album “Hostis Universi Generis”? What are songs like “The Exodus of All Life” and “Broken Chains of Cursed Flesh” about?

Themes of the last album is pure devotion to the anti-cosmic gnosis and of suffering and pain and misery to exist and walking the line of superion, those who walk the line know of which I speak. This is occult music so anyone who doesn't follow, do not entry.

Hostis Universi Generis in itself is the enemy of the universe. I am your enemy.

The exodus of all life refers to a prayer song ritual to the end of humanity.

Broken chains of cursed flesh is a monument to our fallen brother Kaos Abhorrer

11. Canada has some of the most extreme bands in the world. Do you think the weather somehow contribute to this phenomenon? Are Canadians a peaceful, laid-back bunch or is that a misconception?

Extreme?! More like unextreme today and totally lame safe-space metal brotherhoods holding hands under a rainbow pride flag, losers getting their dicks cut off, tranny dress wearing faggots like local Begrime Exemious/Revolator etc., is all I see these days and people with no fucking clue what black metal is or extreme music in general.... it's very safe-space and weak-minded. A total shit film cover that won't go away. And now bands that stood the line now bend the knee for example Revenge who used to be solid as fukkkk! Walked the line, but now has a member that is a total left wing antifa supporter faggot wimp who plays in another band Black Death Cult with two trannies in it and he releases pro antifa albums on his tranny label....total weakness! Infiltrated! I never thought reality would turn out this way, but here we are.

I'll fight till death! No compromise! Supremacy thru intolerance!

There are true bands here and I hail them!

12. Are there any bands that A.M.S.G. share a musical / ideological kinship with?

TRUE BLACK METAL MANIACS

The bands were in contact with know who they are

13. Your thoughts on the following:

* Justin Trudeau - One of the biggest pieces of shit to ever exist, this commie pedo scum fukk!!!! He is a traitor to Canada and to its citizens and deserves the worst!

* Kanye West - Count ye! He freed the Burzum from its cage hahaha. What a bizzare world we live in. All these mainstream celebrities loving black metal. It's also ruining black metal. Most of these people are the worst kind. A tleast he is against the Abrahamic poison it appears.

But all in all, I don't even fucking know...just fucked right up!

* Abigor - One of the best black metal bands to exist, Hail to them! Supreme Immortal art indeed!

* Sepultura - Sepultura used to good....then they went off some path and totally suck! Fuck them now...only the first four is cult.

* Sadistik Exekution - One of the most extreme metal bands to ever exist, out of Australia! All Glory and praise to these maniacs.

14. Lastly, How does the future look for A.M.S.G? Do you have anything to say to all the haters out there and people who got offended by your words?

My visions and appreciations are a swastika swirling, conquering riding the wave of chaos always! To my haters? Hahahaha those weak pathetic jealous fucks! They will never win and I will kill them when and if I can, those who have it coming! And my aim is to always walk the path of superion and strive forward into the new dawn! AMSG just re-released our first EP with live tracks and the 4 way split on Atolinga rex. As for future albums just wait and see...there will be something from the darkness and madness.

Either join us or hate us, haters can put a gun in their mouth and pull that trigger fukk offfff!!!!! Same to the people who are offended!!!! You are weak and should be eradicated from this existence.

As always, hail the end and hail the true maniacs we are in contact with!

ALBUM REVIEW: Abyssal Rift - Extirpation Dirge (2023)

Abyssal Rift - Extirpation Dirge

USA

Sentient Ruin Laboratories

 

The cover art (by Jesse Nihil) beguiles and perfectly complements the music therein; a charred blackened being emerging from the darkness with vengeance in its eyes and an open mouth dribbling with hatred and curses. 

“Extirpation Dirge” is a musical journey for falling into a hole in the ground; careening through a winding network of tunnels before you are released into the Abyss. As you fall freely you feel the hands of the damned reaching out to touch and grab you, the weeping choir resounding. You hear, from beneath, the echoing roar of the beast which signifies your impending end……wwwwuuuuuurrrrggghhhhhh!!!!!

Helmed by multi-instrumentalist/vocalist Max Auxier with drums by David Mahoney and mixing/mastering from Will Killingsworth, Abyssal Rift’s innovation is to seamlessly fuse cavernous pounding black/death with death doom and progressive/space rock plus a sprinkling of post-metal. Reads like a confused musical clusterfuck but I assure you it is not (also assure you that I am not confused hahah); I marvel at how many musical styles I am experiencing almost simultaneously, while nonetheless encountering the same dark being as depicted on the cover art.
 

This journey is six tracks long with a running time of less than 37 mins; it twists & turns, pummels, and pulls you apart, leaving you broken and bloodied, wanting to get back on that rollercoaster to Hell…………a must! (Unkle Superion)

 

EP REVIEW: Eskhaton - Horracle (2022)

Eskhaton - Horracle

 

Australia

 

Hells Headbangers

 

“Horracle” is a mini-album by Australian death metal juggernauts, Eskhaton, which was released in 2022 via Hells Headbangers. It contains five tracks of some of the most punishing shit you’ll ever hear. This is the band’s fifth release, and they have not lowered the intensity or quality. This consistency cements them as one of the best extreme metal acts from down under.

Eskhaton plays death metal, and it is some of the heaviest and most chaotic the genre has to offer. Of course, there is also a hint of black metal with the nightmarish atmosphere that the dissonant guitars evoke. They share a number of similarities with countrymen Impetuous Ritual and Portal in terms of the all-out chaos, though they have enough unique traits in their arsenal to set them apart. Simply put, they sound like a cross between Dead Congregation and Impetuous Ritual. A thick dissonance encompasses the songs along with an abundance of frenzied leads and riffs to compliment the carnage.

"Horracle" consists of only five tracks totaling 29 minutes; however, while this short run time would normally be a deficit, it is actually one of the album’s strengths due to how straight-forward it is – no interludes, just pure mayhem and violence. Additionally, the band displays a level of craftsmanship that is above average and verges on technical, while still retaining a barbaric element. In fact, listening to the riffs on this record, their complexity only serves to accentuate the overall insanity that the music seeks to convey – truly order within chaos. To the average newcomer, this is “noise,” but for those with an appreciation for this style of metal, it shows forth unparalleled genius.

The roaring vocals and surging lava riffs on “Omnicidol” open the record hellishly, making your head spin before “Khaossuary” picks up the aural bazooka, and blasts everything in its path with unyielding ferocity. There is no letting up once this disc starts; this powerhouse of a release will pound you mercilessly with murderous execution. Clocking in at over eight minutes, “Nethereal,” the closing track, is the lengthiest track; it devastatingly drives this release to a violent end.

Horracle’s five tracks feel complete, and I definitely recommend this album to fans of bands like Blasphemy, Portal, Heresiarch, Impetuous Ritual, etc. I strongly urge the reader to check out their other albums, as this is not even their best release. Regardless, this is an excellent album through and through, and one of the highlights from 2022.

DEMO REVIEW: Purulency - Transcendent Unveiling of Dimensions (2024)

Purulency - Transcendent Unveiling of Dimensions

USA

Caligari Records / Pulverised Records / Morbid Cellar Records

 

My first actual 2024 review, and this is a serious stunner of a debut demo from a band formed in 2018 in Tennessee, USA. But it looks like things only took off when 3 new members came onboard in 2022. These days, with all the advances in recording tech and the number of small-scale artist-run studios, it really is harder now to record a demo on a beat-up 4-track cassette recorder in the toilet and then mix it on a shoddy system in the wardrobe.

“Transcendent Unveiling of Dimensions” is filthy, rotten, knuckle-dragging death metal in widescreen; like the album artwork, the swarming mass of wwuuurrrrggghhhhhh comes straight at you, through a portal that tears through our space-time fabric. Thankfully, things are still in lovely monochrome; the sound is big, expansive and solidly defined, but rounded and organic enough to feel the sludgy flesh n’ effluent mass encapsulate and absorb you with its loving wwwurrrrghhhhhh embrace! There are definitely (Stockholm) Swedish and Finnish death metal influences that permeate throughout, but successfully merged and blended into a new entity.
 
The fact that this got picked up by 3 different labels (in 3 different countries) should convince any OSDM fan of the quality of the filth contained here; if there's any "hype", it's certainly justified! (Unkle Superion)  

ALBUM REVIEW: Heresiarch - Edifice (2024)

Heresiarch - Edifice

New Zealand

Iron Bonehead Productions

 

The second album by New Zealand’s Heresiarch titled “Edifice” is a continuation of their relentless and uncompromising black/death Metal that they’ve been belching out since their inception in 2008.
 
Seven years is quite a lengthy gap between two albums, which begs the question: Was it worth the wait? 100%. The latest album is an all-out barrage of apocalyptic destruction, consisting of ten tracks of caustic black/death/war metal cut from the same cloth as compatriots Vesicant, Diocletian and Witchrist, but also featuring trace elements of bands like Conqueror and Angelcorpse.
 
From the music to the themes to the art, Heresiarch casts a dark shadow over the listener, offering no respite from its fierce and unbridled sonic malevolence that makes the earth tremble and the sky turn black. The emphatically aggressive vocals that lead the charge are utterly scornful and vicious, adding a crucial facet to their style that is part of the reason why the band sounds so unhinged. I’ve always said you need a good vocalist if you want to pull off this style properly, and Heresiarch fully understands that.
 
The rapid execution of instruments and skull-drilling drums put the listener in a state of shell-shock, while the music blasts over you in blitzkrieg fashion with uninterrupted hostility and maximum violence. “Forged Doctrine” inaugurates the madness and wastes no time laying down the law with a maelstrom of chaos and savage rhythms, while the following (and shorter) “Manifest Odium” has an Incantation-esque twang before “Noose Upon The Abyss” completely blusters you into submission with its resolute discharge of mayhem and blunt-force heaviness.
 
Not only is “Edifice” profoundly heavy but it is also flawlessly performed, which is complemented by a production that I might add is perfect for this kind of black/death style; it has a natural tone to it, but also enhances the performance as a whole and gives it an audible quality. As for the artwork, I’m not going to lie, I absolutely adore the cover art. It has a kind of totalitarian post-apocalyptic setting and merges well with the music.

Tempo-wise, the album ranges from pounding mid-tempo rhythms to faster sections, but also slows down at appropriate moments, showing their penchant for doomier nuances. "Edifice" is not only a profoundly punishing album, but it is also decidedly dynamic, so there’s no doubt in my mind that the seven years since the last album have been absolutely worth the wait as this is easily the best release they’ve put out until date.

ALBUM REVIEW: Helgrind - Fides Celtiberia (2024)

 

Helgrind - Fides Celtiberia

Cuba

Independent / Self-released

 

The pagan metallers from Cuba are back with their epic third album, entitled “Fides Celtiberia.” The album was independently released, although I’m pretty sure it won’t be long before a label picks it up, as it is a masterpiece through and through.
 
If memory serves, Helgrind is one of the first bands I heard from Cuba. Their previous album “Return to Motherland” was a truly memorable experience of triumphant Black/Viking metal, and the new album is no less impressive with its discharge of fierce melodies, epic choruses and all-around excellent songwriting.
 
“Fides Celtiberia” strikes a seamless balance between all-out aggression and more sombre moments – which are quite captivating to say the least – although when it gets heavy, it gets HEAVY. So that’s definitely an aspect I appreciate about this album.
 
The leads and guitar work are one of the focal points of the album and convey so much emotion that you almost feel like you are embarking on a journey to medieval times, and that’s exactly what the album manages to do: it exudes an ancient atmosphere, and the clean choruses add another dimension of depth to the whole experience.
 
The black metal vocals are well done and stand out in the mix, reminding me of Werewolf of Satanic Warmaster. Sure, there are obvious black metal elements, and there’s no denying that fans of the genre might even find this appealing, although given the rather clear production and folk elements in the music, I feel that Blackened Viking metal or Pagan Metal are probably more apt descriptors.

The band doesn’t forget to show off their old-school side, as there are some thrash elements thrown in as well, but these guys definitely have experience when it comes to composing metal with compositional depth, as I was fully immersed for the entire duration of “Fides Celtiberia”, whether I was raising my fist to the sing-along choruses or banging my head to the heavier, more brutal moments – everything you need in a metal album is here.
 
Truth be told, I've never really been a big fan of folk-infused black metal, but Helgrind have made me a fan. “Fides Celtiberia” is a truly unforgettable experience and one of those albums you should definitely own a physical copy of. One of the greatest metal albums the underground has to offer in 2024. Stand-out tracks: “A Spanish Son” “Pride, Blood and Honor” “Great Kingdom of Ancient Land”

DEMO REVIEW: Käptör - Thräshättäkk (2024)

Käptör – Thräshättäkk

Estonia

Gatekeeper Records

 

There’s no denying the quality of the Estonian underground scene, with killer bands like Goatsmegma, Lein, Skullfukk SS, Koffin, Thunraz, etc. Käptör is another band worthy of adding to the list, having just released their bone-crushing debut demo, aptly titled “Thräshättäkk”. I haven’t heard any thrash bands from Estonia prior to reviewing this demo, so it’s always cool to hear new and upcoming bands, particularly from Northern Europe.
 
The demo consists of three tracks and has a playing time of about twelve minutes, and in that short time you get to hear a healthy dose of methamphetamine-induced street thrash reminiscent of bands like Slayer, Dark Angel and Overkill. For a first demo, the band shows a lot of promise, though I have a feeling they will explore their arsenal a bit more on future releases in terms of finding their identity. I like the raw approach and fast riffing, along with the totally analog sound of this recording, which almost sounds like a rehearsal.
 

The vocals have a crossover feel to them and are effectively executed, while the drums are energetic and non-stop. The riffs are pretty deadly and one of the band’s strong points. There’s definitely something special about these guys: I mean, just look at the artwork – it’s cool as hell and screams ‘80s thrash worship, while the song titles like “Speed & Pöwer” and “Förce öf the Käptör” are simply badass and say a lot about the band’s attitude. All in all, Käptör’s first demo is a solid entry into the world of thrash and shows a band with a lot of potential, so let’s hope they stick around for a few more releases so we can follow their progress. Solid effort.

ALBUM REVIEW: Reverence to Paroxysm - Lux Morte (2023)

Reverence to Paroxysm – Lux Morte

Mexico

Dark Descent Records / Vomit Records / Me Saco Un Ojo Records

 

2023 continues to churn out endless ever-amazing ‘finds’, even though we are just past the first quarter of 2024. Reverence to Paroxysm comprises dudes also serving time in other Mexican extreme metal bands like Blood Reaping, Castleumbra, Hacavitz, Apocalipsis etc., and I am limiting the listing to bands that are still in! These days, I would hesitate to use the term ‘supergroup’ or ‘project’; RTP should be regarded instead as yet another facet of their musical identities. 

I admit I was immediately drawn to this album by way of, yes, the super cool band name and album cover (and without having heard a note). Like my friend Alden also noted, the artwork/design has a pretty black metal or DSBM feel and look about it. The music/performances therein could not be further from DSBM. This is monstrous, hulking yet exquisite death metal rooted in OSDM but with a very pronounced incorporation of doom and frosty black metal aesthetics. One review I read quite correctly referred to Lux Morte as “atmospheric death metal”. The atmosphere however, does not refer to anything misty mountainous and Cascadian; more a cold, dark, murky swamp or forest wetland with dense choking fog. From which, Swamp Thing-style beasts emerge to drag you under the waterlogged soil, decaying leaves and branches etc.,……….WWWUUUUUURRRRRRGGGGGHHHHHHH!!!!!!!

The drumming here really stands out; fluid almost-jazzy but metal through and through, just like how Bill Ward’s swing served as foil to the heavy-thick guitars on the first six Black Sabbath albums. And finally, the part that nails it for me is the sampled monologue (from a film or documentary) at the start of the sixth and final track, “Care Data Vermibus”:

“…...my mind is going; I can feel it………...
I can feel it……………There is no question about it.”

Hence, my friends, surrender yourselves unto the dark night of the wwwuuuuurrrrggghhh!!! (Unkle Superion) 

DEMO REVIEW: Lein - The Call of Grief (2024)

Lein - The Call of Grief

Estonia 

Gatekeeper Records   

 

“The Call of Grief” is the debut demo by Estonian black metal quartet Lein (Estonian for “Grief”) and was released by Gatekeeper Records on cassette format limited to 100 copies.
 

The band hails from the city of Tallinn, which is one of the snowiest cities in Europe and known for its beautiful medieval architecture, so it makes sense that such a setting would produce a band whose music conjures up images of forests and snow-capped mountains.
 
The demo opens with a somber intro that perfectly sets the tone for this release, followed by “Light”, a mid-tempo track with majestic riffs and hateful vocals that are rather mid-ranged and bestial, as opposed to the higher-pitched shrieking that you often hear in black metal, though I feel like this sets them apart a bit and actually fits the music very well.
 
Production-wise, the album has a rather simple approach and feels organic, especially the drums, which are on point and eminently well-executed. The third track “Öö Langeb” goes into darker territory and features a series of deadly riffs reminiscent of Dark Fury, which are perfectly layered over the vicious screams, while “Parasite” shows their knack for more bestial rhythms, including some epic guitar solos to boot.
 
"The Call of Grief” is packed with icy riffs and a melancholic atmosphere, but also has a verily gritty edge, including some excellent leads on the last track called “Last Winter” (no pun intended). Truly, this is a thoroughly excellent demo through and through and since it’s just starting to get colder in my country, it’s a rather fitting listen.
 
Fans of bands like Dark Fury, Hate Forest and Graveland should not miss out on this release, as everything on this demo is extremely well done and shows a band with a lot of potential and a penchant for excellent craftsmanship.
 
“The Call of Grief” consists of five compositions with a playing time of 26:26 minutes and is black metal at its finest. Highly recommended.

DEMO REVIEW: Cadaverous Odour - Corpus Inhumation (2024)

Cadaverous Odour - Corpus Inhumation

USA

Independent

 

“Corpus Inhumation” is the debut demo from the one-man project Cadaverous Odour, hailing from the city of Santa Ana, California. This demo contains three tracks of putrid and slimy death fucking metal reminiscent of Necrovore, Autopsy and Abhorrence.
 
There’s definitely a hint of doom, as “Mercurial Erethism” starts off rather slow before picking up the pace around 2:18 and plunging you into the bottomless pit with blasphemous riffs and a rapid solo around 3:29. The vocals exude a rather cavernous quality, adding an extra layer of filth to the festering atmosphere. The riffs are well executed and feel inspired, making the whole experience that much more enjoyable.
 
The drums are well played and do not feel too out of place despite the simplicity of the music. I mean, one could argue that the music is pretty crude – which it is – but it’s also well composed, and not to mention those guitar solos sound pretty insane.
 
The Autopsy influence is a little more noticeable on the second track “Corporeal Blasphemy," which features some pretty nasty riffs and frantic vocals that would give any old lady a heart attack. The final track is basically an outro with a movie sample and a creepy piano interlude, though I’m not entirely sure from which movie, but it suites the atmosphere of the demo.
 
All in all, Cadaverous Odour’s debut demo “Corpus Inhumation” is a pretty sick affair of disgusting death metal, consisting of two excellent tracks and an outro.