EP review: Shizoparanoic Platoon – Warfare: Mass Annihilation (2019)

 

Shizoparanoic Platoon – Warfare: Mass Annihilation

Greece

Askio Productions

The latest EP from these Greek tyrants, entitled “Warfare: Mass Annihilation,” mercilessly bludgeons the listener’s brain into submission from the get-go. The album contains six tracks and clocks in at thirteen minutes, launching a barrage of straight-ahead aural violence characterized by ugly riffs, sickened growls, and cavernous drums. The hellish cacophony is supported by a raw production that fits their style perfectly.

Fans of bestial black/death metal will absolutely love this release. The EP is short, but makes up for it with pure visceral brutality. On top of that, there is no filler, so to speak. There’s a lot of replay value, thanks to the punishing riffs and well-arranged songs.

Prior to this release, the band released a compilation album, which I haven't heard, but after being blown away by this EP, I definitely plan on checking it out. Every track on this EP is great, especially the cover of Blasphemy's Demoniac, which I highly recommend hearing. Schizoparanoic Platoon's name pretty much tells you what to expect, so be prepared to have your brains reduced to a pulp with this disc. A highly recommended War Metal act from Greece! (HT)

Album review: Koldkrypt - Holocauste Global (2022)

Koldkrypt – Holocauste Global

France

Hessian Firm

“Holocauste Global” is the second full-length album by the French black metal powerhouse, Koldkrypt. Their brand of hateful, cold and misanthropic black metal is just what the doctor ordered. The disc is comprised of eight tracks, with drawn-out compositions and an atmosphere cold enough to drop temperatures in your room once you start listening.

Koldkrypt is unlike any other black metal project I’ve heard before, while at the same time sounding familiar without fitting into any particular trend. This isn't orthodox black metal, nor is it second-tier Darkthrone worship, or some war metal-like stuff – it's simply black metal without gimmicks; straight to the point, like a bullet to the head.

There is an epic quality to the riffs on this release, which at times evokes images of medieval battles and castles in some frostbitten kingdom. The atmosphere has an apocalyptic feel to it, combined with well-written compositions and hate-filled vocals.

A lot of emphasis is placed on guitars on this recording, and I must say the guy is really proficient, as he incorporates a lot of intricate melodies that sometimes border on the virtuosity of power metal, but they work well as they convey a lot of depth.

The mix of harsh elements with sombre guitar melodies works well, although don't mistake this for a post-black metal outfit trying to unite people around some lame environmental theme. Here is a quote that illustrates the misanthropic and anti-human nature of the music: 

“The release is driven by hate, but not by hate for any one group of people within society, or the fact that society even exists at all. Typhus X directs caustic hatred towards humanity as a whole, drawing attention to our shortcomings and failures as a species”

In light of that, it should come as no surprise that Typhus X covered Zyklon B's 'Warfare', and to say the cover is sick is an understatement; Koldkrypt's version absolutely honors the original. This record is driven by pure visceral and primal aggression, while also showing a certain level of virtuosity that showcases the phenomenal talent behind this project. Fans of Scandinavian black metal from the '90s will love this project. As I listened to this, I was reminded of bands like Kvist, Arckanum, and Zemial. Even so, Koldkrypt does not sound like those bands, although they do emit a similar energy.

This is apocalyptic, vitriolic, and well-executed black metal that will appeal to those with a disdain for trends and the mainstream. It is time to celebrate the end of your worthless existence with this soundtrack. Rejoice! (HT)

Interview: Death To Peace Productions (2022)

 

We interviewed Warweolf of Death To Peace Productions, which is a record label based in Quebec that specializes in underground black metal.

1. HAILS Steve! Please tell us about your label, DEATH TO PEACE PRODUCTIONS, and what it stands for.

Hails Death by Hammer!

In the beginning, Death to Peace Productions was supposed to be solely a distributor of underground music. After meeting a few owners of production labels, I was hooked and decided to start my own label. Death to Peace Productions is an underground elitist black metal label yearning for the annihilation of all religions and a certain way of life. We have expanded our horizons over the years and are now working with extreme metal bands (thrash and death metal), as well as some dungeon synth and dark ambient, for example. This Saguenay, Québec label has not stopped growing since its beginnings, in 2012.

I’ve had two collaborators over the years. When they left, for personal reasons, I asked an old colleague to join me, with whom I had previously worked in distribution and show bookings.

Death To peace Productions also brings to the table two more services that many people don’t know about: Ombre Nordique Studios and Northern Shade Photography. At Ombre Nordique Studios, my own home studio, I offer mixing and mastering for any band, well known or not, from all over the world. After all these years, we decided to also add a distribution service to our label, like in the good old days. Who knows what else awaits in the future! Maybe event organising and show bookings are in the cards for us… I have a team that would do great at that.

As for news regarding the distro: we were lucky to buy a whole inventory, from a closing label in Hamilton, Ontario: Von Frost Records. We got a great deal on many vinyl records, cassettes, the whole distro and Discogs store. This gave us an easy start.

2. What have you released so far? And what kind of formats do you specialize in?

Putrid Christ—Queen of the Wolves, USBM CD 2013

Infernal Execrator—6 Execrating Years Of Irreligiousatanic Elite "Mastema Hedonistic Terroritual 666", Black/Death Metal, Cassette, compilation limited‎ 2014

Unrest / Idolatry—Infection Born Of Ending, Black Metal Canada 7", EP, Ltd, Split 2015

Suicidal Madness—Au Crépuscule d'une Vie, Depressive Black Metal France Cassette S/Sided, Numbered, Limited 2015

Goatpreacher—Chaos Sabbath, Goat Metal Russia Cassette limited EP 2016 en collaboration avec Von Frost Records (R.I.P)

Trwoga—Wieczyst Zima, Dark Ambient Poland Pro CD-r Limited 2020

Loup noir—Requiem, Heathen black metal France Pro CD-r 2021

Between 2015 and 2020, we were mainly into merch production: patches, back patches, t-shirts, stickers, pendants, etc.

Now we mostly specialize in DIY type cassettes. The recording is done by an expert team in Montreal, located 666km away. The booklets and stickers for the tapes are made in my hometown. When everything is ready, devoted friends of mine come over and help cutting the booklets and apply the stickers on the cassettes. All done by hand! When all goes well, we have around 100 cassettes ready in a day.

3. What bands do you currently represent and what are your upcoming releases?

As for the bands that we have worked with and released either one or many albums or merch, we are interested in releasing a 12’’ vinyl record of cult album “Chaos Sabbath”, by Goatpreacher. We will also definitely release a 5-way split, “Apocalypse of the Impure”, containing tracks by bands such as Mysteriis (Colombia), Miasma (Canada), Rotting Jehovah (USA), ENT666 (Canada) and Swarm of Hatred (Chile). Each of these bands will be showcasing two previously unreleased tracks. In addition, an intro, an outro and interludes will be churned at yours truly’s Ombre Nordique studios, in collaboration with Kashnum, composer for Trwoga, and Wampyrion, composer for Alcath. The second release will be hailing from Greece. Last year, we released Trwoga (dark ambient from Poland), and this year we got an offer from Wampyrion Markhor Necrowolf, a dungeon synth composer.

4. From your perspective, what can you tell us about the Quebec scene and what are the best bands from there in your opinion?

The Quebec scene is very rich in “Métal noir Québécois”, our own style of black metal, very sought after all over the world, but mostly in Europe. It is also the birthplace of many great bands in many styles of metal such as thrash (Voivod), and death (Crucificator, Necronomicon)

Great bands from my home town : Deathroner (Death Thrash), Triskèle and Kenaz (pagan).Atroce.

Other amazing bands from all over Québec : Forteresse, Délétère, Miasma, Monarque, Akitsa, Saccage, Hiverna, Ossuaire, Verglas Sanglant, Neige et Noirceur, Chasse Galerie.

There are also many great festivals where many well-known bands come and perform. You might be familiar with La Messe des Morts (an indoor black metal festival), Trois-Rivières Metal Fest, Skogen Festival and the Québec Deathfest, amongst many others.

5. What's 10 albums you can't live without?

Good question, I’d never really thought about it before. In no particular order, I would say:

Forteresse—Métal Noir Québécois

Deicide—Amon- Feasting the Beast

Arckanum—Fran Marder

Deathwitch—Dawn of Armageddon

Pogrom 1147—Black Metal Complete

Absurd—Werwolfthron

Storm—Nordavind

Gorgoroth—Destroyer

Cannibal Corpse—Butchered at Birth

Marduk—Heaven Shall Burn... When We Are Gathered

6. Do you agree with the humanist sentiment "every human life is precious"?

Never. It would be like saying that hippies and vegans follow the best philosophy. There are too many of us on this planet, 8 billion skeletons. Many are frail, sick, falling apart. Of those 8 billion, if only a quarter would exist, it would bring balance in the world. Life and humanity don’t go together hand in hand, and some have a goal of populating the planet more and more: it’s just too much. China and India are too populated. You can guess by our motto at Death to Peace Productions, that I am a lot more interested in the Anti-human/anti-life philosophies. Annihilation of all religions and a certain way of life!!! Death to peace!!!

7. Is life returning to normal in your area after the epidemic? What is your opinion about the whole ordeal?

Governments all over the world didn’t handle this well at all. Here, all politicians acted like assholes. Mandatory mask-wearing and 3 mandatory doses of vaccine (4^th one now recommended now, they are crazy), as well as 9pm to 5am curfews. Being a night bird, I was going crazy, I couldn’t sleep and couldn’t do anything. No family gatherings, or holidays. Small businesses and restaurants were closed. Jail time for those who did not comply. Domestic violence and killing cases exploded, as well as the suicide rate. To shut us up those rats gave us each 500$, as if it would bring us our lives back. We are supposed to be in a free country, yet the Canadian and Quebec government acted like they were back to the middle-ages. In French we say GOUVERNEMENSONGES…GOVERNLIARS!

8. What is your opinion on the current state of the "underground"? (If there even is such a thing anymore.)

The underground as we know it is very rare these days because of the Internet. You can easily find just about anything right now using Soulseek, for example, which kills the scene and cult bands. Before the Internet, Soulseek, Napster, mIRC, Emule and especially Youtube, we had to order directly from the label via our local music store. I remember that we used to order from Napalm Records Austria to get rare albums, these albums that get more valuable with time. Now, with digital downloading, any band can produce itself with Bandcamp. Smaller labels like Death to Peace Productions are often asked for digital copies, but it is not our cup of tea. If bands on our label want to do it, it is their choice, as we are not for or against it. The artists can decide for themselves, but I personally love listening to an album in its analog format, a limited edition good old vinyl record or cassette of some obscure band.

9. Lastly, what's next for DEATH TO PEACE PRODUCTIONS and do you have any last words for your enemies and the fucking sheep out there?

2022 is an important year for our DEATH TO PEACE PRODUCTION label: we are celebrating our 10th anniversary in August. After ten tumultuous years, we are now happy to offer a distribution service, plus mixing and mastering at Ombre Nordique Studios, and professional photography at Northern Shades Photography.

Finally, here is what I would like to say to all our enemies:

DEATH TO PEACE PRODUCTIONS is a Canadian production/distribution Label of underground elitist black metal, wanting the annihilation of all religions and some way of life... Hail Satan...Praise the Goat!!!

Warweolf

Interview: Wolflust (2022)

 

The following interview was done with War Metal titans WOLFLUST.

Hails! Thanks for agreeing to do this interview, man. Can you tell us a little bit about how Wolflust emerged and your influences?

R: Greetings! WOLFLUST was formed by Cernunnos Legion - War proclamations, distortions blastbass and sulfuric vomits, Trojillo - Artillery, ammunition and warhammer of doom, with the aim of producing a chaotic WAR DEATHBLACK METAL, rescuing the old spirit of the 80s/90s, inspired by the gods: SARCOPHAGE(old), BLASPHEMY, HELLHAMMER, SODOM(old), ANGELCORPSE, CONQUEROR, MUTILATOR(old), and others.
 

Tell us about your Satanic Megatons EP and the overall reaction from underground maniacs.

R: When we recorded our ep we had no pretensions, our intention was just to record all our hate and anger in the form of music, we were really impressed with the acceptance of the material in the Underground environment, in all this ep has so far had 7 different versions, 2 on tape(Davao Hellsbangers/Philippines and Southwindland recs/Brazil), 2 on cd(hammer of damnation recs/Brazil and Anti-human prods./Canada), Box cd(Anti-human prods./Canada) on LP(9 Brazilian labels and Raise the dead Recs/England). Until today we receive many messages from maniacs from all over the world commenting on this material.
 

The sound on that EP is absolutely merciless. Can we expect more of the same with the next attack?

R: Our intention is for each upcoming material to sound as brutal and wild as possible, in WOLFLUST you will never find new trends or fads, only the most profane and brutal WARDEATHBLACKMETAL like the old days! Stand by because the worst is yet to come!

Your band’s name derives from an Angelcorpse song, so it would be reasonable to assume they had a big influence on you? What do you think about an Angelcorpse reunion?

Yes, Cernunnos and I are fans of ANGELCORPSE, for us it is a direct inspiration and influence. Unfortunately the shows of this tour that would take place in Brazil were cancelled due to the pathetic Brazilian producer who screwed everything up.

 
Who did the artwork for the Satanic Megatons EP? It's pretty sick!

The cover was made by a renowned Brazilian artist called Marcos Miller, he has done several covers for other bands like Exterminate, Mental Horror, Cauterization, and many others. And we will continue to work with him to make the arts for the next materials.
 

You covered Bathory’s classic “Sacrifice”. How much of an influence is Quorthorn on your band and what do you think of their later Viking era?

Yes it was an immense honor for us to be able to record our version of the song “sacrifice”, as Bathory is a huge influence not only for us but also for thousands of other bands around the world. Personally, I prefer Bathory's early stage more, but all of his works are magnificent!
 

What can you tell us about the scene there in your city, and which active bands do you think are worth checking out from Brazil?

I live in a city in the interior of the state of São Paulo, there is no scene in my city and no bands. Brazil has always been a barn of great bands that served as inspiration for the rest of the world, currently there are several bands doing excellent works such as: Necrosound, Açoite, Necrogosto, Luvart, Havok666, Kanvass, Ceremony, Antichrist Hooligans, Sade, Negro Bode Terrorist, Barbatos, Spiritual Hate, Diabolism, and many others.

Tell us a bit about your lyrics and what inspires them.

Our lyrics deal with themes of wars, death, desecration, and against all religions that manipulate and imprison human beings. We follow as inspiration the themes addressed in albums from the early 80s/90s such as show no mercy, endless pain, seven churches, morbid visions, INRI, infernal overkill, in the sign of evil, fallen angel of doom, among others..

For some people, metal is just a phase, but for others it's a lifetime pursuit. What does it mean to be a diehard metal heathen? Also, how do you feel about people formerly into black/death converting to Christianity?

Well, I've been in this for over 30 years, so I don't think it's a phase hahaha, really I have Metal for me as a lifestyle, there isn't a day that I don't listen to Metal in my life. Unfortunately our country is an extremely Christian country, and many get into this shit looking for something illusory or that will bring them salvation or a better life in some fantasy place. Metal has never had anything to do with religion, Metal has always been anti-Christian and always will be, so we will always execrate the pathetic people and bands that call themselves White Metal.

 
What’s currently on your playlist?

I listen to a lot, I'm a real maniac who looks for new bands all the time, I can tell you the bands I'm listening to this week: KANVASS, ARCHGOAT, GBK, IMPURITY, GOATSMEGMA, BLASPHEMY, ANTICHRIST SIEGE MACHINE, CHRIST DENIED, MALIGNANCY, THORYBOS , between others.

 
It goes without saying that Brazil has an endless supply of great bands. What do you think makes people from there want to play such violent and intense music?

Certainly the reason Brazilian bands create songs with so much hate, anger and violence, is the portrait of our lives and realities, we are a third world country, with a totally fucked up economy, where the vast majority work themselves to death, we pay the highest taxes on the planet and we have no return, the vast majority do not have access to good education, medical care or security, violence in large centers is gigantic, that is, the brutal and violent sound is just a reflection of our lives.

 
What can you tell us about your other band Industrial Noise? It seems the band has been around for a time!

Yes, I created INDUSTRIAL NOISE in 1993 as a totally noise project, then in 1998 it became a band with rehearsals and shows, we released dozens of materials such as demo-tapes, cds, 7eps, etc.. We are currently stopped since the beginning of the pandemic. But a year ago I formed another band with another member of INDUSTRIAL NOISE, it's called ACUSTIC NEUROMA, the sound is a mix of death metal and grind, in the old style like bands like BLOOD, REPULSION, F.O.G., DEPRESSION.
 

Thanks for your time, Mauro! The Satanic Megatons EP rips. I hope to hear more of the same with the next assault. The last words are yours.

Thank you very much for the interview and space given to WOLFLUST! Very soon we will have several releases coming out like a new EP and other split's 7'EPs, and also other news, keep in touch! Keep up the war against white-shit shit and fake metal! Fuck Peace! Praise war!!!

Interview: Brutal Sphere (2022)

 

New interview with French Death Metal band BRUTAL SPHERE.

Hello guys! This is Jim behind the keyboard and editor of DBH Webzine. How’s everything going and what have you been up to since the release of your killer debut album?

First of all, the recording of this album was a living hell, because I am convinced that god did not want us to release it, first of all our first singer left the group for no reason (surely his wife, ahh ahh) so we had to look for another singer and after some tests we came across Nick and there we knew that it was him, it is really great, and then there was a series of extremely unlikely events that made us lose a lot of time.

How long were you working on “World Decomposing by Vermin” and what was the overall recording process like? What inspired the title?

Ah yes on your previous question the title comes from the fact that man is the scourge of the world and that it is rotting because of him. And for the sound I'm a big fan of morbid angel, but in no way do we try to emulate them.

When you wrote your debut, did you have a particular sound in mind? I heard some similarities to Cianide and Bolt Thrower, as I mentioned in my review.

For my part, as I told you I am crazy about morbid angel, it is for me the very essence of death metal evil, and some bands are unique like sarmat, mortify, necrovorous, etc...

What is the secret to writing a solid and memorable Death Metal album, and do you think you’ve achieved that with the debut?

I don't know if there is a secret but what is certain is that there are catchy riffs that stay stuck in your head and for me it is not the fastest riffs that are the best

Do you think that being self-critical is a good or a bad thing for musicians? Or does too much self-criticism lead to a lack of progress?

I think that reviews are good to take, good or bad, it allows you to evolve and see what is going and what is not. He who does not like them will never evolve.

Do you have any pet peeves about the state of metal today, and if so, could you please elaborate?

Yes there are more and more unfortunately, for me it is serious music with a certain state of mind and these minds lose it. Some young metalheads take this music from the fun and known bands that are no longer in the spirit of what death metal is. It's like in all styles of music, there's a spirit that goes with it and if you don't you'll be.

10 albums you can’t live without.

Morbid angel, suffocation, the first deicide, gorguts, pestilence, crummer, marduk, belphegor, morta skuld, magoth.

What's next for Brutal Sphere? Will you be playing any shows? What can we expect from the band in the future? Thanks for your time and all the best!

So the next step is to propose a new album, we already have some riffs, and that's why it will evolve in our riffs, it will always be dark but more violent. We got a new guitarist and drummer so our line-up is complete. It will be complicated to see each other because we all live far from each other but we are motivated and we will get there if the problems do not slow us down. And of course we will try to play some concerts once everything is in place. Thank you for your interest at brutal sphère.

Album review: Bloody Redemption – Infected Minds (2017)

 

Bloody Redemption – Infected Minds

Slovakia

Support Underground

Bloody Redemption is a quartet hailing from  Revúca, Slovakia, playing traditional-styled death metal with a rather clear production. “Infected Minds” is the band’s debut full-length, and it doesn’t look like the band have released any prior material, which is a bit unusual, though it seems the members have some experience in other bands, such as Pyopoesy (hilarious name), Guzzle Booze, and Marturos. Anyway, onto the music.

I would describe Bloody Redemption's style as old-school modern death metal. The influences are obviously taken from classic bands, although the production leans more to the polished side, which isn’t necessarily a bad thing. Here, it only serves to enhance the already solid performance. In terms of tempo, the band keeps the music in the mid-pace zone, while audible bass lines and solid percussion repeatedly pummel the listener as if he/she were a punching bag. There is a good balance between melodic hooks, technicality, and heaviness in the riffs. The vocals here are guttural growls with some power behind them, which suits the sound of the band.

The debut album, “Infected Minds”, is pretty damn good, though there is always room for improvement. For instance, I think the compositions could use some refinement, and maybe a little more heaviness wouldn't be so bad. The production, while solid, is perhaps a bit too clean for my taste when it comes to death metal, though I can still appreciate the music. Overall, a killer debut album of old-school-inspired death metal by these Slovakian underground fiends. Check it out. (HT)

Demo review: Euthanized - Sanguine Spectacle (2021)

 

Euthanized – Sanguine Spectacle

Canada

Helldprod Records

Euthanized is a Victoria-based trio from British Colombia, Canada, playing vile and raunchy black metal the way it’s meant to be played. "Sanguine Spectacle" is the band's second demo (and fourth release overall). The band had already released a self-titled demo in 2016, the "Riches among Refuse" EP in 2018, and the "A Pact from The Grave" split with Cultist in 2019.

Venom-spewing vocals accompanied by low-tuned and evil sounding guitars assault the listener on the first track, which also features a Motorhead-inspired solo near the end. Drum beats are simple, but well-balanced in the mix, staying mostly in a mid-pace range. One of the features I adore most about Euthanized is the vocalist’s propensity for all-out maddening rage, which brings to mind Maniac from Mayhem’s Deathcrush era. It's aggressive, heavy as hell, raw, and very old-school sounding, which is my kind of black metal. Most of the tracks are around three to four minutes long, which is more than enough time to sink your teeth into Euthanized's aural carnage. On the last track, the band covers Venom's classic "Live Like An Angel", which is not only a great choice for a cover, but is also executed flawlessly.

I think this is an excellent demo by a band that completely surprised me with its ancient and passionate sound that is a throwback to old times without being a weak copycat of its influences. There is a real sense of conviction in their sound, which should appeal to fans of bands like (early) Mayhem, Sarcofago, and Katharsis. I look forward to the full-length. (HT)

Album review: Thecondontion – Supercontinent (2020)

 

Thecondontion – Supercontinent (2020)

Italy

I, Voidhanger Records 

Thecondontion is death metal quartet based in Rome, Italy, and “Supercontinent” is their debut full-length from 2020, released by I, Voidhanger. Having reviewed their excellent split with Vessel of Iniquity recently, I decided to review their debut album as well.

The band refers to their style as “prehistoric death metal,” and I absolutely cannot think of a better way to describe their music. Thecondontion can be distinguished from other bands in the sense that they don't have any guitars, instead relying on two bassists to act as guitars. The bass playing is done exceptionally well and features lots of delay and reverb, giving the music a somewhat psychedelic effect. Aside from that, they have a pretty unique sound with plenty of variation in the songwriting.

The overall production is decidedly raw and lean, emphasizing groove by way of lethal bass riffs, which works like a charm. Imagine if bands like Impetigo, Pungent Stench, and The Jesus Lizard were thrown in a blender. That's basically what we have here, even though their music isn't that easy to categorize. The sound and spirit embodied by the band is death metal through and through, and yet they have managed to create something distinctive in a genre in which it’s difficult to invent something new.

The vocals are emphatically harsh and raspy, reminding me of Mark of the Devil from Cultes Des Ghoules. In terms of musicianship, the band proves its worth by displaying a strong sense of craftsmanship and a knack for artistry. Overall, this isn't your typical death metal band, but if you're looking for something creative and different, then look no further. This is a very enjoyable album. Also, those who enjoy bands like Antediluvian, Karnarium and Demilich should check them out. (HT)

Album review: Velka - Purgatori Ignis Ludicium (2022)

Velka - Purgatori Ignis Ludicium

Spain

Base Record Production / Necromance Records

Hailing from the Basque Country (sovereign region in Spain), Velka is an autonomous black metal band and “Purgatori Ignis Ludicium” is their debut album released by Base Record Production & Necromance Records.

The band may refer to their music as black metal, and that’s fair enough considering the overt amount of blasphemous riffs and evil feeling that prevails in their music, but the ferocity they exude also brings to mind extreme black/death by way of old Belphegor, or fast-paced black metal like Impaled Nazarene or Handful of Hate. Musically, Velka is its own entity, and they deliver a strong performance full of power, energy and musicianship to rival with the best.

The first track, “Eternal Hate Awakens”, is a nine-minute stomper that opens this album in brutal fashion, with lightning fast drums, muscular riffs, and vocals that alternate between aggressive rasps and menacing growls.

The rhythmic guitars carry the music, while the drums are nifty and add a good deal of variety. The vocals are perfectly balanced in the mix – not too loud, nor too soft. A mixture of morbid melodies and sledgehammer brutality fills the show with high-octane energy and pure raw rage.

Despite its seven tracks, the average track is about 7-8 minutes long, assaulting the listener with a non-stop barrage of hellfire and brimstone, which is similar to Vital Remains when it comes to lengthy compositions, but in Velka's case, they offer enough variety to keep the listener interested, coupled with an energetic performance and unpolished production that add to the enjoyment of this album. The music itself is pretty straight-forward, although honest and free of gimmicks.

The searing intensity of the music is unquestionable, with a heavier than thou attitude sweeping throughout the album. Considering it's Velka's debut album, it's a solid effort. (HT)

Interview: Nominon (2022)

NOMINON is one of those solid Swedish Death Metal bands that have kept their sound extreme and underground ever since their inception without ever succumbing to trends. This includes a string of mandatory releases under their belt worth checking out. Elements of Thrash and Black Metal can also be heard in their sound. The following interview was done with guitarist Juha Sulasalmi.

Hails! How did the recent compilation release “Yesterdeath” come about? Will NOMINON release any new material in the near future? What have you been up to over the years?

In 2015 we did a couple of mini-tours and a German festival, then the band went on hiatus.  I guess the main reason was different views on the band’s overall commitments. We just didn’t find the energy needed at the time. Then the spark was lit again 2018 and since then we’ve been regrouping with a really strong line-up and started writing some new material.

We don’t want to rush things since we are older now (and wiser hopefully) and we all have various life situations to take into account. We thought it would be cool to release something quite hidden and obscure, just to give people out there a sign of life and to get some buzz going. “Yesterdeath” is a compilation of stuff from the many 7” splits we have done through the years. I think it’s a convenient way to get hold of material from releases that have been sold-out for a long time.

Do you think the fact that you’ve had so many line-up changes has helped to maintain a degree of variety throughout the band’s career? What are the factors behind such a consistent discography?

Variety is important to keep the music interesting, both for the fans as well as for the band. There’s no point in writing songs that sound alike, unless you’re AC/DC. Of course each individual brings his unique influence into the band. Also the different formats such as 7” splits, albums etcetera do contribute to the sense of variety, since they often are recorded in different sessions under different conditions.

We like to put out releases every now and then just to give a sign of life, even when we’re in a period of less activity. Another aspect is that we don’t like to rush things. This is a lifetime commitment and we’re in no hurry. The consistency and unhurried approach could also be regarded as one of the reasons for the many line-up changes. Some are restless and eager to move forward, looking for their true purpose within other genres. NOMINON isn’t about achieving success. This is about satisfying our own musical hunger.

To the reader, how would you best summarize your sound and what NOMINON is all about?

Basically its death metal rooted in the thrash metal heritage, occasionally with some black metal elements. We often integrate ideas we like regardless of genre or subgenre. All of us have personal influences and they all mix together within the framework of our sound. Musical dynamics are important to us. We don’t want to make albums that sound like one long tune. Nor are we interested in following any trends. Honest death metal with no gimmicks, that’s what it’s all about. Lyrically it’s about hatred, death, pain and suffering.

Looking back, what were your main determinants for starting a band, and what have you learned over the years playing with NOMINON? Are you happy with everything the band has achieved?

In my first band we played thrash metal and when I started NOMINON in 1993 my aim was to create and play death metal. My mission has always been to entertain myself. It’s great when people understand and appreciate your music and prove to be on the same wavelength. However, my first priority isn't to be seen or heard, this is just out of plain egoism. Other bands and individuals seem to be on a mission and they try to convey their beliefs or whatever. I’m not into that at all.

Yeah, looking back I’m very proud of what we’ve done. Some of the early recordings were very DIY and could have deserved a better sound production. But at the end of the day - this is death metal. What I regard as the perfect sound, somebody else may think is crap and vice versa.

Your last album “The Cleansing” shreds pretty hard. In retrospect, what were the main elements that determined the style and sound of that album?

Yeah, we’re really proud of that album. We got a lot of new energy in the writing process and I think a big reason for that was Alex Lyrbo, a great lead guitarist and riff maker who was our newest member at the time. He wrote a lot of stuff which had that extra spark in it. Alex left NOMINON shortly after the album and joined the Swedish hard rock institution BULLET (which also he left recently).

Today we have a killer line-up and I sense that the same energy can be found in the songs we’re putting together right now. You learn what’s really good and refine things along the road and that’s just awesome. “The Cleansing” did indeed bring that extra power to our songwriting onward.

What do you personally regard as the ultimate NOMINON album and why?

It’s impossible for me to select just one album. It depends on the mood and what aspect I’m into at the time. It might be the lyrics, riffing or song structures, maybe drum sound, intensity vs heaviness and so on. I really treasure both “The Cleansing” and our debut “Diabolical Bloodshed” but there’s one album I keep coming back to and it’s “Terra Necrosis''. It has got a lot of heaviness but also speed and I’m very fond of the drum sound on that album. It has some of my favorite songs in terms of riffing and also our vocalist Daniel wrote some very cool lyrics on that album.

Could you please tell us a little about your split with Peter Nilsson's black metal project FAFNER back in 2004? In your opinion, should black and death metal do more splits together?

When Peter and I parted ways in 1994 Peter started his one man project FAFNER to which he brought some of the material we’d been writing together in NOMINON. NOMINON had a lot of black metal tunes in the early days. The FAFNER songs sounded much like the songs on the second NOMINON demo “Daemons II”. This was also the last demo we did together before Peter went on with FAFNER.

So the FAFNER/NOMINON split had a natural origin in that both bands had the same songwriters and a common history. I'm not sure black and death metal bands should do more splits in general. I can't see why there should, if it isn’t obvious the bands have something in common.

In terms of your sound, did you ever feel the need to have an original sound? How do you feel when ignorant fools compare you to bands like DISMEMBER and ENTOMBED?

You can easily tell when someone has really listened to a NOMINON album. They will pick up the unique things going on and sense the variety of influences in the music. On the other hand, when someone compares us to bands like DISMEMBER and ENTOMBED, you know they either haven’t listened or it’s just out of plain ignorance.

When you get that response from someone who has really understood, then it’s just like: Yeah, he saw it! He’s one of us!

We knew from the start that we had an original sound, it was nothing we planned for. But sometimes a particular production can make it hard for our sound to fully come through. Maybe that’s why we sometimes are being compared to those Swedish old-school acts.

Who are some of your favorite bands, as well as your biggest influences? Also, what bands influenced NOMINON's sound?

IRON MAIDEN has been my godz since the age of ten. Other important bands are WHIPLASH, CANDLEMASS, early EDGE OF SANITY, IMPALED NAZARENE, DEMIGOD, MYTHOS, ADRAMELECH and SHAARIMOTH to name a few. Since my family has Finnish roots it was natural for me to follow the early Finnish death metal scene and it has influenced me a lot personally.

In NOMINON we all are big fans of American death metal. Bands like MALEVOLENT CREATION, INCANTATION, MORBID ANGEL, IMMOLATION, SOLSTICE, DEMOLITION HAMMER among others. Naturally also the Swedish scene has been an influence to us, and not just death metal but also in a much broader sense. We’re all big fans of the eighties Swedish heavy metal scene with bands like TORCH, EUROPE, UNIVERSE, 220VOLT and PROUD to name a few.

What do you think of the trend of new bands trying to sound old-school to the point where the music sounds dull and utterly devoid of passion?

It seems some bands decide to sound old-school because there might be a trend going on. Judging by what I hear they could just as well have chosen to play melodic death metal or metalcore. I guess its part of the scene as its evolving and as the underground is becoming mainstream to some extent.

To my relief there are a lot of young bands that sound really great. Bands whose stuff sounds like it was recorded thirty years ago and whose members weren't even born in the beginning of the 90s. I like to support bands with the right attitude and sound. After all it’s better with a vital scene with a lot of bands, out of which some are really good, than a small metal scene with just a few uninteresting bands.

How do you stay inspired as a musician? Also, in terms of quality, how critical is it not to stagnate musically?

There’s a lot of bands out there still inspiring me and my fellow band members. When you discover great bands it makes you want to pick up your guitar and outmatch your latest riffs and improve your own songwriting. The creative process is really fascinating in so many ways. One could easily believe that the more you pour out from the well of ideas the less there is left and in the end you run out of creativity and stagnate as a riff maker. It’s quite the opposite. The more you let yourself be inspired by your favorite bands and the more you are in a state of flow when riffing and composing, the clearer it becomes that the ideas will never end. Of course the inspiration also gets a boost every time someone shows appreciation to your music, e.g. on social media or an interview in a webzine like yours.

Stagnation is always a factor to take into consideration, especially as we’re not youngsters anymore. But I don’t think it’s a big issue as long as you’ve got the passion, inspiration and creativity.

You've been with the band since the beginning, although I am quite curious as to why you didn't participate in 2016's live album, "Chaos in The Flesh...Live!"?

We’ve used live musicians from time to time. Actually the band did a couple of tours without me some years ago. Looking back it seems somewhat odd that the only original member did not play on those live shows. The only thing I can say is that back then when I had to choose between going on tour for three weeks or being with my family and kids and keeping the income coming from my job, I chose the latter. We used to have different views on the importance and desire for playing live. Looking at it now it seems a bit strange I admit. Nowadays we have agreed on a more common approach to things.

When it comes to the live recording of “Chaos in the Flesh…Live!” I was going to play that show but got sick the day prior to the gig, that’s why we ended up using a stand-in on that gig.

How important is the compatibility of the artwork and music? Do you think a good metal album can be overlooked due to a shitty artwork?

I think the artwork plays an important part of the whole package, at least when it comes to extreme music. The artwork should tell something about the music. The first albums that got my interest as a ten year old kid was IRON MAIDEN - KILLERS and THE RODS - WILD DOGS. As a kid I used to sit on the floor, knees crossed with the album cover in my hands, being sucked into the artwork. And through the speakers came this fierce and powerful music. Of course it was a lethal combo. The cover art is a world of its own.

On the other hand, if the music is really good, you might be able to overlook crappy artwork. You just don’t pay attention to the cover, and as a result your overall impression of the band’s work won't be as strong as it would otherwise have been.

Are there any Swedish bands you recommend we check out? Do you support the music scene in your country?

I would recommend checking out these bands from Sweden: KVAEN, ENVIG, THE MALICE, REINCARNAGE and ARMAGEDDA. Also the bands DESULTOR and PAGANDOM have put out some cool stuff.

I like a lot of the younger underground death metal bands but we don’t have many of them here in Sweden. I think nowadays there’s a lot more cool death metal coming from Finland, Denmark and also the States. There’s a great underground scene both in Europe and in the U.S. Right now thrash metal is getting bigger here in Sweden.

Whenever there’s a gig in my area I go and support the scene and buy merch and CDs.

What's next for you and the band? Thanks for agreeing to do this interview and all the best to you!

We’ll be focusing on getting our new songs ready for an upcoming release, most likely a full length album. Would be awesome to get it out before the end of this year. We’ll see what happens. Thank you so much Jim for your support and best of luck with all your endeavors!