30 Jun 2021

Demo review: RTNGJHVH - Rotting Jehovah (2020)



RTNGJHVH - Rotting Jehovah

USA

Blasfemas Records


"Rtngjhvh" – which stands for "Rotting Jehovah" – is a solo project from Kentucky playing barbaric black/death metal informed by bands like Proclamation, Abhorer, etc. The demo in question features 7 tracks & 26 minutes of blasphemous filth that will rape the severed head of Christ before impaling it on a spike. The overall sound is considerably raw and primitive. There are no traces of any melody to be found here. This shit is vile, primal, and profoundly filthy. The sound is utterly bestial and crude, and will only appeal to the most diehard maniacs into this style. Disgusting riffs, caveman vocals, and sloppy drum beats are maliciously thrown together and scattered over 7 tracks of unadulterated morbid metal mayhem spawned straight from the rotting corpse of God. If you like any of the bands mentioned earlier, then check them out. And If you’re anything like me, and have a penchant for collecting rare & sick demos from obscure bands, then be sure to grab a copy from Blasfemas Records before it’s too late! (HT) 

29 Jun 2021

Interview: Sküllfükk SS (2021)


Estonia's Sküllfükk SS are all about bringing the booze and keeping the tradition of speed/black/thrash alive, as their most recent release, "Uncut Speed," can attest to that. So brace yourselves, ladies and gents, as we get down and dirty with the Black Death Speed Metal commando that is SKULLFUKK SS!

To inaugurate this interview, please introduce yourselves and tell us the story behind how Sküllfükk SS was conceived.

Vödkamizer: I am Vödkamizer, guitarist and co-founder of the band. The band came about in late 2017 during a depression-fueled bender I was on. I met Motörbreath online some months before when trying to sell some of my guitar gear since I was dirt poor and needed rent. I got drunk one night during the winter and sent him a message simply asking if he would be interested in making some kinda old school black / thrash metal project (originally thinking in the vein of Deströyer 666 and Gospel of The Horns). He said yes and we met up and started jamming around, though I was more shit on guitar than I am now so it did take a while in the beginning. Some time during 2018 I had been drinking with Beerhämmer and offered him the position as drummer under the false pretense that we would sound like Chrome Division. He and I went way back so I figured lying was the best way to go about getting him involved. We didn't start rehearsing together until the beginning of 2019.

Motörbreath: Motörbreath is the name, pretending to be able to sing and play my instrument is the game. I moved to Estonia in the summer of 2017, some months later I saw Vödkamizer selling his amplifier and I was interested in it. Didn’t end up buying it but as he mentioned before he contacted me to form a black/thrash band and I was quite hungry for creating something new since I wasn’t busy with anything. After a bit of beer and some rockin riffs we wrote our first song Alkopökalypse Now.

It’s my first official role as a bass player so it was quite fun for me moving from my usual guitar duties. I had some experience in playing and singing at the same time but never in this fashion, I’ve mostly done growling in the past in a death metal band called Urðun.


How did you come up with the name Sküllfükk SS, and what is the connotation behind it? Have you received any backlash from snowflakes due to your name?
Furthermore, do you think metal has become too safe and rife with political correctness?

Vödkamizer: I had originally come up with the name around 2013-2014, something in that area. I was playing in two local black metal bands at that time and had an idea to make a thrash metal band as a creative outlet. It never really went anywhere but when Motörbreath and I started jamming I suggested the name and we gave more depth to it. I think he was the one who suggested the umlauts and we also had the idea that the SS should stand for "Satänik Slüts" as our lyrics largely revolve around drinking and fükking. (more so fükking)

We haven't actually had too much trouble with it. Mostly from random people online who don't know what we are all about. I think the most trouble we have had was with a compilation we were supposed to be on, a drummer from another band (I don't even remember the name) had said that we have to use our full spelled out name "Sküllfükk Satänik Slüts" because he doesn't like the SS part since he is an antifa or something. Usually I would be fine with compromising and using the full name if it was an issue of simply being worried about the label getting flak since the world we live in these days is hard to be edgy künts in but this seemed more personal so we said fükk it and backed out of the compilation.

I would definitely agree with the idea that metal has "become too safe and rife with political correctness". When you look at the bands in the 80s/90s and the underground scene from all over the world, they all sing about some pretty over the top stuff that is definitely offensive to someone who is not really into that music and scene. It is supposed to be offensive. Metal has always been about pushing the limit, musically and lyrically. We live in a pretty desensitized society these days and political correctness seems to have this "all inclusive" agenda, where everyone from everywhere with every belief has to be accounted for, regardless if they are your target audience. You have to cater to their wants and needs and to deviate is the cardinal sin. Metal's broad genre has become all inclusive and safe and that is fine because there will always be some underground bands of ässhöles who are going to push the limits and tell everyone to fükk öff and kill themselves.

Motörbreath: As Vödkamizer said, it was mostly his idea with a lot of riffing around and mucking about. I feel the SS part has more connections to the Italian heavy demons of Death SS if anything. The reason for a double K as opposed to correct spelling comes from the love of pure 80s-90s kvlt cheese like Sadistik Exekution for example. I don’t really think we need to explain ourselves too much, it’s just for fun. Like Frank Zappa’s music, either you get it or you don’t. Not that we’re anywhere as musically talented, but I digress.

Your band plays a mix of thrash, speed, and old-school black metal, but in your own words, how would you describe your sound and what are your biggest influences?

Vödkamizer: While we haven't existed for very long, I would personally say our style is constantly evolving with every song we write. The genre name that we have called BDSM (black/death/speed metal) is more just a funny gimmick name than a literal descriptor of our sound. I would say we are some kind of bad street metal punk mixed with glammy skümmy speed metal. The biggest influences on my songwriting, especially lately, have been Abigail/Barbatos, Tank, Angel Witch, Shitfuckers, GG Allin and The Jabbers, and Billy Idol.

Motörbreath: It’s like an amoeba, always changing. The musical fundamentals always stay with street/speed metal and first wave black metal is best black metal. Rest is gay and boring. Personally I take great inspiration from most of which Vödkamizer mentioned including Midnight, Venom, Bootsy Collins(Fünk is also cool fükk you), early-Helloween, Manilla Road, Thor, Tygers of Pan Tang, Tiger Junkies, Manowar, Exciter and a myriad of other bands. I could go all day name dropping good shit but best keep it simple for the time being. ÏA ÏA - All hail the Time Being!


What can you tell us about the Estonian metal scene? There seems to be a myriad of killer, yet underrated bands from your country. Which bands/’zines/labels can you recommend us?

Vödkamizer: The Estonian metal scene is extremely diverse. I have been living here around ten years and have seen a lot happen in those few years. The scene is always getting bigger as far as the bands go and right now there seems to be a population boom with the younger audience, a lot of teenager skümbägs getting into the Devil's music. The scene is relatively small in Estonia and very interconnected as opposed to other places where metal scenes are separated by genre. We are too small to do that and won't really survive if we all become elitists in that way so you will find concerts that have very different bands performing together and it is great because everyone gets hammered and parties hard, regardless of what shitty music they play.

I would recommend the bands Koffin, Ziegenhorn, Süngehel, Goatsmegma, Langenu, Form, Deceitome, Paean, Tankist, Urt, Herald, and Tharaphita. Just off of the top of my head. As for labels, Trash Can Dance and Hexenreich Records are the main two I would recommend. They both are one-man operations and focus on MC releases. The only zine I have read that comes out of here is done by Motörbreath, called Morbid Writes and it is heilarious and great.

Motörbreath: I feel the Estonian metal scene is often very disjointed because I feel as if there is a lot of misguided rivalry that comes across as some sort of jealousy and unwillingness to cooperate. I’m not speaking in absolutes of course, I feel that here in Tartu there is some sort of cum-radery. It can be a bit different between the capital area and the rest but that also felt that way in my home country as well.

Some good things mentioned by Vödkamizer but you should definitely check out the bands Aggressor, Igor Mortis, Forgotten Sunrise, Discrucior, Nekropol, Hymenotomy, Loits, Thrashless, Tankist, Nihilistikrypt, Rattler, Degeneratör, Winny Puhh, Catafalc, Mortified, Skydancer, Intrepid, Necro Strike and I recommend the labels Warhorn Records and Lyndanise Coven. As for zines, go read Taud and Offense Zine. I’m sort of fed up with doing Morbid Writes for now.


How has the response been towards your latest demo, “Uncut Speed”?

Vödkamizer: I have seen a few reviews online. One seemed pretty mild, others have seemed pretty enthusiastic about it. But I would say that the brunt of our listeners have really loved it. The demo is just most of our old songs recorded and got out of the way so we can focus on newer material. I hear people blasting it at the local drinking park once in a while so that's neat. Our tapes sell pretty fast and have been getting more and more international fans since the release, big thanks to Corrupted Flesh Records and Karl Korts for being great at doing promo since we are cavemen and can barely ooga chaka. It's been cool to see people tagging us on Instagram and Facebook, blasting our shit while getting hämmered.

Motörbreath: I haven’t been paying much attention to it to be honest, with my previous bands I used to check if any reviews were made all the time but I’ve become very passive about it. Not that I don’t care, I’m just not thinking about it since it’s mostly about my own musical expression anyway. However, contrary to that, I do love some constructive criticism. If you say some shit like “it’s okay but I prefer Iron Maiden” you can miss me with that noise.

Who is the woman on the cover of your demo, and why did you opt for a pink cover?

Vödkamizer: Her name is Faye Reagan and she is a pornstar. I could lie and say we commissioned her for a photoshoot to get that perfect picture but no, I found it on Google and sent it to Motörbreath to do his magic on. We were originally planning to do a drawn or painted album cover and that photo was going to be used as reference but it was already just so perfect and how can you emulate those tits? 

As for the pink cover, I can't really remember how we came to it. I think I originally was talking with Motörbreath about doing black and white with a pink casing for the tape but we eventually decided to just go for the pussy pink look. It stands out. We have naked ladies in our art and we sing about sex so we can get away with it. Corrupted Flesh Records even released pink versions of the shirts which just look so sexy. All the -2 women reading this, go buy one.

Motörbreath: I think we decided to do pink covers because the idea of a “püssy pink release” sounded funny. Pussies are cool. But please, the more chicks digging our shit, the better. Would be a great change from playing in front of aging desperate sweaty male alcoholics. So ladies, without further adieu, bang your head up from the dead, intense metal is all that you need!


The production on your demo has a very raw, yet killer sound. Can you tell us a bit more about the type of sound you were going for, including some details about the recording process? Are you satisfied with the result?

Vödkamizer: We wanted to have an old demo sound like the bands we listen to had so we were going for that "we're 17, poor and have no idea what we're doing" sound which is pretty close to our reality, but ten years late. We recorded everything in the rehearsal room we used with whatever gear we had available to us. I used my cheap little practice amp for the guitar.

Motörbreath: Yeah same, but instead we’re 27, poor and have no idea what we’re doing. We are more or less happy with it, restricting ourselves to what we have at hand is an exciting task. There were some minor fuck-ups while recording some of the instruments causing inconsistencies but whatever, we didn’t bother re-recording. It’s just a demo. Technically long enough to be an EP though!

Some of your photos show the band with alcohol. Do you consider yourselves to be hardcore drinkers? One might get the impression that Skullfukk SS is a “fun” band, although that’s probably a ludicrous assumption.

Vödkamizer: While I am less of an alcoholic these days due to responsibility and health issues, I still drink fairly regularly and sometimes to extremes, though not like I used to. When we started the band I would say I was at the peak of my alcoholism. I would say we are fun. We put the "fun" in "funeral". I think the main thing that drives us even doing this band is the fun that we have when doing it. I really love playing alongside Motörbreath. Beerhämmer and I go waaaaaaaay back to when I first started playing in bands in Tartu in 2013. If we aren't enjoying ourselves in rehearsal, recording, on stage, what the fükk are we even doing? And I think this attitude has a way of transfering to the fans. We have developed our own weird language with using umlauts in like... everything possible to where the fans will start using them when sending messages or doing posts about us which is pretty fünny. During our first public concert, we had a promotion that would give a discount to anyone who showed up wearing BDSM gear and a surprising amount of people did. Our music is high energy, fast, and aggressive and lends itself more to the types of people who wanna get fükked up, headbang, moshpit, and then fükk someone after the show. I would say that all three of us are fairly humorous and it is impossible for that to not leak into our music.

Motörbreath: It’s just an image for the band. I don’t drink a whole lot at all, in fact I’m not even into partying! I do like some beer and good whiskey on occasions. Big fan of Nikka whiskeys, single malts and craft beers. So fucking expensive though. Music-wise it’s all about putting the fun in the bun if you know what I mean. So not a Luda-Chris assumption at all. What you gonna do? Act a fool!


What can you tell you about your live output and what people can expect from it? Do you guys drink before you go on stage, or are you one of those bands with a ‘sober before we play’ policy?

Vödkamizer: We play fast. We play loud. And we will -definitely- fükk songs up on stage. I drink a bit before playing, mostly for the nerves and to get into the zone, but I have made the mistake in the past too many times to get too fükked up before getting on stage and not being able to properly play the songs, mostly in previous bands. These days if I drink for at least 2 days straight then I should be fine but my health does suffer from it quite a bit. I think that recognizing your own limitations physically and mentally is very important if you are gonna be drünk or sober on stage. I can't play entirely sober, I just can't get in the mood.

Motörbreath: In real life I’m quite reserved but live I can put on a persona to let off some steam and break a good sweat. I like having a couple of bevvies with the boys before playing to loosen up because if I’m all relaxed, the performance goes much smoother in my opinion. I once played a bit drunk but realized that I sounded like shit so I kept it at reasonable levels after that. If you want to be sober while playing, you do you. Unless I have to drive after, then I don’t drink. Obviously, drunk driving is for losers.

What’s some of your favourite records of all time?

Vödkamizer: Where do I even begin... Iced Earth's self titled album and Blind Guardian's "Battalions of Fear" were the two albums that really got me into metal as a kid. "Unchain The Wolves" and "Cold Steel For An Iron Age" by Deströyer 666, "Forever Street Metal Bitch" by Abigail, "Abigail" by King Diamond, "Don't Break The Oath" by Mercyful Fate, "Angel Witch" and "Frontal Assault" by Angel Witch, "Painkiller" by Judas Priest, everything with the "Speed Metal" label released by Banzai Records, "Hall of The Mountain King" by Savatage, "The Underground Resistance" by Darkthrone, "Heavy Metal Maniac" and "Violence & Force" by Exciter, "Court In The Act" by Satan, "Shellshock" EP and "This Means War" by Tank. Shellshock specifically has to be the EP version. Not going to bother listing non-metal because it would go on and on... Those are just a few off of the top of my head but I could go on for hours...

Motörbreath: Now this list will be a bit diverse. Thin Lizzy’s “Bad Reputation”, Büdi Siebert’s “Hmm…”, Thomas Dolby’s “Aliens Ate My Ferrari”, Frank Zappa’s “Sheik Yerbouti”, Morbid Angel’s “Thy Kingdom Come” and “Altars of Madness”, 1986 Omega Tribe’s “Another Summer”, Judas Priest’s “Sad Wings of Destiny”, Masayoshi Takanaka’s “Alone”, King Diamond’s “Abigail”, Death’s “Individual Thought Patterns” and Jeff Wayne’s Musical Version of the War of the Worlds. I could go on and on, this list changes from time to time of course. Funny enough I don’t even like Motörhead all that much despite people saying we’re kinda like a diet version of that.

What’s your preferred format in regards to physical releases? Are you one of those people that seek out every possible format and edition of your favourite albums?

Vödkamizer: Cassette tape > Vinyl > CD. I am too broke so I usually buy tapes because they are cheap and small. If I had a ton of disposable income I would probably buy... more tapes. Maybe some more vinyl. I only get CDs really if it is the only option, not that I have anything against them, I just like the process involved with tapes and vinyl. There is a certain added element of appreciation I get when I go through the effort to care for these products and their players. 

Motörbreath: I’m not that type of die-hard fan collector. I know a few mad collectors, like a friend of mine who has almost every single piece of merchandise, music releases and re-releases by Necromantia. I haven’t bought a CD in years now. For some reason I’m mostly drawn to cassette tapes. My fascination for them started a couple of years after I started buying a bunch of vinyl records, around that time I stopped buying CDs. I mostly just buy shit I like, don’t fancy having it in multiple formats though. I think it’s just so much more of a fun “ritual” listening to music in a physical analog format like that. Call me a hipster and retarded but I don’t give a damn, I enjoy going whizzing up some black wax metal madness or getting a juicy tape to listen on my Walkman EX-39. However, if I am to be compelled to buy a CD, it has to be something special, like the CD surface would have the shiny parts glare through. Doesn’t hurt to have a good looking layout. When it’s said, don’t judge a book by its cover, I think that’s irrelevant when it comes to albums. It’s the first thing you notice! Check out releases from Awakening Records, they’ve got some beautiful eye-catching CDs.


When will we see a full-length materialize, and what’s your future plans with the band? Do you have any merchandise available?

Vödkamizer: We are currently finishing the conceptualizing and writing for our full length. Sadly, it could be the last big release we do for the foreseeable future as Motörbreath will be moving away in about a year from now. So we are just putting as much effort as we can into that release to make it something special for us. We are constantly pumping out limited t-shirts, tank tops, patches, tapes, etc. You just have to follow us online or know us to be able to get some. Corrupted Flesh Records also carries some limited designs for shirts and patches, though the tapes have sold out already. You can contact us directly through Instagram or join our private Sküllfükk Satänik Slüts group on Facebook if you want something.

Motörbreath: The full-length album might be out sometime early to middle of next year. Can’t tell for sure though. It’ll be good regardless of when it’s released, that’s a Sküllfükk prömise. Before that we’re releasing a split EP, total sleaze bangers from us called “Kamikaze Slüt” and “Tokyö Püssy XXXtreme”. The other band will be the mighty Barbatos from Japan. Very excited about this.

Thanks for answering my questions! And for a last question: tell us about some of your interests outside of playing music – are any of you guys into sports, artwork, hiking, or anything like that, or do you prefer drinking yourselves into a pulp until you barf your lungs out?

Vödkamizer: I love doing long cycling and camping trips as well as nature hikes but haven't had much opportunity for it lately. Hopefully in the near future. I dabble in writing stories and am working on a couple of table-top roleplaying games for myself and my friends. If they come out cool then I might release them to the public but that is a long way off for now. I drink a lot and enjoy organizing events when possible, sometimes concerts or festivals or simple group camping type things.

Motörbreath: I wish I could say I’m into sports, been meaning to get fitter for years but lethargy and laziness is killing me haha. I fucking love cooking interesting tasty meals. I also watch a shitload of films, quite enjoy watching some horror b-movies with my wife, TROMA reigns supreme. Kino stuff is always appreciated as well, The Lighthouse was amazing for example. I also do a bunch of artwork as my dayjob, which is also my hobby. 

Check it out @skadvaldur on Instagram and Facebook! I make b&w illustrations and paintings for extreme metal bands. If you have a cool band and you need a logo/motif/painting/drawing hit me up on social media or email me at skadvaldur.art@gmail.com

Drinking in bars often is too expensive, just get fucked at home!

Interview: Goatsmegma (2021)


GOATSMEGMA is the first of many Estonian bands to be interviewed for this webzine. Their music is the personification of pure and utter bestial FILTH, with a sound redolent of bands like MORBOSIDAD, BLASPHEMY, and BLACK WITCHERY.

Blasphemous hails! To begin this interview, can you tell us about the formation of Goatsmegma, and what the band is all about?

Wroth Desecrator: Goatsmegma is a nuclear goat kommando from Estonia. Total annihilation against humanity. Blasphemous hellblasting attacks, low-tuned cave-sounding guitars and vicious vocals, bestial vomits. We (the band) formed because we wanted to make this beast that was missing from our local scene.

Goathanger666: Goatsmegma is all about violent perversions.

Goatsmegma’s sound is crude, barbaric, and full of hatred. What is the inspiration behind conjuring such a violent sound, and what are some of your biggest influences?

Wroth Desecrator: For me it's themes of endless hate, sexual perversions, vengeance... These primal filthy monsterous fantasies and urges. Biggest influences come from Revenge, Black Witchery, Proclamation, Morbosidad, Blasphemy, Antichrist, Abysmal Lord.

Goathanger666: I'd personally say my biggest inspiration in life is the russian harsh noise wall scene and Muammar Gaddafi.

Your music gets categorized as War Metal – do you consider it as an actual genre, and in your opinion, which albums do you regard as some of the best examples of this style?

Wroth Desecrator: Actually we call our style Violent Black/Death Metal or Bestial Black Metal and sometimes Militant Goat Metal. You can call it what you want.

Best examples for me are: Nether Tombs of Abaddon by Proclamation, Fallen Angel of Doom by Blasphemy, Cojete A Dios Por El Culo by Morbosidad, Vengeance War Till Death by Bestial Warlust, Victory.Intolerance.Mastery by Revenge and ofcourse War Cult Supremacy by Conqueror.

Goathanger666: War Metal is something that takes speed and primitiveness from Black Metal and the raw brutality from Death Metal.

What can you tell us about some of your other bands such as Baalsebub and Sungehel? Are those your priority bands or is every musical endeavour equally important?

Wroth Desecrator: Süngehel was formed in 2012 as a Black/Death Metal band. Me and Sadistic Hellblast Impaler (ex-Süngehel) played together in Süngehel for 7 years. I'm still active in Süngehel, as an original member and writing all the riffs and lyrical material with them. For me both bands are equally important. Baalsebub was formed in 2013 and they are still active, with a new album coming this year.

Do you consider Goatsmegma and Sungehel as the first War Metal bands from Estonia, or were there any bands with similar aesthetics before you?

Wroth Desecrator: Süngehel was a War Metal influenced band from Estonia first, but Goatsmegma is a straight up War Metal band here.

Goathanger666: I'd say Süngehel is a multi-layered form of evil. Yes in some terms we are similar but Goatsmegma is just a primitive force.

The production on your debut album is very raw and unpolished. What kind of sound were you going for exactly, and are you satisfied with the result?

Wroth Desecrator: Yeah, we are fucking satisfied with the result. Raw, old school, brutal cave sound, nasty harsh bestial production.

Goathanger666: Yes, Definitely! This sound is supposed to be really abrasive and claustrophobic at times. I think that was the sound that we wanted at the time... Yes now i think that we could have tweaked some things but its our first strong pillar to build upon.

“Demonic Goat Smegma Eating Ritual” clocks in at 20 minutes. Do you consider it as an actual full-length? Most releases of such duration are considered an EP.

Wroth Desecrator: Demonic Goat Smegma Eating Ritual is full-length, but yes it's only 21 minutes. It feels like a full-length, the actual time is irrelevant.

Goathanger666: Yes, it's a full-length.

What can you tell us about the split with the Canadian desecrators Antichrist and how it came about?

Wroth Desecrator: Like I said before that Antichrist is also one of our influences. Their drummer happened to be in Tallinn one time and from then we started talking about doing a split maybe. Everybody (from both bands) approved the idea and soon we started working on it.

The artwork for “Demonic Goat Smegma Eating Ritual” is totally profane and sick in the truest underground sense. What prompted such an artwork, and have you encountered any issues with censorship yet?

Wroth Desecrator: We wanted that album cover artwork to be total fucking sickness and cruel perversions. Yes, some labels have censored the art on their websites. It was drawn by Hella (HLAdarkart).

Goathanger666: I'm really happy with how the artwork turned out. The idea was put forward by our drummer and the artwork was done by our vocalist's fiance who is an incredible artist. Definitely an eye catching piece of art.

What albums have you been into lately?

Wroth Desecrator: Eggs of Gomorrh - Outpregnate (EP), Revenge - Strike.Smother.Dehumanize, Abysmal Lord - Exaltation of the Infernal Cabal, Caveman Cult - Blood and Extinction, Gravesend - Methods of Human Disposal, Diocletian - Amongst the Flames of a Bvrning God.

Goathanger666: Hank III - Rising Outlaw, GG Allin's country album, earlier Abruptum and Rubber Witch - Masturbations Malveillantes.

Thank you for answering my questions. Please feel free to launch verbal weapons here as an afterthought.

Goathanger666: We are working on a new album and merch so keep an eye on our propaganda pages.

Wroth Desecrator: Thanks for the interview! Eternal hails and respect to maniacs who have been supporting Goatsmegma. Underground filth will exterminate all!

28 Jun 2021

EP review: Oppressive Descent – The Watcher’s Tower (2021)


Oppressive Descent – The Watcher’s Tower

USA

Self-released


This is a one-man project from Portland, Oregon, that was formed in 2008. He has 2 full-lengths under his belt as well as numerous EPs and splits. The sole member of this project has also played in a myriad of other projects, but most notably black/doom band, Death Fetishist.

Raw, melancholic, channeling total negativity at the listener, Oppressive Descent's recent EP, "The Watcher's Tower" clocks in at around 16 minutes. The EP has three tracks, with track 2 being a dark ambient segment that ties the first and third tracks together. There is definitely some depressive elements present, though they are overshadowed by a very sinister and malevolent atmosphere. The production is an ideal level of raw, maintaining both atmosphere and clarity. There is a good contrast of mid-paced and scissor blast passages. The former being more aligned with classic second wave, and the latter delving into the realms of depressive and atmospheric black metal. The entire album has a very droning and numbing effect on the listener, as if you're feeling exactly what the artist was feeling when they were writing the music.

Overall, a very short and to the point release, definitely better than most black metal that delves into the "depressive/suicidal" territory of sub-genres, since it's more on the scornful side of things. (AR)