Showing posts with label Canada. Show all posts
Showing posts with label Canada. Show all posts

26 May 2021

EP review: Disembodiment - Mutated Chaos (2021)

 

Disimbodiment – Mutated Chaos

Canada

Everlasting Spew Records / Caligari Records 


Everlasting Spew Records has recently released this EP of Canada's Disembodiment called “Mutated Chaos” on Pro CD format, while Caligari Records released it on tape. The band may be new, but its members have played in bands like Oath Div. 666, Nilblorts, and They Were US.

Disembodiment from Quebec is a new juggernaut in death metal, playing a style that perfectly blends different elements of the genre into one astronomically heavy sound that infuses heavy grooves with sepulchral darkness. Each song is replete with hard riffs, dynamic drumming, putrid vocals and sick bass lines. The songwriting on this EP is absolutely supreme, which is further enhanced by a clear and crisp production, perfectly complimenting the excellent craftsmanship displayed by the band. You definitely need a pair of good earphones in order to fully digest the power and heaviness of these compositions. This EP isn't particularly lengthy, but that's also one of its strong points, since it gets the point across more thoroughly and leaves you wanting more. Highly recommended for fans of bands like Convulse, Suffocation and Incantation or death metal in general. (HT)


21 May 2021

Interview: Devouring Void (2021)


DEVOURING VOID is a promising up and coming Black Metal trio hailing from the blackest depths of Canada whose music is synonymous with misanthropy and darkness. The following interview was done with vocalist/guitarist A.R.  

Greetings A.R.! Tell us a little bit about the formation of Devouring Void and how its evil seed came into being.

AR: It began as a brain child of mine in mid 2015. I was in another band (which I won't name) and knew it wasn't going to last so I decided to start planning a new band out. I was writing riffs for this project as early as 2013-2014 before I had the name, "Devouring Void", which came to me in 2015. As much as I did write many riffs for this band years and years ago (which will be on upcoming releases), it was always kept on the backburner because I was too busy with other projects. Then in 2019, I teamed up with KB one day. KB had always been a good friend of mine for years, and listened to all the right stuff to be in a project like Devouring Void. One day we decided to do something productive when we hung out and perhaps jam riff ideas together. It ended up turning into us working on full songs within that first little meet up. In the summer of 2019, our soon to be drummer K.H. was doing a big move, ended up moving into the downstairs of the house I lived in at the time. This guy like KB, had all the right tastes and influences when it came to black metal, and knew his shit completely when writing his own drum parts. Having K.H compelete this black metal trio made this entity go from a project to a legitamate and productive band. We are three guys who get along perfectly, have all the right aligning tastes and influences and have prior experience in being in a band.

What are your main influences and how would you describe your sound?

AR: We are three dudes who play black metal in the vein of Darkthrone, Beastcraft, Katharsis, with a little bit of Australian black thrash sprinkled in. We also worship 80's speed and all the first wave bands. Our main priority as a band is the quality of riffs, hooks and overall songwriting. We love to playing at ripping fast tempos but every so often, switching shit up to a mid paced gallop, like the ones that can be heard on the "Blood Fire Death" album by Bathory.

Do you see playing this type of music as an outlet that prevents you from going on a killing spree?

AR: Yes that, or some sort of self destruction. It's what keeps us sane. All three of us are lifers in what we do in terms of playing music, having gotten into true metal at very young ages.

Tell us about your debut EP ‘’Septic Fluid Dripping From the Open Wounds of Gaia’’ and what inspired the title? Is it based on a concept? Also, how long were you working on the material?

AR: Many bands think of ways they can blasphemize a certain deity as a form of lyrical themes. We as Devouring Void decided not to touch religion at all, so for this title, I Just wanted to have something over the top, but attacking something very real. Gaia, whos is the greek goddess of the Earth felt natural to go after. This band is all about total negativity, and ending of all life. The earth is what gives us life on a collective basis. Consider the general themes of this band as self destruction, and then destruction of all, simultaneously. Desecration of the collective consciousness.


The first track on the EP opens with an audio sample from the Jonestown massacre. Why did you include this particular sample? Also, what’s your stance on the whole incident and cult leaders like Jim Jones?

AR: Because it's vile, horrific and 100% real. You very much are hearing approximately 900 people kill themselves, or being forced into suicide, also as a bonus... royalty free! What better way to open a misanthropic black metal EP, than to hear the sound of 900 dying? My stance on the situation? It's an event of human atrocity like any other. A man corrupted by his own paranoias and position of authority. If I'm not mistaken, Jones' paranoias of the US government was further amplified by his abuse of prescription medications.

What are some of your interests outside of playing music?

AR: Horror games, martial arts, weird history, animals, nature.

Are there any labels in particular that you would like to work with in the future?

AR: preferably a good mid-tier label. Definitely could not see this project working with any major label.


What are 10 albums in the realm of Black and Death Metal you can’t live without?

AR:

Darkthrone- under a funeral moon

Katharsis- 666

Possessed- 7 churches

Excoriate- On Pestilent Winds

Beastcraft- Baptized In Blood And Goatsemen

Bathory- The Return

Merciless- The Awakening

Bestial Warlust- Blood & Valor

Sarcofago- INRI

Autopsy- Severed Survival

How do you see your sound progress on future recordings? What can we expect?

AR: a way more evolved Devouring Void, but consistent with the original sound and concept of the band. Same old school vein riffs, just executed with more hooks, more interesting song structure, and more dynamics.

If your music was a weapon, what would it resemble?

AR: A giant portal in the sky that swallowing and crushing all life as a whole.

What are some of your favourite albums from 2019-2021?

AR: That Hexorcist demo that came out this year blew my head off. Also Diabolic Night's debut full length is fantastic. Amazing to hear those songs with real drums. Cannot wait for Hexorcist's debut album. 

Also Terrestrial Hospice's "Indian Summer Brought Mushroom Clouds" is masterfully executed second wave worship black metal. Oath of Cruelty's debut album most certainly deserves a mention as well, amazing guitar work and guitar tone.

Your thoughts on the current state of the underground?

AR: It's fantastic if you're looking in all the right places?

Lastly, what are your future plans for Devouring Void and when can we expect new material? Thanks for your time.

AR: We're in the process of tightening up the new songs for our upcoming full length. We are hoping to have something out by the end of this year or early 2022.

Thank you for this interview, have an excellent day!

11 Apr 2021

EP review: Devouring Void - Septic Fluid Dripping From the Open Wounds of Gaia (2020)

 


Devouring Void - Septic Fluid Dripping From the Open Wounds of Gaia (2020)

Canada

Independent


Canadians, Devouring Void, bring the evil with their debut EP titled, “Septic Fluid Dripping From the Open Wounds of Gaia, ” which offers five tracks of fierce Black Metal that’s a paean to all things cruel and malicious. 


Opener, "Infinite Abyss" inaugurates this disc with spoken samples from cult leader, Jim Jones, which sets the tone for the rest of the record. The music isn’t particularly raw, although the production isn’t overly clean either. Comparisons might be subjective, but they remind me a bit of Katechon from Norway. They also exude a verily cold and desolate atmosphere idiomatic to Canadian Black Metal a la Frozen Shadows and Godless North. 


The output in question is quite impressive considering that it’s the band’s first release and they seem to have a good grasp of the genre, as one is able to pinpoint several references while listening to this release. The music is thoroughly well-executed, with the band delivering a solid arsenal of riffs combined with hard-hitting drums and a vocalist that sounds like the personification of hatred. Black Metal fans rejoice. (HT)


25 Nov 2020

Album review: Prison Hell - Мяco. Viande. Fleisch. Meat. (2020)

 



Prison Hell - Мяco. Viande. Fleisch. Meat. 2020

Canada

War Vellum


War Vellum has done it again. The quality is consistent with releases from black noise such as Tsalal and Mesmeric Revelation. So when I saw the Prison Hell tape up for pre-order, I immediately bought it. This project is from good ole Edmonton, home of black/death Gods like Blasphemy and Revenge, and you can definitely hear it in the music. It is the brainchild of Kib Sreng from Brulvahnatu, Black Abyss, and ex-member of higher profile acts such as Antediluvian and A.M.S.G. He doesn't stray too far from the path either. The debut full-length, “Мяco. Viande. Fleisch. Meat.” is pure bestial black/death at its best. The art presented is highly inspired and creative. He's not afraid to cross into other genres at the drop of a dime with certain parts of songs having an Incantation feel, whereas other songs have more of a Beherit worship style. The vocals are a mix of guttural and raspy black metal (in the Beherit vein) and suits the music. My favorite part is without a doubt the solos; they are weird, fringe, and sound cool as hell. The production on this release is mixed and mastered perfectly for what you're being subjected to. If you're craving something different, yet still somewhat familiar, then check this out. (LR)

25 Oct 2020

Review: Abstersion - Mors Vincent Omnia - Demo (2020)


Abstersion - Mors Vincent Omnia (2020)

Canada

Darker Than Black


From the first moment you hear the feedback, this demo doesn't let up. It's vicious and demands your attention. Abstersion's "Mors Vincint Omnia" tape is a 15 minute onslaught that is a pleasure to the ears and the best thing musically I've heard come out of 2020. The guitar riffs are fast, tremelo picked in the style of Bone Awl, but down tuned and with a more clean production, so it will remind me of punk occasionally. The drums don't particularly stand out as they are nonstop alternating blasts for the majority but they are good and do their part. As we get to the vocals, they are definitely something that stood out to me. It's not often you hear a black metal band using low-pitched growls throughout their entire songs but here it seems to work perfectly. There was no stand out song as they all meshed and flowed into one another ending way too soon. If you're into relentless hateful black metal with a punk edge, I would recommend checking this out. (LR)