30 Sept 2024

Album review: Maleficarum - Across the Heavens (1995)


 Maleficarum - Across the Heavens

Italy

Defiled Records
 

Maleficarum is a death metal quartet from Molise (southern Italy) that was founded in 1993. After releasing a well-received demo (“Unblessed”) the same year, the band followed it with their excellent debut “Across the Heavens” two years later. Any self-proclaimed death metal enthusiast with a penchant for cult and obscure gems should give this album a listen, as it is absolutely worth your time and has a high replay value. The band also featured former members of Excidium, who are also worth checking out.
 
Apparently, the drum sound on this album is universally maligned by production snobs, however, I personally have no major qualms with it. The drums have a certain crispness that makes them stand out that gives this album a unique quality. They are by no means too extravagant, but rather rhythmically varied and switch between various tempos with relative ease and skill. By alternating between tempos, the band creates an atmosphere that slowly builds through the constant repetition of melodic riffs. The lead work that accompanies this oeuvre evokes a somber mood and is cleverly interspersed throughout, showing their flair for neoclassical ideas. The vocals, while not terribly varied, are masterfully integrated (throaty growls reminiscent of Ross Dolan) and are in cadence with the rest of the instruments. The bass presence is quite noticeable and well-played, adding the necessary lower frequencies to each track and synchronizing perfectly.
 
The guitars have a huge impact playing into the emotion of Maleficarum’s sound, enriching the music with morbid melodies, and dispensing a salvo of chromatic riffs, along with the energetic and tightly played drums. This isn’t quite Atheist-level tech-death, but there’s no denying the methodical approach and detail that went into each song. A more simplified version of Immolation, but with a flavor of melody that borrows from the likes of Sentenced and At the Gates. “Across The Heavens” is like the Italian cousin of “Dawn of Possession”, infused with European melodicism. And while these two albums may be musically aligned, their moods are disparate. While the former conjures images of fire and brimstone, the latter has a kind of gothic undercurrent that paints a picture of a morose and autumnal landscape. 
 
This isn’t exactly boundary-pushing, but it encapsulates all the qualities of the genre into a collective of eleven tracks and forty-three minutes, as “Across the Heavens” is a straight-up death metal banger that I have revisited continuously over the years. Italy has produced a number of noteworthy gems throughout the ‘90s and you can certainly count this masterpiece among them. Stand-out tracks: “Season of Black”, “Time I Am”, “Spirit Magnified” (Jim)